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      • Dalcò Edizioni S.r.l. / DE Publishing

        Dalcò Edizioni is an independent publishing house based in Parma, Milano and New York. For over twenty years we have been specialized in gastronomic and lifestyle books, which we publish with the Food Editore brand. As a packager we design and create general non-fiction and illustrated books for children with a strong educational component. All our projects are designed both for the Italian and international market.   Visit www.dalco-online.com to discover more or contact us: rights@dalcoedizioni.it

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        Literature & Literary Studies
        April 2020

        Interweaving myths in Shakespeare and his contemporaries

        by Janice Valls-Russell, Agnès Lafont, Charlotte Coffin

        This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.

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        Literature & Literary Studies
        April 2023

        Charles Dickens and Georgina Hogarth

        A curious and enduring relationship

        by Christine Skelton

        Charles Dickens called his sister-in-law Georgina Hogarth his 'best and truest friend'. Georgina saw Dickens as much more than a friend. They lived together for twenty-eight years, during which time their relationship constantly changed. The sister of his wife Catherine, the sharp and witty Georgina moved into the Dickens home aged fifteen. What began as a father-daughter relationship blossomed into a genuine rapport, but their easy relations were fractured when Dickens had a mid-life crisis and determined to rid himself of Catherine. Georgina's refusal to leave Dickens and his desire for her to remain in his household led to rumours of an affair and even illegitimate children. He left her the equivalent of almost £1 million and all his personal papers in his will. Georgina's commitment to Dickens was unwavering but it is far from clear what he did to deserve such loyalty. There were several occasions when he misused her in order to protect his public reputation. Why did Georgina betray her once much-loved sister? Why did she fall out with her family and risk her reputation in order to stay with Dickens? And why did the Dickenses' daughter Katey say it was 'the greatest mistake ever' to invite a sister-in-law to live with a family?

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        November 2021

        Poster Clemens J. Setz (A1)

        plano, nicht gefaltet | Für Fans der Setz’schen Werke und seiner Person

        by Clemens J. Setz

        »Wer den Chor der Mäuse nicht hört, braucht nicht mit mir befreundet zu sein.« Clemens J. Setz ist der Autor bahnbrechender Romane wie Die Stunde zwischen Frau und Gitarre, aufregender Erzählungsbände wie Der Trost runder Dinge, von Gedichten, Theaterstücken, Drehbüchern, Nacherzählungen und Essays. Er ist Übersetzer, ein Freund der Plansprachen, des Obertongesanges, der Ziegen und der Hasen. Er ist Träger des Georg-Büchner-Preises, des Kleist-Preises, des Berliner Literaturpreises. Außerdem ist er ein Poet der Kurznachrichtendienste und noch einiges mehr. In seiner radikalen Vielfältigkeit und vielfältigen Radikalität ist er eine herausragende Figur der Gegenwartsliteratur. Für Fans der Setz’schen Werke und seiner Person ist dieses hochwertige Plakat mit einem Porträt des Dichters gedacht, aufgenommen vom Berliner Fotografen Max Zerrahn. Poster auf stabilem GalaxyArt-Papier im DIN-A1-Format

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        May 1984

        Autobiographie II

        1914-1944. Aus dem Englischen von Julia Kirchner

        by Bertrand Russell, Julia Kirchner

        Bertrand Russell, geboren 1872 in Wales, studierte Mathematik in Cambridge. In seinen schriftstellerischen Tätigkeiten widmete er sich zunächst der Mathematik, später wandte er sich vermehrt philosophischen Themen zu. 1950 erhielt er den Nobelpreis für Literatur. Bertrand Russell verstarb 1970 in Wales.

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        August 1984

        Autobiographie

        1872-1914. Deutsch von Harry Kahn

        by Bertrand Russell, Harry Kahn

        Bertrand Russell, geboren 1872 in Wales, studierte Mathematik in Cambridge. In seinen schriftstellerischen Tätigkeiten widmete er sich zunächst der Mathematik, später wandte er sich vermehrt philosophischen Themen zu. 1950 erhielt er den Nobelpreis für Literatur. Bertrand Russell verstarb 1970 in Wales.

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        January 1967

        Probleme der Philosophie

        by Bertrand Russell, Eberhard Bubser, Eberhard Bubser

        "In diesem Buch, einer der frühen Schriften des englischen Philosophen, wird der Versuch unternommen, die unmittelbare Erfahrung mit dem Weltbild der Physik zu vereinen. Für Russell sind Substanz, Materie und die Gegenstände keine Realitäten, sondern logische Konstruktionen. Dieser Gesichtspunkt bestimmt seine Erkenntnistheorie wie seine Kritik an den traditionellen philosophischen Fragestellungen. Wichtig geworden sind die in den Probleme der Philosophie vorgetragenen Gedanken für die Entwicklung des logischen Positivismus; der Autor fragt nach den Möglichkeiten des Philosophierens in einem Zeitalter, das die Metaphysik verabschiedet hat und dessen Wissensstand entscheidend von der Naturforschung geprägt ist."

