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Huxiang Calligraphy Classics
The door of Huxiang calligraphy classics master craftsman - Qi Baishi
by Jiang Zuxuan
Huxiang culture has a long history, extensive and profound, which is an important branch of the unique regional characteristics of Chinese culture. As a charming and remarkable branch of Huxiang culture, Huxiang calligraphy has written a magnificent chapter in the art history of Huxiang and even China. All these have established the unique position of Huxiang calligraphy art in Chinese art history. "Hunan Calligraphy Classics" is a comprehensive presentation of Hunan calligraphy masters. It gathers the classic works of Hunan calligraphy masters who play an important role in various stages of Chinese calligraphy history, presents them in an all-round, multi-angle and high-definition way, excavates the spiritual connotation of Hunan calligraphy, and better inherits, protects and carries forward the excellent traditional culture of our province. Thus promoting the overall development and prosperity of Huxiang culture. This volume selected Qi Baishi handed down calligraphy masterpieces to show his calligraphy, seal cutting is also like another jewel in the crown of art, is so shining
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FictionApril 2011Library of Chinese Classics :Lao Zi
by Chen Guying
"Lao Tzu", also known as "moral classics," Taoist classics, according to legend, is the late Spring and Autumn Chu people Lao Ji, all received a total of 81 chapters. Lao Tzu is a speech collection of Lao Tzu's philosophical thoughts, systematically expounding Lao Tzu's outlook on the universe, politics and epistemology. "Tao" is the basic category in which Lao Zi-Zhe does not think. Lao-tzu believes that "Tao" is the origin of the universe. It is independent of anything else and changes constantly and continuously. And "virtue" Is the concrete application of "Tao" in life, social and political life. The English translation of this book is one of the more influential English versions, with some revisions made in the book. The book is accompanied by the silk book Laozi unearthed in the Mawangdui Han Tomb of Changsha in 1972.
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FictionJanuary 2009Library of Chinese Classics :The Romance of West Chamber
by Wang Shifu
The "West Chamber" of Wang Shih-fu in the Yuan Dynasty was a masterpiece of Chinese classical opera and a masterpiece of Chinese literature. The theme of the drama is the love story of the young scholar Zhang Huan and the late Ying-Ying, the daughter of the 19-year-old Cui Xianguo. The whole play is divided into five (screen) twenty (field). The first Zhang Ying and Ying Ying in the temple at first sight. The second to write Zaibing siege filled homes, Zhangsheng rescue, Mrs. Cui allow her daughter Yingying with Zhangsheng wife, then eat their own words. The third one to write a pair of lover Acacia sponge. The fourth the first Valentine's tryst Valentine's Day; the second letter of Mrs. Choi to Changsheng Beijing exam, the high school after the wedding; the third Valentine's leave, Zhang went to Beijing to attend the meeting; the fourth fold of the lover dream phase Will be done. The fifth to write a couple reunion. In short, "The Romance of the West Chamber" wrote the contradiction between love and family honor. The result was that Zhang Sheng would try high school, winning the honor and winning the love.
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FictionDecember 1999Library of Chinese Classics :Zhuang Zi
by Qin Xuqing
"Zhuangzi", also known as "South China Scriptures," is one of the Taoist classics by the philosopher Zhuang Zi of the Warring States Period and its later studies. The book includes 7 articles, 15 articles, 11 articles, a total of 33 articles. In this book, Chuang Tzu inherited and developed Lao Tzu's view of "nature of Taoism". Taking "Tao" as the origin of the world, Zhuangzi considered that "Tao" is self-contained and eternal. The difference between things is only relative. In conformity with this concept of cosmology, Zhuangzi advocates the concept of "nature inaction" and advocates the maintenance of individual physical and psychological freedom and the pursuit of a spirit of unrestrained and harmonious man and nature. This book takes Guo Qingfan's Zhuangzi Collection as the base and translates it. The English translation draws on the existing English translations and selection books. It is the current English version of Zhuangzi.
