Iron Bridge Publishing
Iron Bridge Publishing is a new independent & hybrid publisher with a mission to spread positive and constructive ideas.
View Rights PortalIron Bridge Publishing is a new independent & hybrid publisher with a mission to spread positive and constructive ideas.
View Rights PortalBabel-Bridge specialises in translation rights representation world-wide on behalf of publishing houses and agencies. At Babel-Bridge, every single book is carefully selected for its potential ability to travel, be it for its universal theme, its commercial hook or stunning artwork, or indeed all three. Babel-Bridge represents mainly books from the Nordics and the UK, but we wish to grow the portfolio to include beautiful books that tick the aforementioned boxes from other corners of the world. To that end, Babel-Bridge will rely on close collaboration with subagents, who are strongly placed to identify the books that are most likely to travel, but where the rights holder lacks the network abroad.
View Rights PortalThe book offers interdisciplinary analyses of the impact of Brexit on the rights of EU27 citizens in the UK, Britons in the UK and the EU, and third-country nationals. It combines a historical examination of citizenship and migration between the UK, Europe and the Commonwealth with the analysis of policies and of the experiences of the different groups impacted by Brexit. The book discusses Brexit within the larger history and dynamics of UK and EU citizenship and migration. The individual chapters look at how Brexit is transforming the citizenship rights of different groups, including issues of loss of citizenship and experiences of naturalisation. They further examine the fears of the groups impacted, and larger issues of belonging, marginalisation, political orientations and mobilisations that cross legal status, nationality, ethnicity, race and class.
Nach zwölf Jahren auf der Flucht kehrt Michael Forsythe nach Belfast zurück. Er hat vierundzwanzig Stunden Zeit, die entführte Tochter seiner großen Liebe Bridget wiederzufinden. Versagt er, hat er zum letzten Mal versagt ... Michael Forsythe steht mal wieder auf der Abschußliste. Selbst nach zwölf Jahren im Zeugenschutzprogramm stöbern ihn zwei Killer in seinem Versteck in Lima auf. Sie halten ihm eine Knarre an den Kopf und drücken ihm ein Telefon in die Hand. Am anderen Ende der Leitung: Bridget Callaghan, seine große Liebe, die mit ihm noch eine Rechnung offen hat. Um sein Leben zu retten, soll Michael Bridgets entführte Tochter finden. Ihm bleiben dafür vierundzwanzig Stunden. Michael kehrt also in seine Heimat Belfast zurück und taucht in die Unterwelt der Stadt ein. Dort wird er mit einer erschreckenden Wahrheit konfrontiert …
Claire und Neil Archer führen ein kleines gemütliches Hotel in den Wicklow Mountains, die Sugar Loaf Lodge. Als in der Vorweihnachtszeit die Buchungen ausbleiben, versuchen es die beiden mit einer Annonce und nach und nach kommen die Anmeldungen: die junge Frau, die ein geheimes Treffen mit ihrem Geliebten plant; Andrew und Bridget, die sich endlich einmal etwas Schönes gönnen wollen, aber auch die jungen Eltern, die den Streitereien mit der Familie entfliehen möchten. Für sie alle sollen diese Weihnachtsfeiertage etwas ganz Besonderes werden.Die irische Bestsellerautorin Sheila O’Flanagan erzählt warmherzig und mit feinem Humor Geschichten von Liebe und Eifersucht, Beziehungskrisen und Familiengeheimnissen, und wie sich am Ende vieles fügt zum kleinen Glück am Weihnachtsabend.
Claire und Neil Archer führen ein kleines gemütliches Hotel in den Wicklow Mountains, die Sugar Loaf Lodge. Als in der Vorweihnachtszeit die Buchungen ausbleiben, versuchen es die beiden mit einer Annonce und nach und nach kommen die Anmeldungen: die junge Frau, die ein geheimes Treffen mit ihrem Geliebten plant; Andrew und Bridget, die sich endlich einmal etwas Schönes gönnen wollen, aber auch die jungen Eltern, die den Streitereien mit der Familie entfliehen möchten. Für sie alle sollen diese Weihnachtsfeiertage etwas ganz Besonderes werden.Die irische Bestsellerautorin Sheila O’Flanagan erzählt warmherzig und mit feinem Humor Geschichten von Liebe und Eifersucht, Beziehungskrisen und Familiengeheimnissen, und wie sich am Ende vieles fügt zum kleinen Glück am Weihnachtsabend.
Queer exceptions is a study of contemporary solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. With diverse case studies featuring the work of La Ribot, David Hoyle, Oreet Ashery, Bridget Christie, Tanja Ostojic, Adrian Howells and Nassim Soleimanpour, the book examines the role of singular or 'exceptional' subjects in constructing and challenging assumed notions of communal sociability and togetherness, while drawing fresh insight from the fields of sociology, gender studies and political philosophy to reconsider theatre's attachment to singular lives and experiences. Framed by a detailed exploration of arts festivals as encapsulating the material, entrepreneurial circumstances of contemporary performance-making, this is the first major critical study of solo work since the millennium.
More than two years of pandemic is more than two years of corona clutter. Only a staggering level of helpfulness, improvisation and flexibility prevented the healthcare system from collapsing completely. In this highly topical book, pharmacist Simon Krivec tells of his incredible experiences and the stormy ups and downs of pandemic madness, missing masks and disinfectants, and the feeling of having been totally abandoned by a helpless state. We learn, for instance, of the short-term procurement of large quantities of ethanol and the transportation of the highly flammable substance, and just what lured the author – and 71,400 euros in cash – to visit the port of Neuss at night.
John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.