Douglas & McIntyre
Livres Canada Books
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View Rights PortalThis book is a meticulously curated and illustrated compilation based on the “Shennong Ben Cao Jing.” It categorizes herbs into superior, medium, and inferior grades, detailing each herb's name, original text, annotations, translations, sources, uses, and medicinal formulas. The precise descriptions are complemented by vivid full-color hand-drawn illustrations, providing a clear overview of early Chinese clinical herbal medicine practices. This book serves as a valuable reference for the study of traditional Chinese medicine.
Pangu Creats Heaven and Earth was recounted by children's literature writer Zhou Jing and contemporary painter Yang Hongfu, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. Pangu Creates Heaven and Earth is an essential story that must be mentioned in ancient Chinese myths. It describes how the ancient ancestors of Chinese think on the origin of our universe. This book tells the story of how Pangu creates the heaven and earth, focusing on the exploration of Pangu's inner world and description of Pangu's psychological activities. It showed the courage and strength of Pangu, and endowed the founding image of Pangu with heroic temperament and arduous spirit.
The Divine Power of Emperor Shun was recounted by ancient children's literature writer Zhou Jing and contemporary painter Gu Zengping, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. This book mainly tells the story of Emperor Shun's growth journey, and writes Shun's magical power full of blessing and good luck. As a mythical story, there are naturally some fantasy elements in these realistic life stories and emotions, combined with the imaginary birds and golden dragons.
Huangdi Catches the Beast was recounted by children's literature writer Zhou Jing and contemporary painter Pang Xianjian, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. This book starts from the traditional myth story of Huangdi warred Chiyou, examines this myth story from the perspective of modern values, and raises the question of whether various lives matter to different extent. The ups and downs of the fate and value of a beast go through the story, illustrated with rich picture details and harmonious colors.
Kuafu Chased the Sun recounts ancient myths by children's literature writer Zhou Jing and contemporary painter Ye Xiong, the latter recarving stories and characters in the style of Chinese ink painting. The integration of the poetry of the text and the richness of the paintings is a wonderful interpretation of ancient myths, expressing the unique Chinese charm and Chinese spirit. Kuafu Chased the Sun is a classic Chinese myth that every child should know. In this book, Kuafu is brave and fearless, passionately loving nature from his heart, and devotes all his energy to pursuing his dreams, and finally gains lightness and happiness like never before. Through the interpretation of the author and the painter, the story became vivid on the paper.
Ten Suns was recounted by children's literature writer Zhou Jing, and contemporary painter Chen Yunxing re-engraving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the thickness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. The story in this book can be regarded as the prequel to the story of Houyi Shot Suns. The main story is why the ten suns appeared in the sky together. The author had a bold imagination and depicted the curiosity and naughtiness of the sun brothers. The story of Houyi was written through the surrival and death of the ten suns in the sky. This angle is novel and full of childlikeness.
Herbs Shennong was recounted by children's literature writer Zhou Jing and contemporary painter Chen Yunxing, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. This book tells the story of Shen Nong tasted hundreds of herbs for medicine, one of the classics in ancient Chinese mythology. Through clear and beautiful narratives, this book portrays the image of the tribal leader full of wisdom and selfless love. The story condenses the legendary Shennong's main deeds for the benefit of mankind, such as making puppets, growing grains, making pottery, and setting up markets.