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The ArtsOctober 2018Study on Survival of Chinese Classical Opera
by Wang Fuya
The book mainly explores Chinese classical opera in terms of the existence, cutural essence and functions, artistic features, and the position in Chinese traditional culture. The author conducts study based on theories of popular culture and folk culture, historical resources of Chinese classical opera, along with various survival tactics for opera like opera adptation and opera prohibition.
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February 2019Classic Architecture
by Guangzhou Childhood Arts
The Chinese Traditional Culture Game Book series is designed for 4-8 year-old children, and integrates Chinese traditional culture into fun and interesting games. The themes of the series cover ancient costumes, classical architecture, traditional crafts, folk festivals, and games including maze, matching, coloring, and identifying variations. The items are carefully arranged and the games are smartly designed to allow children to deepen their understanding of Chinese traditional cultural knowledge in the game.
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Children's & YAClassic of Mountains and Rivers for Teenagers, Book II
Strange Stories of the Vast Universe
by Liu Xingshi
The Classic of Mountains and Rivers, also known as Shan Hai Jing, has been regarded as a "strange book" since its appearance in China pre-Qin Dynasty. On the basis of its title, most people would assume that it is a survey record of ancient geography, but its descriptions of the "mountains and rivers" include encyclopedic entries—such as animals, plants, minerals, religion, history, medicine, customs, and ethnic groups. Also, it gives accounts of many folk legends of mythic geography, monsters, and witchcraft. No matter labeled as a book of geography, a book of history, or a book of strange stories, it is a Chinese ancient classic that deserves to be read over and over again. But as a book compiled about 2,500 to 3,000 years ago, its context and words are difficult to understand for modern readers. The Classic of Mountains and Rivers for Teenagers series is just designed to make this classic more understandable and readable. It illustrates the most essential parts of the Classic of Mountains and Rivers with simple words, animated illustrations, and interdisciplinary approaches, and introduces young readers to the understandings of Chinese ancestors on land and nature. Not only is it a book series for teenagers, but also an encyclopedia of traditional Chinese geography and culture for adults. Strange Stories of the Vast Universe is the second book of the Classic of Mountains and Rivers for Teenagers series. It tells strange stories that happened in the Earth, the Sea, and the Vast Universe. The world in Classic of Mountains and Rivers is presented in the order of South, West, North and East, where lived many fantastic tribes and incredible animals. Reading it will not only provide readers with features of these existences but also the stories of how they were created and the myths and geography about them.
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Children's & YAClassic of Mountains and Rivers for Teenagers, Book III
Gorgeous Stories and Myths
by Liu Xingshi
The Classic of Mountains and Rivers, also known as Shan Hai Jing, has been regarded as a "strange book" since its appearance in China pre-Qin Dynasty. On the basis of its title, most people would assume that it is a survey record of ancient geography, but its descriptions of the "mountains and rivers" include encyclopedic entries—such as animals, plants, minerals, religion, history, medicine, customs, and ethnic groups. Also, it gives accounts of many folk legends of mythic geography, monsters, and witchcraft. No matter labeled as a book of geography, a book of history, or a book of strange stories, it is a Chinese ancient classic that deserves to be read over and over again. But as a book compiled about 2,500 to 3,000 years ago, its context and words are difficult to understand for modern readers. The Classic of Mountains and Rivers for Teenagers series is just designed to make this classic more understandable and readable. It illustrates the most essential parts of the Classic of Mountains and Rivers with simple words, animated illustrations, and interdisciplinary approaches, and introduces young readers to the understandings of Chinese ancestors on land and nature. Not only is it a book series for teenagers, but also an encyclopedia of traditional Chinese geography and culture for adults. Gorgeous Stories and Myths is the third book of the Classic of Mountains and Rivers for Teenagers series. It presents the extracts of myths in the Classic of Mountains and Rivers and the stories related to them, including "The Mythical Bird Jingwei Trying to Fill Up the Sea with Pebbles", "Houyi Shooting Down Nine Suns", and "Kuafu Racing with the Sun". In order to find what is behind the myths, the author probes into the history, nature, geography and culture of ancient China. It inspires the young readers, opens up their views and encourages them to explore the origin of China's myths and how they had grown.
