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      • Daniel Goleman - Foreign Audio

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      • Kerstin Schulze

        Ein angesehener Privatbankier wird erpresst. In einem Luxushotel wird ein Escort-Girl brutal ermordet und die Vereinten Nationen sind Ziel eines Anschlagplans islamistischer Terrorristen.    In dem ersten Teil der Thriller-Trilogie »Geneva Girl – Todesursache unbekannt« geht es um Schwarzgeld, Mord und Terrorgefahr in einer der teuersten Städte der Welt: Genf. Im Mittelpunkt des Buches steht eine deutsche Praktikantin bei den Vereinten Nationen, die an Angststörungen und Klaustrophobie leidet, und zwischen die Fronten von Geheimdienst und Diplomatie gerät. Es handelt sich um eine brisante Mischung aus Psycho- und Politthriller. Die Idee zu dem Roman lieferte der nie aufgeklärte Tod des ehemaligen Ministerpräsidenten von Schleswig-Holstein Uwe Barschel im Genfer Hotel Beau-Rivage.

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        The Arts
        January 2019

        French cinema in the 1970s

        The echoes of May

        by Alison Smith

        This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.

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        May 2022

        Tourism Transformations in Protected Area Gateway Communities

        by Susan L Slocum, Peter Wiltshier, John Basil Read IV, Dorothee Bohn, Andrea Zita Botelho, Kelly S. Bricker, Robert S. Bristow, Karina H. Casimiro, Rosa Suárez Chaparro, Ana Cristina Costa, Kynda R. Curtis, Margaret J. Daniels, Edieser Dela Santa, C. Michael Hall, Manuel Ramón Gonzalez Herrera, Russell M. Hicks, Julie Judkins, N. Qwynne Lackey, Natalya Lawrence, Gustavo C. X. M. P. Machado, Gianna Moscardo, Jake Powell, Sidnei Raimundo, Mary Anne Ramos-Tumanan, Milena Manhães Rodrigues, Chris Ryan, Renato de Oliveira dos Santos, Jessica A. Schottanes, Ole R. Sleipness, Maria Anunciação Ventura, Therez B. Walker

        Gateway communities that neighbour parks and protected areas are impacted by tourism, while facing unique circumstances related to protected area management. Economic dependency remains a serious challenge for these communities, especially in a climate of neoliberalism, top-down policy environments, and park closures related to environmental degradation or government budgets. The collection of works in this edited book provide bottom-up, informed, and nuanced approaches to tourism management using local experiences from gateway communities and protected areas management emerging from a decade of guidelines, rulemaking, and exclusive decision-making. Global perspectives are presented and contextualized at the local level of gateway communities in an attempt to balance nature, community, and commerce, while supporting the triple bottom line of sustainable tourism. While anticipating a post-COVID 19 global shift, readers are encouraged to think through transformation and resiliency in regard to how the flux of supply vs demand alters gateway community perspectives on tourism. Specific features of this book include: · Focus on transformations, which provides insight into the complex and dynamic nature of gateway communities. · Multidisciplinary, multi-cultural insights into protected area management. · Applied and conceptual chapters from global perspectives.

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        Humanities & Social Sciences
        March 2017

        The French empire at War, 1940–1945

        by Martin Thomas

        The French empire at war draws on original research in France and Britain to investigate the history of the divided French empire - the Vichy and the Free French empires - during the Second World War. What emerges is a fascinating story. While it is clear that both the Vichy and Free French colonial authorities were only rarely masters of their own destiny during the war, preservation of limited imperial control served them both in different ways. The Vichy government exploited the empire in an effort to withstand German-Italian pressure for concessions in metropolitan France and it was key to its claim to be more than the mouthpiece of a defeated nation. For Free France too, the empire acquired a political and symbolic importance which far outweighed its material significance to the Gaullist war effort. As the war progressed, the Vichy empire lost ground to that of the Free French, something which has often been attributed to the attraction of the Gaullist mystique and the spirit of resistance in the colonies. In this radical new interpretation, Thomas argues that it was neither of these. The course of the war itself, and the initiatives of the major combatant powers, played the greatest part in the rise of the Gaullist empire and the demise of Vichy colonial control.

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        The Arts
        March 2013

        Space and being in contemporary French cinema

        by James S. Williams

        This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser) ;

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        AM I MY BROTHER’S KEEPER?

