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      • Bach Doctor Press

        Darin Dance started his own publishing and photography business in 2014: The Bach Doctor Press after researching and taking photographs for many book projects while working collaboratively with fellow Ngāi Tahu writers.  He firmly believes that with the retrenchment of the main publishing houses back to Australia, America and Europe, our remarkable “Kiwi” voices and stories will be lost and unheard unless new publishing ventures are prepared to fill this void.  This has become his mission to promote our unique kōrero and pakiwaitara (stories and legends).

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      • I Am a Leaf
        Children's & YA

        I Am a Leaf

        by Angelo Mozzillo, Marianna Balducci

        Everyday we are like leaves in the wind, laying, falling. Leaves like emotions. A photo-illustrated book.

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      • Anna’s Hands
        Children's & YA

        Anna’s Hands

        by Sarah Zambello, Daniela lride Murgia

        Anna does not speak with her voice, but does speak with her hands, collecting herbs that can give several benefits.

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      • The Summer of Cicadas
        Children's & YA

        The Summer of Cicadas

        by Janna Carioli, Sonia MariaLuce Possentini

        A story set in summertime, a friendship among generations connected by a house on a tree.

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      • This is Darkness
        Children's & YA

        This is Darkness

        by Gianna Braghin, Vessela Nikolova

        Discovering darkness not to be afraid of it. A story for going to bed without anxiety.

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      • My Family
        Children's & YA

        My Family

        by Gianna Braghin, Vessela Nikolova

        An album of families: the enlarged one, the immigrated one…

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      • Grandmas with Wings, Grandpas with Wings
        Children's & YA

        Grandmas with Wings, Grandpas with Wings

        by Arianna Papini

        A book about memory, highlighting what remains when grandparents go away.

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      • The Boy Who Stole Voices
        Children's & YA

        The Boy Who Stole Voices

        by Brian Freschi, Paolo Voto

        A child who cannot speak uses musical instruments to steal voices… Until the uncle repairs to his troubles.

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      • Little Girl
        Children's & YA

        Little Girl

        by Clementina Mingozzi, Beniamino Sidoti

        The Afroamerican version of Little red riding hood, in verses and special illustrations.

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      • Seen in Profile
        Children's & YA

        Seen in Profile

        by Antonio Ferrara, Filippo Mittino

        A crime story set in a school with students and a psychologist as detective.

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      • Things the Way They Are
        Children's & YA

        Things the Way They Are

        by Silvia Vecchini, Sualzo

        A novel for learning how to see things as they really are, as mom always says…

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      • Saint Michael The Archangel

        Saint Michael The Archangel

        by Immacolata Aulisa, Claudio Azzara, Gioia Bertelli, Pierre Bouet, Ada Campione, Franco Cardini, Manuel Castiñeiras, Gerardo Cioffari, Alessandro di Muro, Klaus Herbers, Renzo Infante, Gábor Klaniczay, Giorgio Otranto, Francesco Panarelli, Giuseppe Sergi, André Vauchez, Catherine Vincent

        From the Hebrew name meaning “Who Is Like God?”, Michael is one of the angels–together with Raphael (“God Heals”) and Gabriel (“God Is My Strength”)–whose names are mentioned in the Holy Scripture. Since the first centuries of Christianity, there has been a wide diffusion of his worship in Europe and in the East through a multitude of sanctuaries and chapels, mostly nestled in high places, related to caves and water. An astonishing feature of this spread is a mysterious straight line crossing the European continent from North-West to South-East from Ireland to Asia Minor, and it is perfectly aligned with the sunset on the day of Summer Solstice. Along this line are seven sanctuaries dedicated to Michael, three of which have been significantly important over the centuries: Mont Saint-Michel in Normandy, the Sacra di San Michele in val di Susa and the Sanctuary of Monte Sant’Angelo on Mount Gargano, in Puglia. Three extraordinary high places that are all the same distance one from the other and which have always been a constant pilgrimage destination. Another aspect is the connection Saint Michael had with the Longobards, who migrated across Europe between the second and the sixth century until they reached Italy where they settled. This made Michael the first truly “European” Saint, attracting believers from all over the continent.   With the contribution of some of the most important historians and medievalists from different European countries, this book depicts the presence of Saint Michael in Europe, starting with the diffusion of his devotion, especially during the Middle Ages, and extending to an analysis of the iconography of the Saint through the many architectural and artistic testimonies to be found throughout Europe.   Thanks to its influential contributions and to the variety of both historical and iconographic topics, combined with the spectacular nature of the numerous images of places and artistic testimonies, this book is a unique journey through Europe between art and faith.

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      • Like wild beast
        Fiction

        Like wild beast

        by Giuse Alemanno

        Oppido Messapico, a small town in deepest Puglia. Costantino Ro chira and his henchmen plan to wipe out the rival mob family, the Sarmenta. It’s all about money and the neighboring Calabrese mob, the ‘Ndrangheta. But the plan works only halfway: by sheer luck the Sarmentas’ only son, Massimo aka Mattanza (Slaughter), a troubled and cruel kid, cheats death, together with his uncles and his cousin Santo. They all leave town on an old Fiat Regata, after clearing the family money and staging their own disappearance. Their trip leads them in the far North of Italy, in Lombardy’s Val Camonica, where an old friend and compatriot, Giovanni Argento, gives them shelter. There, Santo and Mattanza plot their revenge… “Like Wild Beasts” is a tough novel with hard-core nuances, sparing nothing and no one: a Tarantino movie, as told by Giovanni Verga.

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