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      • Christine Heimannsberg

        Gelobtes Land, die dystopische Climate Fiction Trilogie: Mit CO2 verbindet man den Klimawandel, schmelzende Gletscher und Überflutungen. Mittlerweile ist der Klimawandel auch in der Literatur angekommen. „Climate Fiction“ oder „Cli-fi“ lautet das Stichwort, das zuletzt verstärkt in den Feuilletons auftauchte. Die deutsche Autorin Christine Heimannsberg präsentiert mit ihrer Debüt-Trilogie „Gelobtes Land“ eine ungewöhnliche, spannende Dystopie, die ökologische wie humanistische Themen geschickt im neuen Genre zusammenführt.

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      • Trusted Partner
        The factory in a garden
        The Arts
        February 2017

        The factory in a garden

        by Helena Chance, Christopher Breward

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      • Trusted Partner
        Anna of Denmark
        Humanities & Social Sciences
        June 2020

        Anna of Denmark

        by Jemma Field, Christopher Breward

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      • Trusted Partner
        Precarious objects
        Humanities & Social Sciences
        December 2020

        Precarious objects

        by Ilaria Vanni, Christopher Breward

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      • Trusted Partner
        Lifestyle revolution
        The Arts
        November 2022

        Lifestyle revolution

        by Ben Highmore, Christopher Breward

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      • Trusted Partner
        In good taste
        The Arts
        November 2022

        In good taste

        How Britain’s middle classes found their style

        by Ben Highmore, Christopher Breward

        In postwar Britain, journalists and politicians prophesised that the class system would not survive a consumer culture where everyone had TVs and washing machines, and where more and more people owned their own homes. They were to be proved entirely wrong. In good taste charts how class culture, rather than being destroyed by mass consumption, was remade from flat-pack furniture, Mediterranean cuisine and lifestyle magazines. Novelists, cartoonists and playwrights satirised the tastes of the emerging middle classes, and sociologists claimed that an entire population was suffering from status anxiety, but underneath it all, a world was being constructed out of duvets, quiches and mayonnaise, easy chairs from Habitat, white emulsion paint and ubiquitous well-scrubbed, second-hand pine kitchen tables. This was less a world of symbolic goods and more an intimate environment alive with new feelings and attitudes.

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      • Trusted Partner
        Critical design in Japan
        The Arts
        February 2020

        Critical design in Japan

        by Ory Bartal, James Ryan, Christopher Breward

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      • Trusted Partner
        Deco dandy
        The Arts
        May 2021

        Deco dandy

        by John Potvin, Christopher Breward, James Ryan

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      • Trusted Partner
        Out of the ivory tower
        The Arts
        November 2013

        Out of the ivory tower

        The Independent Group and popular culture

        by Anne Massey, Christopher Breward, Bill Sherman

        The Independent Group is now the subject of global scholarly interest, and this book, a sequel to The Independent Group: Modernism and mass culture in Britain, 1945-59, explores the Anglo-American phenomenon from a new perspective. The Group included fine artists Magda Cordell, Richard Hamilton, Nigel Henderson, Eduardo Paolozzi and William Turnbull; architects Alison and Peter Smithson, James Stirling and Colin St John Wilson; graphic designer Edward Wright; music producer Frank Cordell; and writers Lawrence Alloway, Reyner Banham, John McHale and Toni del Renzio. This radical collective met at the ICA in London during the early 1950s, and worked with and within the new world of both the avant-garde and popular culture. This sequel includes an in-depth discussion of the recent historiography of the Independent Group, and examines its history from an alternative perspective - that of popular culture. The themes of domestic space, Hollywood film, fashion, mass-circulation magazines, science-fiction and popular music are explored, broadening our general understanding. ;

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      • Trusted Partner
        Ideal homes, 1918–39
        The Arts
        February 2018

        Ideal homes, 1918–39

        by Deborah Sugg Ryan, Christopher Breward, Bill Sherman

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      • Trusted Partner
        Hot metal
        The Arts
        February 2017

        Hot metal

        by Jesse Stein, Bill Sherman, Christopher Breward

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      • Trusted Partner
        Windows for the world
        The Arts
        April 2018

        Windows for the world

        by Jasmine Allen, Bill Sherman, Christopher Breward

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      • Trusted Partner
        The birth of modern London
        Humanities & Social Sciences
        February 2021

        The birth of modern London

        by Christopher Breward, Bill Sherman, Elizabeth Mckellar

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      • Trusted Partner
        Representations of British motoring
        Humanities & Social Sciences
        April 2007

        Representations of British motoring

        by David Jeremiah, Christopher Breward, Bill Sherman, Alan Rutter

        Representations of British motoring provides important new insights into the established discourses of British motoring. Based on the patterns of representation that have mediated between the trade, owners and society, particularly the myths and realities generated by the advertising campaigns and motoring journals, it identifies the landmarks of change and innovation. It is not about great images as such, although some are, but particular attention has been directed towards the creative intervention of the artist-illustrators. Part One emphasises the critical significance of the emerging concerns and aspirations of the first decade of motoring, while the two subsequent parts provide a clear understanding of how the continuity of the public debate has shaped the concepts of modern and popular motoring. The new models, motorists and motoring landscape are the central themes through which it has been possible to track the preoccupation with questions regarding speed and safety, the idea of being British, the aesthetics of the car and motoring, and the family, women and the car. As such it is a design history that redefines and extends the parameters of the history of motoring, providing an overview of the place of the motor-car and motoring in British society that is relevant to undergraduate and postgraduate studies and the motoring enthusiast. ;

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      • Trusted Partner
        Bringing modernity home
        March 2007

        Bringing modernity home

        Writings on popular design and material culture

        by Christopher Breward, Bill Sherman, Martin Hargreaves

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      • Trusted Partner
        Comradely objects
        The Arts
        February 2020

        Comradely objects

        by Yulia Karpova, Christopher Breward, James Ryan

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      • Trusted Partner
        Bachelors of a different sort
        Humanities & Social Sciences
        January 2021

        Bachelors of a different sort

        by Christopher Breward, John Potvin, Bill Sherman

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      • Trusted Partner
        Material relations
        The Arts
        November 2010

        Material relations

        by Jane Hamlet, Christopher Breward, Bill Sherman

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      • Trusted Partner
        Crafting design in Italy
        The Arts
        February 2015

        Crafting design in Italy

        From post-war to postmodernism

        by Catharine Rossi, Christopher Breward, Bill Sherman

        Crafting design in Italy is the first book to examine the role that craft played in post-war Italian design, one of the most celebrated design episodes in the twentieth century. Craft was vital to the development of Italian design, and it has been so far overlooked. This book examines the multiple ways craft shaped Italian design from 1945 to the 1980s in the context of bigger socio-economic, cultural and political change; from post-war reconstruction to the economic 'miracle' of the 1960s, to the rise of the countercultural Radical Design movement and advent of postmodernism. It consists of case studies on design areas including product, furniture, fashion, glass and ceramics to bring to light previously unknown makers and objects as well as re-examine design 'icons' such as Gio Ponti's Superleggera chair and Ettore Sottsass's Memphisware. It also offers a model for analysing design and craft's relationship in other contexts, including today. ;

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