Wiley
John Wiley & Sons, Inc. (Wiley)is a renowned, global publishing company focusing on academic publishing for professionals and researchers within the field of science and medicine.
View Rights PortalJohn Wiley & Sons, Inc. (Wiley)is a renowned, global publishing company focusing on academic publishing for professionals and researchers within the field of science and medicine.
View Rights PortalWilkinson Publishing is an independent Australian Publisher with over 40 years of experience. We are passionate about books and sharing great stories that entertain and inspire, and information that helps bring about change and creates opportunities to learn and belong.
View Rights Portalis a full-colored illustrated handbook of flowers which is very classical and collectible. Comprehensive plant selection: This book contains more than 1000 new varieties, 2500 new plants and nearly 4000 colorful pics. It not only contains cultivated and common varieties, but wild varieties, new varieties and rare varieties. Reference book: Every plants you want can be easily found in this book. The book arranges the species by the Latin names of the plants,the similar species will be put together in order to be recognized easily. The pictures of one specie will be arranged clearly by its size and colour changing. A brief guide for cultivation: This book divides into three parts: "identification", "maintenance" and "application" among each specie. In view of the difficulties and problems encountered in the design and application of plant landscape, this book provides a specific solution for urban planners, landscape designers, plants researchers and flower lovers. This book will not only bring you the shock of vision, also the dramatic experience of the flower world.
»Bosheit ist ein Mythos, den gute Menschen erfunden haben, um die seltsame Anziehungskraft der anderen zu erklären.« Oscar Wilde
»Bosheit ist ein Mythos, den gute Menschen erfunden haben, um die seltsame Anziehungskraft der anderen zu erklären.« Oscar Wilde
The floral industry represents a significant proportion of agricultural income in several developed countries, particularly the USA, the Netherlands and Japan. Hitherto the sheer diversity of flower seeds, in their form, function and biology, has hindered the production of a comprehensive treatment of the topic. This book provides a unique and much-needed resource of information on the biology and technology of flower seeds. It presents in-depth information on the history and evolution of the ornamental and wild flower seed industries followed by recommendations for successful breed and production programs. A comprehensive coverage of the biology of flower seeds is considered as well as appropriate technologies associated with germination, vigor and viability testing. In this volume, the first of its kind, international authorities from academia and industry have been brought together to provide a comprehensive reference resource for both practitioners and students of seed science and technology and of ornamental horticulture.
Gender-based violence (GBV) in travel and tourism is embedded within wider social structures of gender inequalities and discrimination. Even though it is pertinent to study GBV in all its forms, this book focuses on the multiple and interconnected manifestations of violence that women/girls encounter in tourism consumption and production (physical, sexual, emotional or socio-economic), while seeking to open the debate on violence against sexual minorities (LGBT) and discussing men/boys as victims and perpetrators of GBV. By engaging in a critical exploration of the theoretical landscape of GBV and case studies on GBV and sexual harassment, the book adopts a multidisciplinary perspective drawing on feminist, intersectional and post-colonial frameworks, bringing together contributions from academics and practitioners across the globe.
Reading, writing and the influence of Harold Bloom takes the work of the world's best-known living literary critic and discovers what it is like to read 'with', 'against' and 'beyond' his ideas. The editors, Alan Rawes and Jonathon Shears, introduce the collection by assessing the impact of Bloom's brand of agonistic criticism on literary critics and its ongoing relevance to a discipline attempting to redefine and settle on its collective goals. Firmly grounded in, though not confined to, Bloom's first specialism of Romantic Studies, the volume contains essays that examine Bloom's debts to high Romanticism, his quarrels with feminism, his resistance to historicism, the tensions with the 'Yale School' and his recent work on Shakespeare and genius. Crucially, chapters are also devoted to putting Bloom's anxiety-themed ratios into practice on the poetry of Wordsworth, Shelley, Keats and D. H. Lawrence, amongst others. The Harold Bloom that emerges from this collection is by turns divisive and unifying, marginalised and central, radical and conservative.
Through five years of meticulous preparation and hard work in the mountains, the author has gained more than 200,000 words of hard work. In the mountainous area of Shennongjia, Hubei, people believe that people are livestock for two hours a day. In today's world, humans and beasts are upside down, and humans and beasts are mixed, which is exactly what the people of Shennongjia say. In the novel "Hunter Peak", several generations of hunters with Bai Xiu at the core are fighting against the mountain, against the creatures in the mountain, against the people outside the mountain, and in this cruel fight or ups and downs in the changing times. Either twisted, surviving, or dying, they are no longer the objects of praise and worship in the traditional concept, but are also full of contradictions and loss, distortions and sacrifices. The work narrates a battle between humans and beasts encountered with wild boars, a modern legend of deep mountains and old forests, the great poetry of hunting, and the great mystery of survival. All are described and displayed incisively and vividly here.
Lady Yu has become the head of the Zhens since her father died and her brother got paralyzed. She intently strives for the long-gone youthful days and the free and happiness she never had before. Nevertheless, the harmful influence of the feudal family on her is deep-rooted and the shadows of her father and brother have always haunted her. In the end, she fights against the evil feudal ethical code at the cost of her youth, passion and life. The novel sets in a small town in the south of the Yangtze River during 1920s which has been no longer in existence and turned into a part of historical relics.
