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      • Trusted Partner
        Humanities & Social Sciences
        July 2016

        The American bomb in Britain

        by Ken Young

      • Trusted Partner
        Humanities & Social Sciences
        March 2019

        Managing diabetes, managing medicine

        Chronic disease and clinical bureaucracy in post-war Britain

        by Martin D. Moore, Keir Waddington, David Cantor

        This book is available as an open access ebook under a CC-BY-NC-ND licence. Through its study of diabetes care in twentieth-century Britain, Managing diabetes, managing medicine offers the first historical monograph to explore how the decision-making and labour of medical professionals became subject to bureaucratic regulation and managerial oversight. Where much existing literature has cast health care management as either a political imposition or an assertion of medical control, this work positions managerial medicine as a co-constructed venture. Although driven by different motives, doctors, nurses, professional bodies, government agencies and international organisations were all integral to the creation of managerial systems, working within a context of considerable professional, political, technological, economic and cultural change.

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        Humanities & Social Sciences
        March 2017

        Jute and empire

        by Andrew Thompson, John M. MacKenzie, Gordon Stewart

        Dundee had an interesting role to play in the jute trade, but the main player in the story of jute was Calcutta. This book follows the relationship of jute to empire, and discusses the rivalry between the Scottish and Indian cities from the 1840s to the 1950s and reveals the architecture of jute's place in the British Empire. The book adopts significant fresh approaches to imperial history, and explores the economic and cultural landscapes of the British Empire. Jute had been grown, spun and woven in Bengal for centuries before it made its appearance as a factory-manufactured product in world markets in the late 1830s. The book discusses the profits made in Calcutta during the rise of jute between the 1880s and 1920s; the profits reached extraordinary levels during and after World War I. The Calcutta jute industry entered a crisis period even before it was pummelled by the depression of the 1930s. The looming crisis stemmed from the potential of the Calcutta mills to outproduce world demand many times over. The St Andrew's Day rituals in Calcutta, begun three years before the founding of the Indian Jute Mills Association. The ceremonial occasion helps the reader to understand what the jute wallahs meant when they said they were in Calcutta for 'the greater glory of Scotland'. The book sheds some light on the contentious issues surrounding the problematic, if ever-intriguing, phenomenon of British Empire. The jute wallahs were inextricably bound up in the cultural self-images generated by British imperial ideology.

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        The Arts
        2012

        China Through the Eyes of an American University President

        by Sidney A. McPhee

        China Through the Eyes of an American University President not only catches natural scenery and traditional culture of China, but also contains true reflections on joy, anger, sorrow and happiness of common Chinese people; the author interprets cultural diversity and cultural heritage of China through camera language, and gives highly praise on elegant demeanour of an eastern country which is rising sharply and integrating the world in big strides on unique prospective.

      • Trusted Partner
        Literature & Literary Studies
        March 2001

        Beginning ethnic American literatures

        by Helena Grice, Peter Barry, Candida Hepworth, John McLeod, Maria Lauret, Martin Padget, Annete Musker

        Since the late 1960s, American literature has been revitalised by the work of writers such as Toni Morrison, Sherman Alexie, Sandra Cisneros and Maxine Hong Kingston. An introduction to the study of ethnic American fictions organised into four sections, each written by a specialist in the fields of African American, Asian American, Chicano/a and native American literature. Writers are discussed in their cultural/political contexts and literary traditions (rather than as exceptions or as individuals, or on a generic basis). The book highlights common themes in ethnic writing as well as specificities, and has extensive suggestions for further reading as well as a critical introduction regarding the concept of 'ethnic writing'. No competing titles - there are no textbooks, no beginners' books nor any systematised combination of ethnic fictions such as this - only edited collections on each area. ;

      • Trusted Partner
        Humanities & Social Sciences
        October 2002

        American society today

        by Edward Ashbee, Bill Jones

        American society today provides a balanced introduction to the defining features of contemporary American society. Includes the ways in which the US can be considered 'exceptional' - the character of the 'American dream', the role of ethnicity and race, and the differences between the regions. Considers in depth a number of contemporary debates including the claim that the US economy has lost its capacity to generate wealth and stimulate mobility, that there has been a process of civic disengagement as voluntary organisations have lost members, and that the traditional family is in decline. Includes a thorough investigation of the effects of the terrorist attacks of September 11 and their aftermath. Looks at the arguments put forward by those who assert that a common American identity has given way to a multitude of conflicting identities structured around factors such as race, ethnicity, gender and sexuality. ;

