Manshurat Al Jamal was founded in 1983 by Khalid Al Maaly in Cologne ,in 2008 based in Beirut and a further branch in Bagdad .The program focus on :- Classic ,Modern Arab literature- Fiction short stories poems - Philosophy- Sociology Manshurat Al-Jamal is the publisher of a lot of authors: G.Grass O. Pamuk J. Habermas Robert Musil H.Qureishi G. Sinoue P. Celan W. Gombrowicz J. Derrida M. Horkheimer T. Adorno A. Kristof
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Babel-Bridge specialises in translation rights representation world-wide on behalf of publishing houses and agencies. At Babel-Bridge, every single book is carefully selected for its potential ability to travel, be it for its universal theme, its commercial hook or stunning artwork, or indeed all three. Babel-Bridge represents mainly books from the Nordics and the UK, but we wish to grow the portfolio to include beautiful books that tick the aforementioned boxes from other corners of the world. To that end, Babel-Bridge will rely on close collaboration with subagents, who are strongly placed to identify the books that are most likely to travel, but where the rights holder lacks the network abroad.
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Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.
This study of the British colonial administrator James Tod (1782-1835), who spent five years in north-western India (1818-22) collecting every conceivable type of material of historical or cultural interest on the Rajputs and the Gujaratis, gives special attention to his role as a mediator of knowledge about this little-known region of the British Empire in the early nineteenth century to British and European audiences. The book aims to illustrate that British officers did not spend all their time oppressing and inferiorising the indigenous peoples under their colonial authority, but also contributed to propagating cultural and scientific information about them, and that they did not react only negatively to the various types of human difference they encountered in the field.
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John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
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Ausgehend von William James' 1902 erschienener Untersuchung "Die Vielfalt religiöser Erfahrung" verfolgt Charles Taylor die Verschiebungen im Verhältnis von Religion, Individuum und Gesellschaft, von Spirituellem und Politischem bis in die Gegenwart. Der Rückzug des religiösen aus der öffentlichen Sphäre hat die Religion nicht ins Private eingeschlossen; vielmehr verbirgt sich hinter diesem Prozeß eine Kulturrevolution: Der moderne »expressive« Individualismus hat eine Vielfalt neuer Religionsformen und -gemeinschaften hervorgebracht, die auf die traditionellen Formen zurückwirkt und die Gesellschaft verändert. Der Ort der Religion muß neu bestimmt werden.
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The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
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Für Liebhaber des boshaften Humors: James Joyce. »Rom kommt mir vor wie ein Mann, der davon lebt, daß er die Leiche seiner Großmutter für Reisende zur Schau stellt.«
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35 Jahre lang hat John E. Woods Arno Schmidt übersetzt, fast das gesamte literarische Werk des deutschen Schriftstellers übertrug der Amerikaner in seine Muttersprache. Die erste Schmidt-Lektüre war für ihn eine »Explosion« – mit Schmidts »Evening Edged in Gold« (»Abend mit Goldrand«) hat der preisgekrönte Übersetzer seine Karriere einst begonnen, dessen wichtigstes und umfangreichstes Werk hob sich Woods bis zum Schluss auf: Jetzt liegt der Überroman »Zettel’s Traum« endlich auf Englisch vor. Schmidts Sprachspiele, eine Herausforderung für jeden Übersetzer, hat Woods immer kreativ in die flexible englische Sprache übertragen, und manchmal ist seine Lösung witziger als das Original. John E. Woods über Bottom’s Dream: »›I have had a dream past the wit of man to say what dream it was,‹ says Bottom. ›I have had a dream, and I wrote a Big Book about it,‹ Arno Schmidt might have said. Schmidt’s rare vision is a journey into many literary worlds. First and foremost it is about Edgar Allan Poe, or perhaps it is language itself that plays that lead role; and it is certainly about sex in its many Freudian disguises, but about love as well, whether fragile and unfulfilled or crude and wedded.«
