Wiley
John Wiley & Sons, Inc. (Wiley)is a renowned, global publishing company focusing on academic publishing for professionals and researchers within the field of science and medicine.
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Wilkinson Publishing
Wilkinson Publishing is an independent Australian Publisher with over 40 years of experience. We are passionate about books and sharing great stories that entertain and inspire, and information that helps bring about change and creates opportunities to learn and belong.
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Promoted Content
Literature & Literary StudiesDecember 2005Graham Swift
by Daniel Lea, Susan Williams
This book offers an accessible critical introduction to the work of Graham Swift, one of Britain's most significant contemporary authors. Through detailed readings of his novels and short stories from 'The Sweet Shop Owner' (1980) to 'The Light of Day' (2003), Daniel Lea lucidly addresses the key themes of history, loss, masculinity and ethical redemption, to present a fresh approach to Swift. This study proposes that one of the side-effects of modernity has been the destruction of traditional pathways of self and collective belief, leading to a loss of understanding between individuals about their duties to each other and to society. Swift's writing returns repeatedly to the question of what we can believe in when all the established markers of identity - family, community, gender, profession, history - have become destabilised. Lea suggests that Swift increasingly moves towards a notion of redemption through a lived ethical practice as the only means of finding solace in a world lacking a central symbolic authority. ;
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The ArtsDecember 2001British stars and stardom
From Alma Taylor to Sean Connery
by Bruce Babington, Susan Williams
Deals analytically with the fascinating topic of the great film stars (and some thought-provoking lesser ones) of the British cinema, from Alma Taylor and Ivor Novello in the Silent period, up to the present day. Looks both at stars who attained worldwide fame through the Hollywood cinema, and those whose contribution is primarily to the national cinema.. First collection of essays on the subject with a wide historical coverage including major figures, such as Connery, Mason, Trevor Howard, Deborah Kerr, Mary Millington, Albert Finney and James Mason. Major figures in UK film studies have contributed, including Marcia Landy, Andrew Higson, Peter Evans, Charles Barr, Pam Cook and Andy Medhurst. ;
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March 2005Style and Meaning
Studies in the Detailed Analysis of Film
by Susan Williams
The first edition of New challenges for documentary provided a major stimulus for teaching about documentary film and television and fresh encouragement for critical thinking about practice. This second edition brings together many new contributions both from academics and filmmakers, reflecting shifts both in documentary production itself, and in ways of discussing it. Once again, the emphasis has been on clear and provocative writing, sympathetic to the practical challenges of documentary film-making but making connections with a range of work in media and communications analysis. With its wide range of contributors and the international scope of its agenda, New challenges for documentary will be essential reading for general filmmakers and documentary students both of academic and practical inclinations.
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Literature: history & criticismSeptember 2001The Great Exhibition of 1851
by Susan Williams
The Great Exhibition of 1851 has become a touchstone for the nineteenth century. The Crystal Palace produced a commodity world, an imperial spectacle, a picture of capitalism, a liberal dream, a vision of modern life. Historians have saturated the Great Exhibition with meanings. This collection of essays exposes how meaning has been produced around the Great Exhibition. It contains a series of critical readings of the official and popular historical record of the Exhibition. Critics and historians of art, culture, design and literature have been brought together to examine the objects, the images, the documents and the fictions of 1851. Their essays explore the determined use of industrial knowledge, the contested definitions of nation and colony, and the actual control of the space of the Crystal Palace after the Great Exhibition closed. The Great Exhibition of 1851 presents new interpretations of one of the most significant exhibitions in the nineteenth century and will be essential reading for anyone studying cultural history, design history, art history and literature.
