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      • Bollati Boringhieri editore S.r.l. a socio unico

        Our publishing company was founded in 1957 by Paolo Boringhieri focusing on science, mythology and ethnology. In 1987 Giulio Bollati joined the company, taking with him his expertise in history, philosophy , and literary fiction.Since then , the two souls of the publisher scientific studies and humanities have followed intertwined paths.  In 2009 Bollati Boringhieri was a cquired by Gruppo editoriale Mauri Spagnol (GeMS) a group including 11 publishing companiesand 20 imprints. On the non fiction side, we are strongly interested in every project that shows human comprehensive history.  Gems of our list include, among others Edmund de Waal , Jim Al Khalili, Nick Bostrom, Adam Rutherford, Hannah Fry,Jonathan Gottschall , Frank Close, Max Tegmark.

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      • Borobudur Agency

        Borobudur Agency act to represent Indonesian publishers and authors for children’s and young adult books; picture books; comic books; fiction: novels, literary works; non-fiction: cookbooks, fashion (especially Muslim wear for women), social studies, Indonesian arts and culture, as well as interactive digital textbooks and software. We facilitate members of IKAPI, book publishers who assign the agency to promote their rights for overseas licensing, and accordingly promote the works of Indonesian authors for international readership.

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      • Fiction

        La boutique

        by Eliana Bouchard

        At the core of this new novel is a boutique, a spacious place full of light where objects and clothes are given new life; the layout and architecture of the space feature both Eastern and Western details. The two owners have very different personalities: Nina, whose husband committed suicide in the aftermath of the US financial crash, is vulnerable and unsettled;Teresa, Jewish and married to a Spanish cello player that gives her confidence and comfort, is balanced and determined. The boutique sees an entire world of people coming and going through its doors, and the relationships that start there soon complicate themselves, showing the signs of a transient and ever changing universe. The boutique also becomes a meeting point for the cast of characters that regularly spends time there – a career woman, a strong-minded housewife, an ex workman, a frustrated father and a cheating gay man –, a place where they can play out affections, jealousy, betrayals, hopes and disappointments.When Ibrahim, an Afghan tailor, attempts to declare his love for high-maintenance Nina, even the most ill matched couple will show a determination to change, a flicker of hope for a better world.

      • Fiction

        Last of all, the sky

        by Michele Cecchini

        Emilio Cacini, known to everyone as ‘Soldo di cacio’ (Shorty) on account of hisdiminutive stature, teaches art at a secondary school. Fat and clumsy, Cacio has a secretinvolving a woman, Ilaria, with whom he had a relationship during the period in whichshe was a member of the Red Brigades. He’d like to confide in someone but in ArdenzaMare - the neighbourhood on the outskirts of Livorno where he lives – no one asks toomany overly personal questions. The fact is that it’s something of an anomalous place,largely because of the magical, enchanted atmosphere in which it’s immersed. From hercage in the middle of the neighbourhood park, the majestic tigress Mirtilla(Blackcurrant) has always been a reassuring presence for the locals.Cacio has a son called Pitore (Pet Chicken), a child who suffers from a developmentalspeech disorder. In practice, Pitore speaks a language all of his own made up of newwords such as folmedína (sea). This would appear to be no big deal for Cacio, who goesout of his way to find alternative forms of communication to words in an attempt toforge an increasingly close relationship with the child, who he’s bringing up by himself.Albeit disoriented, Cacio has a whole world inside himself and goes his own way. He isgentle but, at the same time, strong, capable of passing through solitude and creatingharmony from the disharmony he feels around him. In search of authenticcommunication that goes beyond words, Cacio seems to be saying that the world canexist in many different ways, provided we know how to invent it.Michele Cecchini possesses a unique imagination, a virtue few writers can boast of. Hisis a magical realism marked by a special form of delicacy and wonder. A cross betweenFellini and Soriano, he uses a special lens to look at and speak about the world, which flies lightly by, as if it were enclosed in a soap bubble.