        An Israeli Political Novel Predicting a Civil War

        by Daniel Gelleri

        CIVIL WAR IN ISRAEL!  Though it is seemingly impossible, world media are screaming the headline. Has the greatest experiment in democracy utterly failed? As the Arab world gloats, the United States – the world’s only surviving superpower – is faced with momentous agony. On the stage of international politics, did it back the wrong actor? One hundred and ten years after the birth of Yitzhak Isaac Isserlish, descendant of a prominent East-European rabbinical line, in Krakow, Poland, his great-grandsons are at war with one another in the hills of Jerusalem – a war that may truly prove to the world that Armageddon is at hand! Following the government's decision to return Israel to its pre-1967 borders, ideological controversy tears apart the paper-thin fabric of what the world has always viewed as a beacon of hope, a secure monolith in a sea of discord. What was formerly whispered behind closed doors now explodes onto the streets of every major city and town. Each side is adamant in its view of the final shape of the country. Each side is also intent upon achieving its desired goal. The greatest fear becomes reality: CIVIL WAR! Israeli citizens confront one another, brother against brother. They all love their country, all have its best interest at heart, and all fear for its safety, but conversely and tragically each finds his opponents' vision to be an abomination. In a tiny nation that has faced the enemy without fear for seventy-five years, the impossible is happening: the enemy is within. The enemy is not at the gates; the enemy is inside the gates! Each side is fighting for its own justice, its own faith, its own truth, and its own vision of a Biblical Israel redeemed. In a tightly-woven transgenerational saga, Daniel Gelleri, author of the popular novel Iris, traces the lives of five generations of one Jewish-Israeli family whose members share not only time, place, hopes, and dreams with their forefathers, but who are deeply affected by the nightmares and fears of their own lives.  Daniel Gelleri, a senior officer in the Israel Defense Force (IDF) Reserves, was originally a secular Jew, who became Orthodox at the age of 25. He lived with his family on the West Bank settlement of Bat-Ayin for ten years. When Israeli Prime Minister Yitzhak Rabin was assassinated by a Jewish extremist, Gelleri began to reexamine his faith and beliefs. After a period of soul searching he returned to his original secular life style and abandoned the religious world in which he had lived. His first novel, Iris, was received with great success.

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        Bin ich meines Bruders Hüter?

        by Daniel Gelleri

        Bin ich meines Bruders Hüter? von Daniel Gelleri BÜRGERKRIEG IN ISRAEL! Ist eines der mutigsten demokratischen Experimente fehlgeschlagen? Während die arabische Welt Genugtuung äußert, breitet sich in Europa und den USA Bestürzung aus. In dieser lebendig erzählten Geschichte zeichnet Daniel Gelleri, Autor des Erfolgromans Iris, das Leben von fünf Generationen einer jüdisch-israelischen Familie nach, deren Mitglieder die Hoffnungen und Träume ihrer Vorfahren teilen und gleichzeitig unter den Auseinandersetzungen, Alpträumen und Ängsten im heutigen Israel leiden. 150 Jahre nach der Geburt Isaak Isserlichs, dem Sproß einer prominenten osteuropäischen Rabbinerfamilie aus Krakau, bekämpfen sich seine Urenkel in den Jerusalemer Bergen. Sind diese blutigen Auseinandersetzungen ein Hinweis auf die nahende Apokalypse? Die israelische Regierung beschließt, sich auf die Grenzen des Jahres 1967 zurückzuziehen und löst damit eine große ideologische Kontroverse aus. Der ohnehin brüchige gesellschaftliche Konsens zerreißt. Was bisher nur hinter verschlossenen Türen debattiert wurde, eskaliert jetzt auf den Straßen jeder größeren Stadt Israels zum gewaltsamen Konflikt. Jede Seite besteht darauf, den Staat nach ihren Vorstellungen zu formen. Niemand ist bereit, nachzugeben und ein Alptraum wird wahr: BÜRGERKRIEG! In dem kleinen Land, dessen Bürger den zahlreichen äußeren Feinden fünfundsiebzig Jahre lang erfolgreich standgehalten haben, geschieht das Undenkbare: Der Feind kommt jetzt nicht von außen, sondern vom Inneren des Landes. Jede Seite kämpft für die eigene Wahrheit, den eigenen Glauben und die eigene Vision für Israel. Daniel Gelleri (geb. 1955) wuchs als säkularer Jude auf. Er kehrte sich mit fünfundzwanzig dem orthodoxen jüdischen Glauben zu. Mehrere Jahre lebte er mit seiner Familie in der Siedlung Bat Ayin im Westjordanland: Die Ermordung von Ministerpräsident Rabin durch einen orthodoxen Fanatiker erschütterte Gelleri so tief, daß er seinen Glauben einer erneuten Prüfung unterzog. Er kehrte der religiösen Welt den Rücken zu und nahm seinen früheren säkularen Lebensstil wieder auf. Er ist ein hochrangiger israelischer Reserveoffizier. Iris, sein erster kürzlich veröffentlichter erster Roman wurde ein großer Erfolg. Rechte für die deutsche Ausgabe und andere Sprachen sind noch erhältlich!

