Amber Books Ltd.
We are an independent illustrated non-fiction publisher based in London, UK and have been in the industry for over 30 years. We publish a growing range of titles under our own Amber Books imprint.
View Rights PortalWe are an independent illustrated non-fiction publisher based in London, UK and have been in the industry for over 30 years. We publish a growing range of titles under our own Amber Books imprint.
View Rights PortalEstablished in 2008,AmberleyPublishingis home of the ever-popular colour local history series Through Time, Amberleyis an independent publisher of books on a rich variety of history and heritage.
View Rights PortalEs ist die Frage, die uns alle jedes Jahr aufs Neue umtreibt: Was ist das perfekte Geschenk? Die kleine Maus in Palmer Browns Geschichte ist auf der Suche nach etwas Besonderem für ihre Mutter. Doch was könnte sie, die nur so wenig zur Verfügung hat, verschenken, um ihrer großen Liebe Ausdruck zu verleihen? Ihr fehlt der Samt für ein Nadelkissen, die Rosinen für den Früchtekuchen. Doch schließlich bemerkt sie, dass man für das perfekte Geschenk gar nicht so viel braucht. Mit seiner bezaubernden Geschichte von 1958, die kürzlich in der renommierten New York Review Children’s Collection wieder veröffentlicht wurde, schenkt Palmer Brown uns etwas ganz Besonderes – für Weihnachten oder jeden Tag.
This volume is the first ever attempt to unite and translate some of the key texts which informed Johan Huizinga's famous study of the Burgundian court, The Waning of the Middle Ages, a work which has never gone out of print. It combines these texts with sources that Huizinga did not consider, those that illuminate the wider civic world that the Burgundian court inhabited and the dynamic interaction between court and city. Through these sources, and an introduction offering new perspectives on recent historiography, the book tests whether Huizinga's controversial vision of the period still stands. Covering subjects including ceremonial events, such as the spectacles and gargantuan banquets that made the Burgundian dukes the talk of Europe, the workings of the court, and jousting, archery and rhetoric competitions, the book will appeal to students of late medieval and early modern Europe and to those with wider interests in court culture, ritual and ceremony.
This book is the first ever concordance to the rhymes of Spenser's epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser's rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes. ;