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        The Arts
        December 2007

        J. M. W. Turner

        The making of a modern artist

        by Sam Smiles, Alan Rutter

        Alone of his contemporaries, J.M.W. Turner is commonly held to have prefigured modern painting, as signalled in the existence of The Turner Prize for contemporary art. Our celebration of his achievement is very different to what Victorian critics made of his art. This book shows how Turner was reinvented to become the artist we recognise today. On Turner's death in 1851 he was already known as an adventurous, even baffling, painter. But when the Court of Chancery decreed that the contents of his studio should be given to the nation, another side of his art was revealed that effected a wholescale change in his reputation. This book acts as a guide to the reactions of art writers and curators from the 1850s to the 1960s as they attempted to come to terms with his work. It documents how Turner was interpreted and how his work was displayed in Britain, in Europe and in North America, concentrating on the ways in which his artistic identity was manipulated by art writers, by curators at the Tate and by designers of exhibitions for the British Council and other bodies. ;

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        Humanities & Social Sciences
        July 2021

        Post-everything

        An intellectual history of post-concepts

        by Herman Paul, Adriaan van Veldhuizen

        Postmodern, postcolonial and post-truth are broadly used terms. But where do they come from? When and why did the habit of interpreting the world in post-terms emerge? And who exactly were the 'post boys' responsible for this? Post-everything examines why post-Christian, post-industrial and post-bourgeois were terms that resonated, not only among academics, but also in the popular press. It delves into the historical roots of postmodern and poststructuralist, while also subjecting more recent post-constructions (posthumanist, postfeminist) to critical scrutiny. This study is the first to offer a comprehensive history of post-concepts. In tracing how these concepts found their way into a broad range of genres and disciplines, Post-everything contributes to a rapprochement between the history of the humanities and the history of the social sciences.

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        Humanities & Social Sciences
        October 2020

        Pilgrims: Values And Identities

        by Darius Liutikas, Ali Thompson, María Ángeles Piñeiro Antelo, Pedro Azevedo, Derek Dalton, Luciana Thais Villa Gonzalez, Rubén C. Lois-González, Luis Alfonso Escudero Gómez, Rami K Isaac, Elyor E. Karimov, Kumi Kato, Darius Liutikas, Lucrezia Lopez, Dane Munro, Daniel H Olsen, Josephine Pryce, Ricardo Nicolas Progano, Xerardo Pereiro, Kip Redick, Larry Russell, Pravin S. Rana, Rana P. B. Singh, Xosé M. Santos, Augusta X. Thomson, Dallen J Timothy, Slawoj Tanas, Shin Yasuda

        Values-rich journeys can be described as pilgrimage, spiritual travel, personal heritage tourism, holistic tourism, and valuistic journeys. There are many motivations for undertaking values-rich journeys; the most important including personal values, personal and social identity, life experience, lifestyle, social and cultural influence. The main types of pilgrim journeys are traditional religious or spiritual journeys as well as secular journeys related with the expression of national, communal or personal identity, e.g. the journeys of sport and music fans. The manifestation of personal and social identity has different forms and rituals and constitutes different models of a specific behaviour. The journeys are often embraced as potential instruments for life altering experiences. This book presents contributions that address pilgrim motivation, identity and values as they are shaped by the broader sociological, psychological, cultural and environmental perspectives. With a focus on travellers themselves and their inner world through the lens of their pilgrimage. The research presented focuses on the typology of pilgrim journeys as ways in which identity and values are presented to a post-modern consumer society, providing interesting and challenging perspectives on the identity of pilgrims in the 21st century.

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        July 1999

        Bertrand Russell und Lady Ottoline Morrell

        Eine Liebe wider die Philosophie

        by Voss, Ursula

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        Forestry & related industries
        May 1999

        Russian-English, English-Russian Forestry and Wood Dictionary, 2nd Edition

        by William Linnard, David Darrah-Morgan

        Russia and the other republics of the former USSR are now more accessible than at any other time in history. In the future, the forest resource of Russia, easily the greatest of any country in the world, will become even more globally important both environmentally and commercially.This new dictionary incorporates an updated and enlarged version of the first Russian-English edition, published in 1966, plus an entirely new English-Russian section of similar size. It contains many new terms, species names, acronyms and abbreviations to account for the great changes which have taken place in Russian forestry in terms of mechanization, woodworking technology, forest management and economics, environmental pollution and conservation. A list of the botanical names of trees and shrubs, with their Russian and English equivalents has also been included.The book has been compiled by Dr William Linnard, former Assistant Director of the Commonwealth Forestry Bureau, with over forty years’ experience of abstracting and translating forestry literature and David Darrah-Morgan, M.A. (Translation), a full-time translator, specializing in forestry and related fields.

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