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Children's & YAClassic of Mountains and Rivers for Teenagers, Book I
A Thousand Miles of Mountains and Rivers
by Liu Xingshi
The Classic of Mountains and Rivers, also known as Shan Hai Jing, has been regarded as a "strange book" since its appearance in China pre-Qin Dynasty. On the basis of its title, most people would assume that it is a survey record of ancient geography, but its descriptions of the "mountains and rivers" include encyclopedic entries—such as animals, plants, minerals, religion, history, medicine, customs, and ethnic groups. Also, it gives accounts of many folk legends of mythic geography, monsters, and witchcraft. No matter labeled as a book of geography, a book of history, or a book of strange stories, it is a Chinese ancient classic that deserves to be read over and over again. But as a book compiled about 2,500 to 3,000 years ago, its context and words are difficult to understand for modern readers. The Classic of Mountains and Rivers for Teenagers series is just designed to make this classic more understandable and readable. It illustrates the most essential parts of the Classic of Mountains and Rivers with simple words, animated illustrations, and interdisciplinary approaches, and introduces young readers to the understandings of Chinese ancestors on land and nature. Not only is it a book series for teenagers, but also an encyclopedia of traditional Chinese geography and culture for adults. The series contains three books, and A Thousand Miles of Mountains and Rivers is the first one. It briefly introduces the creation process and main contributors of the Classic of Mountains and Rivers, and tells stories about geography in ancient China including mountains, rivers, creatures, and minerals as well as the plain but vital spirit for scientific discovery of Chinese ancestors.
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FictionDecember 2010Library of Chinese Classics: The Classic of Mountains and River
by Chen Chengjin
“The Classic of Mountains and River "is an ancient Chinese pre-Qin books, but also an encyclopedia reflects the ancient Chinese society. Its content involves history, geography, nationality, mythology, religion, animals, plants, minerals, medicine and so on. Its encyclopedic content and strange content make it rare for ancient books. The book is divided into eighteen volumes, from the volume of a "Nanshan Jing" to volume five "Zhongshan Classic" known as the "Five Sangsanjing", from Volume VI "Overseas Nankan" to Volume 18 "Nei Jing" as "the sea through". Together, the two parts, collectively referred to as "Shan Hai Jing." The Great Chinese Library: The Chinese Version of the Shan Hai Jing (Chinese-English) Reference for English Translation is a new and reliable translation of Shan Hai Jing by the Shanghai Ancient Books Publishing House in July 2008. this. English translator Professor Wang Hong is good at translating Chinese books and books. He has translated a large number of Chinese libraries into Chinese including Mozi, Mengxi Bi Tan, Mandarin, Ming and Qing Essays, : Shan Hai Jing (Chinese-English comparison) ".
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Literature & Literary StudiesMarch 2021Thomas Heywood and the classical tradition
by Tania Demetriou, Janice Valls-Russell
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September 2009Applied Classics
Comparisons, Constructs, Controversies
by Herausgegeben von Chaniotis, Angelos; Herausgegeben von Kuhn, Annika; Herausgegeben von Kuhn, Christina
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Literature & Literary StudiesMay 2023
Pasts at play
Childhood encounters with history in British culture, 1750–1914
by Rachel Bryant Davies, Barbara Gribling
This collection brings together scholars from disciplines including Children's Literature, Classics, and History to develop fresh approaches to children's culture and the uses of the past. It charts the significance of historical episodes and characters during the long nineteenth-century (1750-1914), a critical period in children's culture. Boys and girls across social classes often experienced different pasts simultaneously, for purposes of amusement and instruction. The book highlights an active and shifting market in history for children, and reveals how children were actively involved in consuming and repackaging the past: from playing with historically themed toys and games to performing in plays and pageants. Each chapter reconstructs encounters across different media, uncovering the cultural work done by particular pasts and exposing the key role of playfulness in the British historical imagination.