      • Biography & True Stories

        Six women who changed the world. The great scientists who revolutionized physics

        Le grandi scienziate della fisica del XX secolo

        by Gabriella Greison

        Six lives in a compelling narration Six extraordinary women Six short novels you’ll be happy to get lost inMarie Curie (1867-1934), Lise Meitner (1878-1968), Emmy Noether (1882-1935), RosalindFranklin (1920-1958), Hedy Lamarr (1914-2000), Mileva Marić (1875-1948). These are the magnificent six. Except for Marie Curie their names are essentially unknown to the general reading public. They are just ordinary women names. These women were all born within a lapse of fifty years and they worked through the most crucial and roaring years of the twentieth century, years of atrocious wars (which they experienced first-hand), and of great advancement in sciences. These women advanced sciences. There’s a Polish chemist who could not attend university, the Jewish physicist whom the Nazis hated, the German mathematician whom nobody loved, the English crystallographer whose discoveries were snatched, the Hollywood star who became a military engineer and the Serbian theorist overshadowed by her husband. So what about Hedy Lamarr? Wasn’t she an actress?Yes, she was an actress. The Hollywood diva, the first full nudity in the history of cinema (1929), defined by all sides the most beautiful woman in the world before Marilyn Monroe. But she was also an engineer, and a talented one. She invented modern wireless communication, the very one we use with our phones. Of course, the six heroines presented by Gabriella Greison are not the only six women in sciences, but, with their will, their skills, their talent and hard work, they paved the way for fellow women scientists to come in an all-men world. They gave us their discoveries. But they also made us aware of the fact that women could, in fact had to, be allowed to choose science as their career. Their centuries-long banishment has already come at a very high price for humankind. Six terrific stories, with a touch of fairytale. They are not always cheerful stories, they do not always have a happy ending, because they are real stories, of achievements and failures. We laugh and cry, as should be. Still, thanks to these six icons of twentieth-century science and to their example it was less hard for other women to find their way and to give us the fruits of their knowledge and imagination.To name but some of them: Amalia Ercoli Finzi, Fabiola Gianotti, Barrè Sinoussi, Elizabeth Blackburn, Carol Greider, Barbara McClintock, Wu Chieng-Shiung, Vera Rubin, Jocelyn Bell, Lisa Randall, Jennifer Doudna, Emmanuelle Charpentier…These names might not ring a bell to the general reading public, but for the first time these women were the principal investigators of huge research teams, carrying out cutting-edge research. More and more women are following in their wake: they love sciences, they graduate in sciences, they take a Ph.D. in sciences and they’ll be free to give us the fruits of their brilliant minds.For all this we have to thank our six magnificent women: Marie, Lise, Emmy, Rosalind, Hedy e Mileva.

      • Humanities & Social Sciences

        This body that inhabits me

        by Rossana Rossanda

        Una ragazza di novantatré anni che ha avuto una vita intensa, una combattente impegnata e appassionata dell'ingiustizia. Rossana Rossanda è ancora la “ragazza del Novecento” della sua celebre autobiografia;tuttavia, niente è più lontano da lei della pretesa di giovinezza, o della sua versione ideologica a buon mercato. Anche quando considera il suo corpo invecchiato, Rossanda adotta ancora il suo atteggiamento razionale e acuto, a cui non ha mai rinunciato quando prende posizione su eventi politici. In questa raccolta di articoli Rossanda sente l'inizio della fragile temporalità del declino, l'amabile dissonanza tra “l'autobiografia di un io politico” e “tutto è sessuato”, motto dell'ortodossia femminista. Una prospettiva personale che, soprattutto al giorno d'oggi, affronta le nostre perplessità e invita a non arrendersi al conformismo Affrontare il corpo: il proprio corpo, esaminato senza versare lacrime nella sua imperfezione eterna e nel suo incipiente invecchiamento. E i corpi di altre donne a noi vicine, o irraggiungibili come star del cinema. I pensieri nascono da quel punto molto mentale, hanno origine nella stessa distanza tra il sé e l'implacabile materialità che lo abita. "Questo corpo che mi abita e che abito mi sfugge e ritorna da tutte le parti, come l'anguilla della mia coscienza, un'anguilla che si attacca a 'me'." Per Rossanda “abbracciando subito la specificità biologica femminile, unaapparentemente opaco e non percepito, come il respiro, è impossibile. " Tuttavia, l'eresia dell'identificazione fallita non si esprime con la stessa emotività di una grammatica ". Forse proprio queste pagine, contro la loro intenzione, pulsano e raggiungono punti intimi anche quando apparentemente hanno a che fare con qualcos'altro, con le memorie delle donne rivoluzionarie francesi, con il cinema o con i canoni della bellezza.