      • Trusted Partner
        August 2016

        Der letzte beste Ort

        Stories

        by Callan Wink, Hannes Meyer

        Literatur wie eine Nacht im Freien Es ist ein Ort, an dem die Arbeit für gewöhnlich hart, Geld knapp und die Natur prächtig ist, durchgezogen vom Band des Yellowstone River, mit den Rockies am Horizont. Für die Männer in Callan Winks Stories ist es der letzte beste Ort und ihr Zuhause. Doch jeder von ihnen läuft Gefahr, in der Weite des heutigen American West verloren zu gehen: Einer bezahlt einen Faustschlag mit zwei Jahren Gefängnis. Ein anderer schmeißt alles hin, um auf einer Farm zu schuften. Und noch ein anderer befreit aus Mitleid einen Hund, kurze Zeit später flieht er vor zwei bewaffneten Verrückten quer über die Felsen durch die Nacht, barfuß und nackt … Callan Wink hat ein Buch über Sehnsucht, Schuld und das Kräftemessen mit der Natur geschrieben. »Der letzte beste Ort« ist der fulminante Auftakt eines Erzählers, der Richard Ford und Philipp Meyer nachfolgt. Durchwirkt von der Ehrfurcht gegenüber der Schönheit seiner Heimat, in einer Sprache von kristalliner Vehemenz.

      • Trusted Partner
        August 2016

        Der letzte beste Ort

        Stories

        by Callan Wink

        Literatur wie eine Nacht im Freien Es ist ein Ort, an dem die Arbeit für gewöhnlich hart, Geld knapp und die Natur prächtig ist, durchgezogen vom Band des Yellowstone River, mit den Rockies am Horizont. Für die Männer in Callan Winks Stories ist es der letzte beste Ort und ihr Zuhause. Doch jeder von ihnen läuft Gefahr, in der Weite des heutigen American West verloren zu gehen: Einer bezahlt einen Faustschlag mit zwei Jahren Gefängnis. Ein anderer schmeißt alles hin, um auf einer Farm zu schuften. Und noch ein anderer befreit aus Mitleid einen Hund, kurze Zeit später flieht er vor zwei bewaffneten Verrückten quer über die Felsen durch die Nacht, barfuß und nackt … Callan Wink hat ein Buch über Sehnsucht, Schuld und das Kräftemessen mit der Natur geschrieben. »Der letzte beste Ort« ist der fulminante Auftakt eines Erzählers, der Richard Ford und Philipp Meyer nachfolgt. Durchwirkt von der Ehrfurcht gegenüber der Schönheit seiner Heimat, in einer Sprache von kristalliner Vehemenz.

      • Trusted Partner
        Humanities & Social Sciences
        April 2006

        The My Lai massacre in American history and memory

        by Kendrick Oliver

        On 16 March 1968, two US infantry companies entered a Vietnamese village and in the course of a single morning killed over 400 of its unarmed, unresisting inhabitants . . . This is the first book to examine the response of American society to the My Lai massacre and its ambiguous place in American national memory. Kendrick Oliver argues that the massacre revelations left many Americans untroubled. It was only when the soldiers most immediately responsible came to be tried that opposition to the conflict grew, for these prosecutions were regarded by supporters of the war as evidence that the national leaders no longer had the will to do what was necessary to win. Oliver goes on to show that, contrary to interpretations of the Vietnam conflict as an unhealed national trauma or wound, many Americans have assimilated the war and its violence rather too well, and they were able to do so even when that violence was most conspicuous and current. US soldiers have been presented as the conflict's principal victims, and this was true even in the case of My Lai. It was the American perpetrators of the massacre and not the Vietnamese they brutalized who became the central object of popular concern. Both the massacre and its reception reveal the problem of human empathy in conditions of a counter-revolutionary war - a war, moreover, that had always been fought for geopolitical credibility, not for the sake of the Vietnamese. This incisive enquiry into the moral history of the Vietnam war should be essential reading for all students of the conflict, as well as others interested in the war and its cultural legacies. ;

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        Microbiology (non-medical)
        January 1970

        South American Leaf Blight of Hevea Brasiliensis

        by P Holliday

        Paper on the South American Leafl Blight of Hevea Brasilinesis

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        The Politics of Insanity