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        Humanities & Social Sciences
        October 2020

        Pilgrims: Values And Identities

        by Darius Liutikas, Ali Thompson, María Ángeles Piñeiro Antelo, Pedro Azevedo, Derek Dalton, Luciana Thais Villa Gonzalez, Rubén C. Lois-González, Luis Alfonso Escudero Gómez, Rami K Isaac, Elyor E. Karimov, Kumi Kato, Darius Liutikas, Lucrezia Lopez, Dane Munro, Daniel H Olsen, Josephine Pryce, Ricardo Nicolas Progano, Xerardo Pereiro, Kip Redick, Larry Russell, Pravin S. Rana, Rana P. B. Singh, Xosé M. Santos, Augusta X. Thomson, Dallen J Timothy, Slawoj Tanas, Shin Yasuda

        Values-rich journeys can be described as pilgrimage, spiritual travel, personal heritage tourism, holistic tourism, and valuistic journeys. There are many motivations for undertaking values-rich journeys; the most important including personal values, personal and social identity, life experience, lifestyle, social and cultural influence. The main types of pilgrim journeys are traditional religious or spiritual journeys as well as secular journeys related with the expression of national, communal or personal identity, e.g. the journeys of sport and music fans. The manifestation of personal and social identity has different forms and rituals and constitutes different models of a specific behaviour. The journeys are often embraced as potential instruments for life altering experiences. This book presents contributions that address pilgrim motivation, identity and values as they are shaped by the broader sociological, psychological, cultural and environmental perspectives. With a focus on travellers themselves and their inner world through the lens of their pilgrimage. The research presented focuses on the typology of pilgrim journeys as ways in which identity and values are presented to a post-modern consumer society, providing interesting and challenging perspectives on the identity of pilgrims in the 21st century.

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        The Arts
        June 2021

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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        The Arts
        January 2019

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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        December 2011

        Weihnachten

        Das globale Fest

        by Daniel Miller, Frank Jakubzik

        Jedes Jahr reisen Millionen Menschen im Dezember hektisch nach Hause – um dort in aller Besinnlichkeit Weihnachten zu feiern. Obwohl alle auf Kommerz und Materialismus schimpfen, geben sie sich jede Mühe, Verwandten und Freunden mit teuren Geschenken ihre Liebe zu beweisen. Weihnachten steckt voller Paradoxien, mit denen sich Daniel Miller in seinem Essay über die Geschichte und Bedeutung eines Festes befaßt, das wie kein anderes dazu geeignet ist, den Kalender der Weltgesellschaft zu synchronisieren.

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        The Arts
        April 2019

        Daniel Calparsoro

        by Nuria Triana-Toribio, Ann Davies, Andy Willis

        Daniel Calparsoro, a director who has made a crucial contribution to contemporary Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a works of crude violence by those lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro's films in fact reveal a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director's work, from his early social-realist films set in the Basque Country to his later forays into the genres of the war and horror. It offers an in-depth film-by-film analysis while simultaneously exploring the director's position in the contemporary Spanish context, the tension between directors and critics and the question of national cinema in an area - the Basque Country - of heightened national and regional sensitivities.

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        The Arts
        February 2009

        Daniel Calparsoro

        by Ann Davies, Nuria Triana-Toribio, Andy Willis

        Daniel Calparsoro, a director who has provided a crucial contribution to the contemporary scene in Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a purveyor of crude violence by those critics lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro's films reveal in fact a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director's work, from his early social realist films set in the Basque Country to his later forays into the genres of the war and horror film. It offers an in-depth film-by-film analysis, while simultaneously exploring the function of the director in the contemporary Spanish context, the tension between directors and critics, and the question of national cinema in an area - the Basque Country - of heightened national and regional sensitivities. ;

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        April 2016

        Den Bann brechen

        Religion als natürliches Phänomen

        by Daniel C. Dennett, Frank Born

        Religion ist, wie jedes andere menschliche oder nichtmenschliche Phänomen, den Naturgesetzen unterworfen und somit auch naturwissenschaftlich erforschbar. So lautet Daniel Dennetts provokante These. In seiner Untersuchung konzentriert er sich vor allem auf die Gründe und Bedingungen für die Entstehung der Religion, ihre verschiedenen Erscheinungsformen und Ausprägungen sowie auf die Mannigfaltigkeit ihrer Inhalte. Warum hat die menschliche Evolution ein so kostspieliges Phänomen hervorgebracht und am Leben gehalten? Wem nützt die Religion? Ist Religiosität genetisch bedingt oder sind es eher religiöse »Meme«, die sich erfolgreicher vermehrt haben als ihre Konkurrenten? Dennett möchte den Bann brechen, der für heilig gehaltene Phänomene häufig umgibt, und prüfen, ob die Religion einer wissenschaftlichen Analyse standhält. Nur dann kann sie ihm zufolge ihre Legitimität behaupten.