      • Fiction

        The Practice of Parting

        by Mary Barbara Tolusso

        There are three of them: Emma, David, and her. They live in a boarding school, a few steps from a border immersed in woods and wind.  We feel the weight of history, a Trieste that is never named, but that permeates the pages.  Far from their parents, these teenagers grow up educated in order and in controlling their passions.  Theirs is an exclusive triangle: an easy friendship with the exuberant Emma, a seductive competition with David, the boy with the sharp heart.  The three love each other with the unreserved impulse of adolescence and with the terror of abandoning themselves to true love. As long as they grow up within the protected walls of the school, life passes comfortably between study, sport, and walks on the park’s paths, under thin oak branches and watchful eyes.  They do not ask themselves too much about their future, nor why their education is designed to face endless fates.  They don’t imagine that their lives, once so intertwined, will be divided.  Years later, only a photograph remains to connect them, as well as the mystery of their infinitely long and healthy existence.  Almost nothing is left of the great friendship with Emma, of the love for David, or of the passion for Nicholas, the young anarchist encountered over the border.  And yet they cannot help but chase that lost time, asking: what were they destined for, what becomes of their privilege in a world where the exclusive are ultimately excluded? The Practice of Parting is above all a remarkable love story written in unique prose, mournful and steeped in poetry.  A visionary novel that exposes the most terrible of human desires—what drives us to dream of a longer existence, of eternal love. It’s impossible not to think of Ishiguro.  It’s impossible not to think, at the same time, that we are confronted with a unique voice, which will linger in the reader’s heart.

      • Fiction

        Souls and Anchovies

        by Achille Mauri

        What kind of story is this? What’s the link between souls and anchovies, and a whole school of them?! Welcome in afterlife, where souls and anchovies live peacefully together. Be ready to be surprised, though: afterlife might not be just as you expect: everything is light. And it’s called “life now”. Via Cusani, Milan: Achille has just woken up in his place in Milan, and he’s talking to an illustrious deceased, field marshal Radetzky, who lived in that house – of all places! – in the good (for him) old times of the Austrian occupation. The diverse souls who happen to be nearby – but also elsewhere, far or near – join the conversation too and we find ourselves in an afterworld that is very close to our world. So close, that Radetzky, from his vantage point, has renamed it “life now”.Achille’s soul has moved to a garage in Piazza San Marco, to his son’s friends’ Porsche, where even his cat Ely has long decided to settle. From that moment, encounters, stories, conversations become more and more frequent and, of course, surreal… The stories we find are not only those of Umberto Eco, Andy Warhol, Karl Marx, Woody Allen, Elio Fiorucci or Marshal Radetzky: they are also stories of other souls, normal souls, who only go by their name: Marco, or Lucrezia. Don’t be afraid: the conversations are always ironical, comical at times,even exhilarating. We travel “through” the souls from Dahomey (former name of presentBenin) to the Frankfurt Book Fair, from the Sahara Desert to wedding parties in Buenos Aires. We laugh, hoping that “life now” will be just like that, just as fun, just as varied, with its mysteries so clear. “Life now” is also full of animals flying around, all with a soul. And, of course, it’s full of anchovies, swimming in enormous schools and literally transporting other souls, human souls.