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Literature & Literary StudiesApril 2001Women, theatre and performance
New histories, new historiographies
by Kate Dorney, Maggie B. Gale, Susan Williams
The first in a new annual series, Women, Theatre and Performance that will consist of themed volumes on diverse aspects of women's engagement with theatre and performance. Ranging across three hundred years the essays in this volume address key questions in women's theatre history and retrieve a number of hitherto 'hidden' histories of women performers. Resituates women's, largely neglected, creative contribution within theatre and cultural history and seeks to challenge orthodox readings of both history and text. Topics include: Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' 'Mademoiselle Mars', Mme Arnould-Plessey, and the actresses of the Russian serf theatre. ;
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Humanities & Social SciencesNovember 2006At the end of the line
by Georgina Sinclair, Andrew Thompson, John Mackenzie, Susan Williams
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The ArtsApril 2004Film stars
Hollywood and beyond
by Mark Jancovich, Andy Willis, Eric Schaefer, Susan Williams
Stars are central to the cinema experience, and this collection offers a variety of fresh and informed perspectives on this important but sometimes neglected area of film studies.This book takes as its focus film stars from the past and present, from Hollywood, its margins and beyond and analyses them through a close consideration of their films and the variety of contexts in which they worked. The book spreads the net wide, looking at past stars from Rosalind Russell and Charlton Heston to present day stars including Sandra Bullock, Jackie Chan and Jim Carrey, as well as those figures who have earnt themselves a certain film star cachet such as Prince, and the martial artist Cynthia Rothrock. The collection will be essential reading for students and lecturers of film studies, as well as to those with a general interest in the cinema. ;
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The ArtsAugust 2005Popular television drama
Critical perspectives
by Jonathan Bignell, Stephen Lacey, Susan Williams
'Popular television drama: critical perspectives' is a collection of essays examining landmark programmes of the last forty years, from 'Doctor Who' to 'The Office', and from 'The Demon Headmaster' to 'Queer As Folk'. Contributions from prominent academics focus on the full range of popular genres, from sitcoms to science fiction, gothic horror and children's drama, and challenge received wisdom by reconsidering how British television drama can be analysed. Each section is preceded by an introduction in which the editors discuss how the essays address existing problems in the field and also suggest new directions for study. The book is split into three sections, addressing the enduring appeal of popular genres, the notion of 'quality' in television drama, and analysing a range of programmes past and present. Popular television drama: critical perspectives will be of interest to students and researchers in many academic disciplines that study television drama. Its breadth and focus on popular programmes will also appeal to those interested in the shows themselves. ;
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The ArtsNovember 2006Spanish visual culture
Cinema, television, internet
by Paul Julian Smith, Susan Williams
This book is the first to explore three visual media in contemporary Spain: cinema, television and the internet. It also examines cultural products in each of these media in terms of three vital themes: emotion, location and nostalgia. The first two chapters focus on emotion. They analyze the 'emotional imperative' in a recent Almodóvar feature film and in Spanish television's top-rated period drama, and investigate the politics of affect in TV drama in the last decade. The next pair of chapters deal with location. They use cultural geography to re-read contradictory accounts of the movida (the post-Franco cultural boom) and examine an attempt to anchor a US-derived genre (the youth movie) in the urban landscape of Madrid. The fifth and sixth chapters introduce the theme of location into nostalgia. They treat the unique cases of a successful Spanish heritage movie and a contemporary Spanish thriller remade in Hollywood. The peunultimate chapter investigates electronic artists and the virtual universe, and the book ends with a look at the implications of Hispano-Mexican co-productions and the interconnectedness of economic and aesthetic cultural forms. ;
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The ArtsApril 2010Jean Cocteau
by James S. Williams, Diana Holmes, Robert Ingram, Susan Williams
This is a comprehensive, original and accessible account of all aspects of Jean Cocteau's work in the cinema. It is the first major study in English to appear for over forty years and casts new light on Cocteau's most celebrated films as well as those often neglected or little known. Jean Cocteau is not only one of French cinema's greatest and most influential auteurs whose work covered all the major genres but also an experimenter, collaborator, theorist and all-round ambassador of film. This lucid account provides a complete introduction to Cocteau's cinematic project in the context of his entire oeuvre, detailed analysis of individual films, and a thematic engagement with all his cinema from a range of interdisciplinary perspectives. The Cocteau that emerges is at once a materialist filmmaker and visionary who is committed to realism in all its guises and reveals the wonder and mystery of what he called 'the cinematograph'. ;
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Humanities & Social SciencesNovember 2006
At the end of the line
by Georgina Sinclair, Andrew Thompson, John Mackenzie, Rebecca Mortimer, Susan Williams
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Humanities & Social SciencesFebruary 2001Women, scholarship and criticism c.1790–1900
Gender and knowledge
by Joan Bellamy, Anne Laurence, Gill Perry, Susan Williams