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        October 1979

        Klassenkampf in Frankreich

        Bourgeois et »bras nus« 1793–1795

        by Daniel Guérin, Jürgen Hoch

        Daniel Guérins Untersuchung - bei dem hier angezeigten Band handelt es sich um der Kampf der Bourgeoisie auf dem Wege zur Macht gegen die »bras nus« - gegen die »bras nus«, auf die die Bourgeoisie zur Installierung ihrer Macht gleichzeitig angewiesen war. In seiner Darstellung der Ereignisse kritisiert Guérin unter anderem die verbreitete Vorstellung, Robespierre habe als entschiedener Verteidiger der bras nus gewirkt. Ferner setzt sich Guérin ausführlich mit der Frage des Klassenkampfes auf dem Lande und der revolutionären Rolle der armen Bauern auseinander.

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        June 2021

        Neurowissenschaft und Philosophie

        Gehirn, Geist und Sprache

        by Maxwell Bennett, Daniel C. Dennett, Peter Hacker, John R. Searle, Joachim Schulte, Daniel Robinson

        Als der Neurowissenschaftler Maxwell Bennett und der Philosoph Peter Hacker den Klassiker Philosophical Foundations of Neuroscience veröffentlichten, war dies die erste systematische Untersuchung der begrifflichen Grundlagen der Neurowissenschaften und der Startschuss für den bis heute intensiv geführten Kampf um die Deutungsmacht über den menschlichen Geist. Besonders kritisch fiel seinerzeit die Auseinandersetzung mit den einflussreichen Arbeiten von Daniel Dennett und John Searle aus – also mit jenen beiden Denkern, die von der neurowissenschaftlichen Seite gerne als philosophische Gewährsmänner herangezogen werden. In Neurowissenschaft und Philosophie diskutieren die vier kongenialen »Streithähne« miteinander.

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        Business, Economics & Law
        March 2017

        Arctic Tourism Experiences

        Production, Consumption and Sustainability

        by Young-Sook Lee, David Weaver, Nina K Prebensen

        An exploration of Arctic tourism, focusing on tourist experiences and industry provision of those experiences; this is the first compilation to concentrate on the fundamental essence of the Arctic as being a geographical periphery, but also an experiential core that offers peak tourism experiences. Part 1 investigates the depth and dimensions of tourist experiences in the Arctic. Chapters examine the essence of diverse peak experiences and delve into the factors that give rise to these experiences. Part 2 considers the links between these core experiences and the tourism industry that seeks to sustain itself by facilitating such satisfying outcomes. ; The book focuses on tourist experiences and industry provision of those experiences. It concentrates on the fundamental essence of the Arctic as being a geographical periphery, but also an experiential core that offers peak tourism experiences. ; PART I: INTRODUCTION AND ISSUES: TOURIST EXPERIENCES OF THE ARCTIC AND CREATING TOURIST EXPERIENCES.Chapter 1: Arctic Destinations and Attractions as Evolving Peripheral Settings for the Production and Consumption of Peak Tourism ExperiencesChapter 2: Experiencing the Arctic in the Past: French Visitors to Finnmark in the Late 1700s and Early 1800sChapter 3: Roles of Adventure Guides in Balancing Perceptions of Risk and SafetyChapter 4: The Central Role of Identity in the Arctic PeripheryChapter 5: Tourists and Narration in the Arctic: The Changing Experience of MuseumsChapter 6: World Heritage List = Tourism Attractiveness?PART II: CREATING TOURIST EXPERIENCES IN THE ARCTICChapter 7: Degrees of Peripherality in the Production and Consumption of Leisure Tourism in GreenlandChapter 8: Northern Lights Experiences in the Arctic Dark: Old Imaginaries and New Tourism NarrativesChapter 9: Exploring the Extreme Iditarod Trail in AlaskaChapter 10: The Arctic Tourism Experience from an Evolving Chinese PerspectiveChapter 11: Tourists’ Interpretations of a “Feelgood In Lapland” Holiday- A Case StudyChapter 12: Negotiating Sami Place and Identity: Do Scottish Traditions Help Sami to be More Sami?Chapter 13: Emergence of Experience Production Systems for Mass Tourism Participation in Peripheral Regions: Evidence from Arctic ScandinaviaChapter 14: Factors of Peripherality: Whale Watching in Northern NorwayChapter 15: Responsible Fishing Tourism in the ArcticChapter 16: Long way up: Powered Two-Wheeled Journeys in Northern PeripheriesChapter 17: Experiences of Marine Adventurers in the Canadian ArcticChapter 18: Arctic Tourism in Russia: Attractions, Experiences, Challenges and PotentialsChapter 19: Tourism Experiences of Post-Soviet Arctic BorderlandsChapter 20: Arctic Tourism Experiences: Opportunities, Challenges and Future Research Directions for a Changing Periphery

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