      • Biography & True Stories

        Melancholy and creation in Vincent Van Gogh

        New edition

        by Massimo Recalcati

        Nobody has ever connected Van Gogh’s melancholy to his painting, thus acknowledging the autonomy of art and without relying solely – and simplistically – on biographical evidence:Massimo Recalcati has finally done it. Establishing new and fruitful connections between facts, Recalcati moves form the source of Van Gogh’s psychosis within his family – Vincent was born on the first anniversary of his brother’s death and bore his name – through his choice of living as an outsider because of the disgrace of being a substitute-son, to his total devotion to painting, to the “high yellow note”, that is, to the incandescence of Southern light as he was able to capture it on the cloth. Did you think you knew each and every shade of Van Gogh’s palette and life? Recalcati willshow you how much we have been missing.

      • Literature & Literary Studies
        September 2019

        The Poetry of the Living

        Leopardi among Us

        by Antonio Prete

        This book reconstructs and questions the figures that define Leopardi’s thought, examined in its profound ties with his poetry: the relationship between finiteness and the infinite, the lunar presence, the stellar element, the link between the breath of living beings and that of the earth, and between the individual and the cosmos. Other themes are the animal world, observed in its relationship of harmony with nature, the criticism of a civilization that is based on abstraction from the living being and its singularity, the role of imagination in knowledge, and the centrality of desire, which coincides with the very breath of existence. Embracing all the forms of Leopardi’s writing – verse, prose, the theoretical fragment, the letter, translation, philological research, the study of languages and the links between them – the book shows how the poet’s great questions are relevant to us and lie at the heart of our age. By dislocating the point of observation and making lightness and the ‘view from above’ a cognitive category, Leopardi reads the methodologies of what is still our modernity, with its myths and its obsessions; which include the forms of power, the comedy of social representation, the role of money and the remoteness of nature. While urging us not to take our eyes off the tragic, he emphasizes the necessity of the ‘poetic’ in a world that, unlike the poetry of the ancients and the world of children, fails to recognize the life that is in things, in nature and in bodies.

      • Il tempo della rivolta

        by Donatella Di Cesare

        The Political Vocation of Phylosophy was listed 5th among the most influential titles in 2020 for Die Welt, Neue Zürcher Zeitung and Österreichischer Rundfunk)  Though it is marginalized by reflection and presented by media narratives as a chaotic, dark event, revolt is a red-hot theme in the contemporary global landscape. In this book, Donatella Di Cesare touches for the first time on its different political and philosophical aspects, offering a suggestive and timely portrayal of contemporary events. Like migration, revolt also allows us to glimpse what goes on “outside” — beyond the state-centric order, at the edges of the political architecture, surrounding the surveilled borders of public space.  In a eulogy to revolt and its overturning of power, Di Cesare also delves into contiguous phenomena, the lost revolution — in the many senses of this expression — and resistance. The movements that occupy the city squares underline the decline of representation. But if they demand the right to appear and enter the public space, revolt goes beyond. Rather than accept the internal conflict, revolt puts into question the very framing of that space. There are many protagonists: from the new “disobedient” to those who practice anonymity online, from whistleblowers to those who declare themselves “invisible.” The Time of Revolt provides a political interpretation of the mask and speaks of “zones of irresponsibility”: to hide away in order to become visible is a challenge to a state that condemns any mask other than its own. It is a challenge to faceless financial power, to the disembodied economy that pays no heed to its own effects. It thus reveals the enormous asymmetry, brings to light the disparity of forces, denounces the planetary surveillance. The revolt is no ephemeral event, but rather an anarchic transition, fulfilled in liberation from the architecture of politics.

      • Fiction

        Louise. A song without rest

        by Eliana Bouchard

        France, 1577: Louise, the daughter of Admiral Gaspard de Coligny, is among the few survivors of St. Bartholomew’s Day massacre, in which her father, her husband and many of her closest friends are killed. After that day her life is a constant struggle not to lose her identity, an attempt to live up to the great responsibility of the people who, like her, survived while many others died. In her tireless search for the common good, even through the continued misfortunes of her life, Louise embodies the female roots of modern Europe.