Adolfo Bioy Casares wurde am 15. September 1914 in Buenos Aires (Argentinien) geboren. 1932 lernte er im Haus der Essayistin und Literaturkritikerin Victoria Ocampo Jorge Luis Borges kennen und zwei Jahre darauf seine spätere Frau Silvina Ocampo, die ihn gemeinsam mit Borges überzeugte, sein Studium der Rechtswissenschaften und der Philosophie aufzugeben und sich ganz der Literatur zu widmen. 1940 veröffentlichte er La invención de Morel (dt. Morels Erfindung, Neuübersetzung von 2003), sein wohl bekanntester Roman und inzwischen ein Klassiker der phantastischen Literatur. 1954, das Jahr in dem seine einzige Tochter, Marta, geboren wurde, veröffentlichte er El sueño de los héroes (dt. Der Traum der Helden), einen seiner durch Thematik, Sprach- und Lokalkolorit 'argentinischen' Romane. Unter den gemeinsamen Pseudonymen H. Bustos Domecq und B. Suárez Lynch verfaßte er mit Borges zusammen zahlreiche Erzählungen, unter anderem die Kriminalgeschichten Seis problemas para don Isidro Parodi (dt. Sechs Aufgaben für Don Isidro Parodi). 1990 erhielt Bioy Casares den bedeutendsten Literaturpreis der spanischsprachigen Welt: den Premio Cervantes. Er starb 1999 in Buenos Aires. Peter Schwaar, geboren 1947 in Zürich, dort Gymnasium und Abitur, literatur- und musikwissenschaftliche Studien in Zürich und Berlin, Redakteur Kultur und Lokales beim Zürcher Tages-Anzeiger. Seit 1987 freier Übersetzer und Autor. Übertragungen aus dem Spanischen von Eduardo Mendoza, Carlos Ruiz Zafón, Tomás Eloy Martínez, Juan José Millás, David Trueba, Zoé Valdés, Adolfo Bioy Casares, Francisco Ayala, Javier Tomeo, Álvaro Mutis, Jorge ibargüengoitia u.a. Lebt in Barcelona.
Fuxi was recounted by ancient children's literature writer Zhou Jing and contemporary painter Wu Haijia, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. The story of this book is an in-depth description of the mythical figure of Fuxi, and unfolds the legendary Fuxi's contribution to humanity. The book tells the stories of Fuxi started making fire, portray, and divination, fishing with nets, breeding, singing, and dancing, etc. Using repeated techniques, the author applies the poetic deconstruction of traditional elements in the book. By depicting the image of Fuxi, the book celebrates the creativity and self-improvement of the Chinese nation.
Emperor Yao Plants the Beans was recounted by ancient children's literature writer Zhou Jing and contemporary painter Gu Zengping, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. This book is a mythical story about friendship. In the reenactment of this story, the author endows Emperor Yao with a great love to the world and a strong desire for talented people. Li and Yao each had their own lives and pursuits. The bean pods that Li quietly brought to Yao gave Yao a great hope to success. These two men did not impose their pursuits on each other, but respected, appreciated, affirmed, and cherished each other.
Dayu Control Flood was recounted by children's literature writer Zhou Jing and contemporary painter Qian Dinghua, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. This book takes a unique approach and tells the love story of Dayu and Tushanshi, offering Dayu, a deity figure, a humanistic charm. Starting from the well-known myth story of 'Dayu Controls Flood', the author chose a different entry point to retell the story. The affection of Dayu and Tushanshi is rarely mentioned but fascinating. Although this book is about the theme of love, the main theme is still the sacrifice spirit of Dayu who cares about the people.
A poem and two lyrical voices intertwine in this book that invites the reader to get closer to the secret life of a girl who, with her voice, tells us about the complexity and richness of her inner world. A world that although it is not visible to the adult, has grown within her. On the other hand, there is the voice of the adult, who approaches and distances the girl, recognizing that inner world and its uniqueness. This poem written by Adolfo Córdova is extremely delicate and finds its counterpart in the work of Amanda Mijangos, who with pencil, oil monotype on paper, watercolour, and digital work, shows us that inner world with visual metaphors. The book contains a wonderful surprise: it is an accordion book (with a hardback spine) that allows the two voices and images of nature to be traversed. A book that talks about the intimate life of childhood and the relationship between this and adulthood.
Nüwa Repairs the Heaven was recounted by children's literature writer Zhou Jing and contemporary painter Ye Xiong, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. Nu Wa Repairs the Heaven is a classic story in ancient Chinese mythology. It contains philosophical questions of how human beings examined themselves and thought about their origins. It is a famous piece of myths passed over generation by generation via words of mouth. Through the writer's new narrative, this book boldly breaks through the tradition but does not lose sight of it. It uses poetic words to describe the tranquility and beauty of the world in its initial stage, and makes the female figure more delicate and fuller in the book.
Heavenly Girl (Tian Nü) is based on a legendary story in The Classic of Mountains and Seas·Da Huang Bei Jing as a starting point. It describes the difficult journey of the Nü Ba out of the desert to find her identity after having exhausted her powers in aid to her father Huang Di at the war with Chi You. She became the Drought Godness then as drought emerged wherever she went. With the first-person narrative, the main body of the story describes the loneliness and the curiosity of the life of the goddess with her destructive ability. At the same time, the narratives about the protagonist from different persons are presented, offering a different perspective. The work is immense, exquisite in structure, full of characters and strong in originality and artistry.