Brings together the varied artistic, critical and cultural productions by women scholars, critics and artists between 1790-1900, many of whom are little known in the canonical histories of the period. Questions the concepts of 'scholarship', 'criticism' and 'artist' across the different disciplines. Women discussed include authors (Mary Wollstonecraft Shelley, Sydney Morgan and Anna Jameson) actresses ( Elizabeth Siddons, Dorothy Jordan, and Mary Robinson) critics ( Margaret Oliphant and Mary Cowden Clarke) historians (Agnes Strickland, Lucy Aikin, Mary Anne Everett Green, Elizabeth Cooper and Lucy Toulmin Smith) as well as the writers and readers of Women's magazines, educationalists and translators. Makes a significant and original contribution to the development of gender studies by extending the frontiers of existing knowledge and research. ;
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Literature & Literary StudiesDecember 2000Modernist Sexualities
by Hugh Stevens, Caroline Howlett, Susan Williams
Employing diverse theoretical approaches, the essays in this volume show how modernism intersects with historical developments such as the suffragette movement, technological change and its effects on women and labour, the growth of pseudo-scientific writings and the burgeoning lesbian and gay movement. They show how modernism questions the fundamentals of identity and upsets the fixities of gender and sexuality through a fascination with ambiguities, marginality and the crossing of borders. The book explores strategies of expressing same-sex desires in unexpected settings, modes of remaking sex and the body, relations between writing and reading, between public and private, between performer, performance and audience in a modernism broadly conceived to include political demonstrations, political essays and the visual arts alongside narrative and poetry. ;
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MedicineAugust 2016Health Emergency Preparedness and Response
by Glen Curry, Simon Lewis, Roger Carter, Philippa Sully, Anthony Rowe, Peter Thorpe, Verity Kemp, Richard Williams, Rob Ellett, John Simpson, Gordon MacDonald, David Griffiths, Jonathan Van-Tam, Tim Uyeki, Marianne Coughlin, Chloe Sellwood, Andy Wapling
Intensely practical and down to earth, this timely new text covers the breadth of health emergency preparedness, resilience and response topics in the context of inter-disciplinary and whole society responses to a range of threats. It includes public, private and third sector roles in preparation for and in response to natural and man-made events, such as: major incident planning; infectious disease epidemics and pandemics; natural disasters; terrorist threats; and business and service continuity management. The book builds upon the basics of risk assessment and writing an emergency plan, and then covers inter-agency working, command and control, communication, personal impact and business continuity as well as training, exercises and post-incident follow up. Detailing the full emergency preparedness and civil protection planning cycle, the book is illustrated throughout with real-life examples and case studies from global experts in the field for countries with both advanced and developing healthcare systems. This practical handbook covering the essential aspects of major incident and disaster management is ideal for undergraduate and master's students in emergency management and public health, as well as for practitioners in emergency preparedness and civil protection. It will be valuable to all health practitioners from ambulance, hospital, primary and community care, mental health and public health backgrounds. Read the first chapter for free: Introduction: Why Do We Need to Prepare? ; Intensely practical and illustrated with real-life examples, this text covers the breadth of health emergency preparedness, resilience and response topics in the context of inter-disciplinary and whole society responses. It includes public, private and third sector roles in preparation for and in response to natural and man-made events. ; 1: Introduction: Why do we need to Prepare?2: The Planning Process3: Risk Assessment4: Writing an Emergency Plan5: Emergency Planning and Response: Working in Partnership6: Interprofessional Working: Understanding some Emotional Barriers and Unconscious Processes That Might Influence Practice in Group and Team Work7: Command, Control and Communication8: Communications during a Health Emergency9: Psychosocial and Mental Health Care Before, During and After Emergencies, Disasters and Major Incidents10: Business Continuity11: Training and Exercising for Emergency Preparedness, Resilience and Response12: Post-incident Follow-up13: Mass Casualty Incidents14: Preparedness and Response to Pandemics and other Infectious Disease Emergencies15: CBRN Incidents16: A Military Case Study17: From Pandemics to Earthquakes: Health and Emergencies in Canterbury, New Zealand
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March 1985Gesammelte Werke in zehn Bänden
Band 2: Tom Sawyers Abenteuer
by Mark Twain, True W. Williams
Mark Twain wurde am 30. November 1835 als Samuel Langhorne Clemens in Florida / Missouri geboren. Nach dem Tod des Vaters brach er mit zwölf Jahren die Schule ab und arbeitete zunächst als Lehrling in einer Druckerei, später auch als Journalist, Goldgräber, Publizist und Lotse auf einem Mississippi-Dampfer. Twain machte Reisen u.a. nach Europa und Palästina, bevor er sich in Hartford niederließ und heiratete. Neben der Schriftstellerei unternahm er auch Vortragsreisen in der ganzen Welt. Twain wurde insbesondere durch die Abenteuer von Huckleberry Finn und Tom Sawyer bekannt. Er gilt als einer der bedeutendsten amerikanischen Autoren des 19. Jahrhunderts und besticht besonders durch sein humoristisches und satirisches Talent. Noch zu seinen Lebzeiten starben seine Frau und die beiden Töchter, Twain selbst starb am 21. April 1910.
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Humanities & Social SciencesDecember 2011The hidden alternative
by Anthony Webster, Alyson Brown, David Stewart, Walton (John K.) Prof, Linda Shaw
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