Burnet Media
Burnet Media is an independent publisher based in Cape Town, South Africa. We specialise in forging close author-publisher partnerships for trade and customised projects.
View Rights PortalBurnet Media is an independent publisher based in Cape Town, South Africa. We specialise in forging close author-publisher partnerships for trade and customised projects.
View Rights PortalBurleigh Dodds Subliscience Publishing was established in 2015 by former staff at the award-winning Woodhead Publishing. Our vision is to help solve one of the world’s greatest challenges: to feed the world’s growing population. There is an urgent need for a more climate-smart agriculture able to feed a growing population whilst, at the same time, adapting to (and not exacerbating) climate change. Our goal is to build collections of research on key topics in agricultural science so that researchers can build on existing work and collaborate more effectively. We are achieving this by using ’smart-publishing’ to help achieve ’climate-smart’ agriculture.
View Rights Portal"I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
An old woman spends all her time at her house located at the city center watching the world and the city to which she is now a foreigner. She watches the street below with binoculars. One day, while she watches down the street as usual, she sees a little girl whom she has not ever seen until that day. After seeing the girl, strange things happen to occur in the city. A bird falls onto her windowsill. After a while, a roedeer is spotted in the midst of the traffic lights. Later, a group of wild boars crosses the sea of the city. The inhabitants of the expanding city, who do not grant any right to any other creatures, perceive all these things as a threat. All these animals are then caught. And we witness this old woman being trapped, only being able to watch from her saloon while all these things happen.
THE FIRST LADY (Prva dama) This novel is a reworking, in minimalist style and condensed manner, of the Biblical story of the beautiful Bathsheba and King David. The king’s “controversial” wife is an archetypal femme fatale, who is aware of her charms also in an emancipatory sense and, regardless of the means and victims, in an almost mathematically calculating way exchanges them for a “better” life – marriage to the educated king loved by his people and through this a climb up the social ladder, a better position, and consequently better pay and independence. Although Bathsheba’s life seems like a fairy tale, inside her grows a nagging feeling of guilt. Using fate and god as an excuse does not bring her peace, but pushes her towards self-destructive behaviour.