      • Fiction

        It’s raining upwards

        by Luca Rastello

        A letter of dismissal suddenly reveals the reality of the new world hidden beneath themyths of flexibility and communication. In order to give a shape to this shock, to find thelost words and the possibility of thinking about a future, the protagonist of this story findshimself thrown on a dizzying journey from present to past and back again, and forced byhis own confusion to find his own way following traces that are as feeble and vague as the plots of certain psychedelic novels he read in his teens.This rush through the years will bring back to light embarrassing public and private truths, like the military secrets of a father who was involved in the darkest pages in the history of the Italian Republic, or the desires of a teenager suspended between clumsy sexual explorations and revolutionary urges. Stories that emerge from the abyss of a civil war that has wrongly been defined as “cold”, that was able to divide families and spill blood on thestreets, mixing up violence, hope and utopia, yet was fought on the surface of a world that had already changed in the deep, and was already shaken by the seeds of our present made of precariousness and mirrors of seduction.

      • Fiction

        Achilles’ Paradox

        by Achille Mauri

        Only those well-versed in life’s good cheer can cross the most important threshold and step out amused and ever curious to discover the unknown.  In Anime e acciughe (Souls and Anchovies, his debut), Achille Mauri took us by the hand and led us to the great beyond – where only writers have access to, where Dante and Orpheus dared tread, intrepid, in search of love. In Achilles’ Paradox, Mauri informs us that that little excursion was but an appetizer, and that there’s no hurry to get out alive. After all, eternity is congenial to drawn-out spates of enjoyment. You left your watch at home, so to speak, or on the other side of life. Reap the rewards. An irresistible sequel to Anime e acciughe, Achilles’ Paradox is first and foremost a story in itself. Achilles has become a celebrity among the dead. There’s a cloud of anchovies that follows him around. No happier, or bizarre, “train” was ever seen in the great beyond.  Being a celebrity, he is invited to make the rounds on the convention circuit of the great beyond. He discusses love with Shakespeare and Wanda Osiris. He is distraught over immigration, along with Plato, Aeschylus and, among others, Zygmunt Bauman. Reflections on solitude, and moving yet amusing thoughts on aging.  Achilles’ Paradox is an exuberant, profound novel. It explores the paradox that makes us human. The one that, in the end, makes us love death because it makes life that much more important, and inspires us to live every day of our lives with gusto.

      • A history of where. Looking for the boundaries of the world

        Alla ricerca dei confine del mondo

        by Tommaso Maccacaro Claudio M. Tartari

        Since the very first time man began measuring the space around him, wonder never ceased. The question "Where are we?" looks like an easy one and yet the answer is anything but simple. The question is still open. Conclusions are always provisional, always questioned by new findings.The space gets bigger and bigger, the notion of "where" becomes broader. It is not just the Big Bang or the universe expanding: it is our perception of the space that broadened over time,becoming more and more complex and making us smaller and smaller, lost in a "where" now limitless.In this short but dense and enjoyable book, Maccacaro and Tartari bring us from the fuzzy space of the valleys inhabited by Homo Erectus to the cosmogonic myths of ancient cultures, introducing us to the first representations of the world. Leafing through their book we will learn that the great Empires of the Bronze Age already created sophisticated conceptual maps, while the stars already helped travellers to find their way. Heavenly space constantly intersectedwith the space on earth, and in classical antiquity the space began to dilate. During the Middle Ages calculation and navigation tools became more refined. Eventually, the discovery of a new continent radically changed our notion of "where", and subsequent exploration rapidly filled with names the spaces previously left blank on ancient parchment maps. In the Modern Age, lenses made the sky bigger, leading to the discovery of new planets. Stars quickly turned intogalaxies, while new theories literally reshaped the world. "Where" is now an elastic, time-related, limitless and ever changing concept.

      • January 2020

        Dio, sorpresa per la storia

        Per una teologia post-secolare

        by Carmelo, Dotolo

        To meet God means entering into a new relationship that urges us to reconsider the models that have fuelled our believing experience. God is a constant surprise, a surprise that generates a new theological syntax for thinking, praying and narrating the adventure of existence.

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