Éditions David
Livres Canada Books
View Rights PortalDavid and Charles is an independent publisher of non-fiction books, predominantly in art, craft and creative categories. Our titles feature industry-leading authors and award-winning editorial and design, commissioned for commercial success in all markets. Category focus on practical how-to books in art, crochet, knitting, general crafts, patchwork & quilting, sewing and wellbeing. Cornerstone titles which are highly illustrated, project, technique and trend orientated.
View Rights PortalThis is the first introduction of its kind to an important cross-section of postcolonial African filmmakers from the 1950s to the present. Building on previous critical work in the field, this volume will bring together ideas from a range of disciplines - film studies, African cultural studies, and, in particular, postcolonial studies - in order to combine the in-depth analysis of individual films and bodies of work by individual directors with a sustained interrogation of these films in relation to important theoretical concepts. Structurally, the book is straightforward, though the aim is to incorporate diversity and complexity of approach within the overall simplicity of format. Chapters provide both an overview of the director's output to date, and the necessary background - personal or national, cultural or political - to enable readers to achieve a better understanding of the director's choice of subject matter, aesthetic or formal strategies, or ideological stance. They also offer a particular reading of one or more films, in which the authors aim to situate African cinema in relation to important critical and theoretical debates. This book thus constitutes a new departure in African film studies, recognising the maturity of the field, and the need for complex yet accessible approaches to it, which move beyond the purely descriptive while refusing to get bogged down in theoretical jargon. Consequently, the volume should be of interest not only to specialists but also to the general reader.
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
'A rule of mine is this', said William Goldman in 1983, 'there are always three hot directors and one of them is always David Lean.' One of the best known and most admired of British film makers, David Lean had a directorial career that spanned five decades and encompassed everything from the intimate black-and-white romance of Brief Encounter (1945) to the spectacular Technicolor epic of Lawrence of Arabia (1962). This book offers comprehensive coverage of every feature film directed by Lean, yielding new insights on the established classics of his career as well as its lesser-known treasures. Its analysis prioritises questions of gender and emphasises the often-overlooked but highly significant recurrence of female-centred narratives throughout Lean's career. Drawing extensively on archival historical materials while also presenting nuanced close readings of individual films, David Lean offers a fascinating and original account of the work of a remarkable British film maker. ;
David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
EXCAVANDO LA CIUDAD DE DAVID – El lugar en el que comenzף la historia de Jerusalיn Las investigaciones arqueológicas llevadas a cabo en los 150 últimos años han identificado a la colina sudoriental de Jerusalén, fuera de las murallas de la Ciudad Vieja, como la Ciudad de David bíblica. El reconocimiento cada vez mayor de que esta colina es efectivamente la parte más antigua de Jerusalén ha llevado a muchos estudiosos a excavarla. Desde las primeras excavaciones hechas por Charles Warren en 1867 hasta el presente, catorce expediciones arqueológicas han trabajado allí, lo que ha hecho que la Ciudad de David sea uno de los sitios más excavados de Israel. Equipos británicos, alemanes, franceses e israelíes han excavado en el lugar bajo cuatro autoridades diferentes: el gobierno otomano, el mandato británico, el gobierno jordano y el israelí y han producido una asombrosa cantidad de información. Algunos de estos restos son de importancia única, entre ellos el túnel de Ezequías, el sistema de túneles conocido como el pozo de Warren, la inscripción del túnel de Siloé, la inscripción de Teodoto, y el estanque de Siloé. Excavaciones recientes efectuadas en la Ciudad de David han revelado vestigios impresionantes de fortificaciones de la Edad de Bronce Medio alrededor de la fuente de Gihón y restos del estanque de Siloé, que datan del período del Segundo Templo. El túnel de Siloé ha sido ahora ampliamente documentado y estudiado. Este libro comienza por una reseña cronológica de un siglo y medio de excavaciones y de estudio de la colina de la Ciudad de David. Dicha reseña resume la historia de la colina, desde épocas prehistóricas