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FictionDecember 2017Library of Chinese Classics :Selected Poems of Libai
by Xu Yuanchong
Li Bai is the greatest romantic poet in our country in the Tang Dynasty. Romanticism, as a trend of literary thought, is a social product of Europe from the late 18th century to the early 19th century. However, as a traumatic method, like realism, it is produced simultaneously with literature and art. Realism pays more attention to the portrayal of objective things, while romanticism focuses more on the expression of subjective feelings. With the Chinese poetic term "Fu Beixing" to describe the use of realism works more method, the use of romantic multi-Xing method. The use of Bi Xing is a major feature of Li Bai's poetry. Li Bai is a poet representing the Tang Dynasty culture. The ancient northern Yellow River valley culture in the philosophical thinking, with Confucius "Analects" as the representative, in the literary arts, the realist "Book of Songs" as a typical. The southern culture in the Yangtze River Valley, the philosophical representative is Lao Tzu "moral classics", and the typical literary style is "romantic". Li Bai, on the other hand, is a typical representative of the integration of North and South cultures.
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2020How Animals Hammer, Drill and Strike
Tool Use in the Animal Kingdom
by Peter-René Becker
From insects to fish as well as birds and primates: the use of tools is amazingly widespread in the animal kingdom. It’s a misnomer to presume that humans are distinguished by tool use and conscious capacity. So where is culture initiated? The biologist Peter-René Becker has evaluated numerous studies and cites plenty of evidence for the use of the hammer and anvil, lances, bait or sponges. Animals also use “tools as social implements”. Ultimately, the depth of man’s conscience singles him out from other animals.
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April 2009Classical Gardens
by Lin Lanying & Wang Renjuan
This volume presents the art of Chinese classical gardens, including gardening techniques, garden types and garden structures. It also introduces the famous ancient gardens in China.
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April 2009Classical Novels
by Zhao Yulong & Hu Sheng
This volume introduces some representative works in Chinese classical literature, including Romance of the Three Kingdoms, Heroes of the Marshes, Pilgrimage to the West, The Scholars, A Dream in Red Mansions, and Strange Tales of a Lonely Studio.
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FictionSeptember 2009Library of Chinese Classics :The Classic of Tea
by Jiang Xin, Jiang Yi
The Book of Tea is written by Lu Yu, who is hailed as the "Tea Saint." It was written in the first year of Jianzhong in the Tang Dynasty (AD 780). As the first tea in China and even in the world, "The Book of Tea" pioneered the Chinese tea ceremony and the precedent for the tea "writing study and learning", and its historical and cultural value has so far been unmanned. "The Book of Tea," a comprehensive account of planting tea, picking tea, tea, tea, tea, recorded tea, Yong tea and other rich content. "Continued Tea" Written in the "Book of Songs" was born about a thousand years later, the author is Qing Dynasty scholar Lu Tingcan. "Continued Tea" followed the "tea by" way, the word number is "tea" ten times. This tea monograph collects Luo Hongfu on the historical materials of tea after the Tang Dynasty, which has fine examination, clear definition and high academic and historical value. "The Book of Songs" and "Continuation of the Tea" is a pair of tea culture books in natural sciences and social sciences, material and spiritual clever combination of the shiny treasure. The translation of this translation and English translation by the Dalian University of Technology College of Foreign Languages Jiang Yi, Professor Jiang Xin completed.
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The ArtsDecember 2015Classical Hollywood cinema
Point of view and communication
by James Zborowski
This book offers a new approach to filmic point of view by combining close analyses informed by the tools of narratology and philosophy with concepts derived from communication studies. Each chapter stages a conversation between two masterpieces of classical Hollywood cinema and one critical concept that can enrich our understanding of them: Vertigo (Alfred Hitchcock, 1958) and Mr. Deeds Goes to Town (Frank Capra, 1936) are interpreted in relation to point of view; Anatomy of a Murder (Otto Preminger, 1959) and The Man Who Shot Liberty Valance (John Ford, 1962) are considered with reference to the concept of distance; and Letter from an Unknown Woman (Max Ophuls, 1948) and Only Angels Have Wings (Howard Hawks, 1939) are explored through the lens of communication. Each encounter reveals new, exciting and mutually illuminating ways of appreciating not only these case studies, but also the critical concepts at stake. ;