        by Hugo N. Gerstl

        America's friends and our enemies alike are scratching their collective heads and thinking, "If you turned the world on its side all of the loose nuts would end up in the United States." The Theater of the Absurd has come to life on every television set, smart phone, and social media outlet around the world. A megawealthy upraised carnival barker, who has systematically alienated every segment of society in the United States, stands poised to become the next president! Candidates deny the signs of global climate change—never mind, God will protect us, and since he's a Christian God, he will help us get rid of the Muslims in the process! Can anyone imagine two serious candidates for the highest office in the United States arguing over the size of their genitals? ("You know what they say about men with small hands...").  Welcome to The Politics of Insanity, a serious look at the newest form of the bizarre "reality TV." Where thoughtful, serious contenders eke out 2% of the vote at best. Where it's acceptable to say, "Would you want to have a president with a face like that?" Where a semi-nude photo of a candidate's gorgeous wife is splashed across a TV ad? But believe it or not, Ecclesiastes 1:9 is accurate: "There is nothing new under the sun." Political insanity did not start in the United States, and even in America we've been down this road before. Hugo N. Gerstl, author of The Politics of Hate (2012), slices into the "American Pie" of 2016 politics with a clear-eyed analytical scalpel, and, despite what appears to be an impenetrable tragicomic maze of craziness, he optimistically concludes, in the words of a former president whose wife is the frontrunner in the race for the White House, "There is nothing wrong with America that cannot be cured with what is right with America." An English-language eBook edition was published in fall 2016 by Samuel Wachtman's Sons, Inc., CA. 250 Pages, 15X22.5 cm

      • Trusted Partner
        Humanities & Social Sciences
        March 2017

        Ephemeral vistas

        by Paul Greenhalgh

        The international exhibitions held around the world between 1851 and 1939 were spectacular gestures, which briefly held the attention of the world before disappearing into an abrupt oblivion, of the victims of their planned temporality. Known in Britain as Great Exhibitions, in France as Expositions Universelles and in America as World's Fairs, the genre became a self-perpetuating phenomenon, the extraordinary cultural spawn of industry and empire. Thoroughly in the spirit of the first industrial age, the exhibitions illustrated the relation between money and power, and revelled in the belief that the uncontrolled expression of that power was the quintessence of freedom. Philanthropy found its place on exhibition sites functioning as a conscience to the age although even here morality was inextricably linked to economic efficiency and expansion. Imperial achievement was celebrated to the full at international exhibitions. Nevertheless, most World's Fairs maintained an imperial element and out of this blossomed a vibrant racism. Between 1889 and 1914, the exhibitions became a human showcase, when people from all over the world were brought to sites in order to be seen by others for their gratification and education. In essence, the English national profile fabricated in the closing decades of the nineteenth century was derived from the pre-industrial world. The Fine Arts were an important ingredient in any international exhibition of calibre. This book incorporates comparative work on European and American empire-building, with the chronological focus primarily on the nineteenth and twentieth centuries, when these cultural exchanges were most powerfully at work.

      • Trusted Partner
        Literature & Literary Studies
        July 2009

        John Ashbery and American Poetry

        by David Herd

        starting point. David Herd sets out to provide readers with a new critical language through which they can appreciate the beauty and complexity of Ashbery's writing. Presenting the poet in all his forms -avant-garde, nostalgic, sublime and camp - the book argues that the perpetual inventiveness of Ashbery's work has always been underpinned by the poets desire to write the poem fit to cope with its occasion. Tracing Ashbery's development in the light of this idea, and from its origins in the dazzling artistic environment of 1950's New York, the book evaluates his poetry against the aesthetic, literary and historical backgrounds that have informed it. The story of a brilliant career, and a history of the period in which that career has taken shape, John Ashbery and American Poetry provides a compelling account of Ashbery's importance to Twentieth Century Literature. ;

      • Trusted Partner
        The Arts
        June 2002

        American film and politics from Reagan to Bush Jr

        by Philip Davies, Paul Wells

        Covers a crucial two decades in American history, when the links between Hollywood and Washington DC were at their strongest.. The period is 'book-ended' by the mighty political and cinematic figures of Reagan and Clinton.. Covers a period in which movies have become targets of political rhetoric of 'family values'.. Essays examine cinematic views of key American political institutions - the presidency and electoral process, politically significant places such as New York City and the American South, the promotion of major issues like gender, family and race. This is a subject which has gained new significance in the wake of recent terrorist attacks in New York and Washington DC, which have changed both the political climate, and the priorities of the movie industry. ;

      • Trusted Partner
        May 2021

        The Truth about American History You Didn't Know

        by Wang Ying, Wang Yongyi

        American history has its glorious side, but also its obscure, dark, and even cruel and bloody side. The book begins with "Brilliant Indian Civilization", and then begins with "The Tragic Indians", "The B-side of Washington's Life", "The Myth of the American Constitution", "The Long Road to Black Liberation", "The Faces of All Living Beings in the Mirror of Democracy", and "The Blood under the Stars and Stripes" As the theme, it uses a large number of unknown, vivid images, and narrative specific historical facts. From different historical perspectives, it exposes the obscure, dark, cruel and bloody history of the United States. thousand.

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