hasta el final del período otomano. Presenta un resumen actualizado de hallazgos arqueológicos pasados y recientes, muchos de los cuales, que se presentan aquí por primera vez, han cambiado drásticamente lo que pensábamos acerca de la historia antigua de Jerusalén. Ronny Reich excava y estudia las antigüedades de Jerusalén hace ya más de cuarenta años. De 1969 a 1978 tomó parte en las excavaciones dirigidas por el catedrático Nahman Avigad en el Barrio Judío de Jerusalén. Desde 1995 ha sido co-director de las excavaciones en la Ciudad de David. El profesor Reich es egresado de la Universidad Hebrea de Jerusalén, donde escribió su tesis de doctorado acerca de los baños rituales judíos en la época del Segundo Templo. Desde 1995 es catedrático de Arqueología en la Universidad de Haifa. En 2000 se le otorgó el Premio Jerusalén de Investigación Arqueológica. 27×22 cm, 382 páginas, edición en tapas duras, numerosas ilustraciones en blanco y negro y en color . por Ronny Reich
This study examines the profound changes that twentieth-century performance has wrought on Shakespeare's complex drama of war and politics. What was accepted at the turn of the century as a patriotic celebration of a national hero has emerged in the modern theatre as a dark and troubling analysis of the causes and costs of war. The book details the theatrical innovations and political insights that have turned one of Shakespeare's most traditional-bound plays into one of his most popular and provocative. Henry V gives details analyses of several important modern productions. Beginning with a consideration of the play's political significance in Elizabethan London, the book goes on the reveal its subsequent reinvention, both as patriotic pageant and anti-war manifesto. Individual chapters consider important productions by the Royal Shakespeare Company, and other British and North American companies, as well as the landmark film versions. A compelling account of the theatrical revolution that has transformed one of Shakespeare's most challenging plays. ;
New D.H. Lawrence uses current and emergent approaches in literary studies to explore one of Britain's major modernist writers. The collection features new work by the present generation of Lawrence scholars, who are brought together here for the first time. Chapters include: Andrew Harrison on the marketing of Sons and Lovers; Howard J. Booth on The Rainbow, Marxist criticism and colonialism; Holly A. Laird on ethics and suicide in Women in Love; Hugh Stevens on psychoanalysis and war in Women in Love; Jeff Wallace on Lawrence, Deleuze and abstraction; Stefania Michelucci on myth and war in 'The Ladybird'; Bethan Jones on gender and comedy in the late short fiction; Fiona Becket on green cultural critique, Apocalypse and Birds, Beasts and Flowers; and Sean Matthews on class, Leavis and the trial of Lady Chatterley. New D.H. Lawrence will be of interest to all concerned with contemporary writing on Lawrence, modernism and English radical cultures. ;
Richard Haass and Mitchell Reiss, as autonomous diplomats in the George W. Bush State Department, were able to alter US intervention in Northern Ireland and play critical roles in the post-1998 peace process. Their contributions have not been fully appreciated or understood. The restoration of Northern Ireland's power-sharing government in 2007 was made possible by State Department-led intervention in the peace process. There are few references to Northern Ireland in work examining the foreign policy legacy of the George W. Bush presidency. Moreover, the ability to control US foreign policy towards the region brought one of George W. Bush's Northern Ireland special envoys into direct diplomatic conflict with the most senior actors inside the British government. This book will uncover the extent of this fall-out and provide original accounts on how diplomatic relations between these old allies became so fraught.
This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
John Devine würde am liebsten abhauen. Raus aus Kilcody, dem irischen Provinznest, weg von seiner ewig besorgten, kettenrauchenden Mutter Lily, die ihn mit morbiden Bibelsprüchen erzieht. Doch dann tritt Jamey Corboy in sein Leben, ein Jahr älter, mehr Stil als ganz Kilcody zusammen, Rimbaud in der Manteltasche und gute Beziehungen zu finsteren lokalen Gangstern. Mit einem Mal ist Johns Leben voller Möglichkeiten – und voller Abgründe. Ich, John kombiniert einen hypnotischen Erzählstrom mit der unheimlichen Stimmung eines Tim-Burton-Films. - Coming of Age in der märchenhaften Atmosphäre der irischen Landschaft - Lesereise von Peter Murphy in Deutschland - „So erfrischend und originell, so aufwühlend und mutig! Ein absolut wunderbares Buch.“ Colm Tóibín
A compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.