Devised as an entertainment for a Tudor monarch, Galatea might be seen, paradoxically, as a parable for our time. Inhabiting a world engaged in a process of change, the characters find themselves locked in a series of transgressive situations that speak directly to contemporary experience and twenty-first-century critical concerns. Same-sex relationships, shifts of authority, and the destabilization of meaning all lend the play a surprising modernity, making it at once the most accessible of Lyly's plays and the one most frequently performed today. Designed for the student reader, Leah Scragg's edition offers a range of perspectives on the work. An extensive introduction locates the play in the context of the Elizabethan court, opening a window onto a kind of drama very different from that of more familiar sixteenth-century writers, such as Marlowe and Shakespeare. The latter's indebtedness to the play is fully documented, while detailed critical and performance histories allow an insight into the work's susceptibility to reinterpretation. ;
Edited by world-renowned animal scientist Dr. Temple Grandin, this practical book integrates scientific research and industry literature on cattle, pigs, poultry, sheep, goats, deer, and horses, in both the developed and developing world, to provide a practical guide to humane handling and minimizing animal stress. Reviewing the latest research on transport systems, restraint methods and facilities for farms and slaughterhouses, this fully updated fourth edition of Livestock Handling and Transport includes new coverage of animal handling in South America, and reviews extensive new research on pig transportation in North America.
The Classic of Mountains and Rivers, also known as Shan Hai Jing, has been regarded as a "strange book" since its appearance in China pre-Qin Dynasty. On the basis of its title, most people would assume that it is a survey record of ancient geography, but its descriptions of the "mountains and rivers" include encyclopedic entries—such as animals, plants, minerals, religion, history, medicine, customs, and ethnic groups. Also, it gives accounts of many folk legends of mythic geography, monsters, and witchcraft. No matter labeled as a book of geography, a book of history, or a book of strange stories, it is a Chinese ancient classic that deserves to be read over and over again. But as a book compiled about 2,500 to 3,000 years ago, its context and words are difficult to understand for modern readers. The Classic of Mountains and Rivers for Teenagers series is just designed to make this classic more understandable and readable. It illustrates the most essential parts of the Classic of Mountains and Rivers with simple words, animated illustrations, and interdisciplinary approaches, and introduces young readers to the understandings of Chinese ancestors on land and nature. Not only is it a book series for teenagers, but also an encyclopedia of traditional Chinese geography and culture for adults. The series contains three books, and A Thousand Miles of Mountains and Rivers is the first one. It briefly introduces the creation process and main contributors of the Classic of Mountains and Rivers, and tells stories about geography in ancient China including mountains, rivers, creatures, and minerals as well as the plain but vital spirit for scientific discovery of Chinese ancestors.
Adolfo Bioy Casares wurde am 15. September 1914 in Buenos Aires (Argentinien) geboren. 1932 lernte er im Haus der Essayistin und Literaturkritikerin Victoria Ocampo Jorge Luis Borges kennen und zwei Jahre darauf seine spätere Frau Silvina Ocampo, die ihn gemeinsam mit Borges überzeugte, sein Studium der Rechtswissenschaften und der Philosophie aufzugeben und sich ganz der Literatur zu widmen. 1940 veröffentlichte er La invención de Morel (dt. Morels Erfindung, Neuübersetzung von 2003), sein wohl bekanntester Roman und inzwischen ein Klassiker der phantastischen Literatur. 1954, das Jahr in dem seine einzige Tochter, Marta, geboren wurde, veröffentlichte er El sueño de los héroes (dt. Der Traum der Helden), einen seiner durch Thematik, Sprach- und Lokalkolorit »argentinischen« Romane. Unter den gemeinsamen Pseudonymen H. Bustos Domecq und B. Suárez Lynch verfaßte er mit Borges zusammen zahlreiche Erzählungen, unter anderem die Kriminalgeschichten Seis problemas para don Isidro Parodi (dt. Sechs Aufgaben für Don Isidro Parodi). 1990 erhielt Bioy Casares den bedeutendsten Literaturpreis der spanischsprachigen Welt: den Premio Cervantes. Er starb 1999 in Buenos Aires.