The book offers a novel lens to situate Europeanisation as violence - through institutions and technologies of development, cultural heritage, and borders, among others - by bringing South and East within a relational frame. Through four inter-related sections, it foregrounds Europeanisation as infrastructural violence and colonial asymmetries, slow violence and the construction of stratified subalternities, epistemic dispossession, and border epistemologies.
The documentary "Hexi Corridor China's Wild West", with its rich humanistic materials and unique aesthetic perspective, has become a classic of domestic documentary. Hexi Corridor, a documentary book of the same name published by Gansu Education Press, reproduces the film on paper in the form of pictures and illustrations, bringing readers a new reading experience and aesthetic enjoyment. The book's chapters are arranged in the same chronological order as the documentary, with each chapter focusing on a different theme -- from the equestrians of the empire to the quiet Buddhist faces of the grottoes; From the reading of Confucian scriptures to the ringing of merchants' camel bells. In different dimensions, he wrote an epic of the Hexi Corridor, a meeting place of civilizations.
This book aims to examine the nature of and resistance to gendered urban violence among Brazilian women in London and in the favelas of Maré, Rio de Janeiro. Drawing on the conceptualisation of translocational gendered urban violence framework, it highlights the importance of examining direct forms of gender-based violence across private, public and transnational spheres as interlinked with structural, symbolic and infrastructural violence. The book also explores the embodied and spatialised nature of gendered urban violence, explored through artistic engagements and arts-based methods. In developing a translocational feminist tracing methodological and epistemological approach across the social sciences and the arts, the book argues for the importance of a collaborative approach among academic, civil society organisations, artists and creative researchers with a view to engendering empathetic transformation to address gendered urban violence in the long-term.
The secret life of romantic comedy offers a new approach to one of the most popular and resilient genres in the history of Hollywood. Steering away from the rigidity and ideological determinism of traditional accounts of the genre, this book advocates a more flexible theory, which allows the student to explore the presence of the genre in unexpected places, extending the concept to encompass films that are not usually considered romantic comedies. Combining theory with detailed analyses of a selection of films, including To Be or Not to Be (1942), Rear Window (1954), Kiss Me Stupid (1964), Crimes and Misdemeanors (1989) and Before Sunset (2004), the book aims to provide a practical framework for the exploration of a key area of contemporary experience - intimate matters - through one of its most powerful filmic representations: the genre of romantic comedy. Original and entertaining, The secret life of romantic comedy is perfect for students and academics of film and film genre.
Are you tired of asking your partner and explaining what you need, and receive noresponse? Are you frustrated by feeling that your needs are not considered? Do you fearthat your relationship will limit your personal growth? Do you feel that there is love, butalso that his love catches you and wears you down? Many people, particularly women, seek therapy for symptoms like depression and anxiety, but without clear awareness of what causes them. Many blame themselves for not being “good enough, ” and not understanding to their partners.The common denominator of their mental health challenge is the minimization and invisibility caused by the oppression in in their exchanges with their partner, as opposed to receiving encouragement and support for their personal and professional development. This oppression will lead to diminishment and limiting their decisions through silences,gestures, humiliations or even physical violence, while they protect themselves byassuming a role that is lower than that of his/her partner. Jerks are not always easy to identify; they tend to confuse their partners with effusivedisplays of love that cover up their high doses of control and abuse. We talk about thejerks, those men who make people fall in love with sweet words, flowers and attention and who, little by little, display their crude, aggressive and even dangerous ways of “loving”. They destroy self-esteem and make their prey feel guilty for their behaviors. This book is a guide that speaks to the person trapped in a pitiful relationship. To reflect on your daily life and identify the characteristics of an abusive relationship, leading her by the hand to recognize the beliefs that trap her, to distinguish the patterns that she repeats, and to put into practice techniques that will allow her to get out of the abuse,recover, and bloom again.
Flowers Blossoming is a picture book created in the context of poverty alleviation through education in China. In the Shiwan Mountain area of Guangxi where the outdated notion "women are not supposed to receive education" still prevails, Ah Mei, a girl of the Yao ethnic group, cherishes the hope that "knowledge can change fate". She leaves the mountain to receive education and work with the support of government. Having experienced a broader world outside, she returns to the mountain to plant seeds of hope for other girls. The delicate and healing pictures in this book carry great power. The stretching mountain and the lush forests trigger boundless imaginations, embodying the thirst of girls deep in the mountain for learning knowledge and exploring the outside world. While the problems with girls' education in impoverished areas as reflected by the book have great realistic implications, the book applauds selfless educators for their finite contribution to the infinite educational cause, empowering more girls to live more open and brighter lives.
The globe-trotting tales of five women who fought for the right to enjoy the wild places of the earth. For millennia the 'wild' was a place heroic men went on epic quests. Women were prevented from joining them, either through physical control or powerful myths about what would happen if they ventured beyond the city wall or village boundary. So how did women claim their place in the remote and lovely parts of our planet? In Wildly different, historian Sarah Lonsdale traces the lives of five women who fought for the right to work in, enjoy and help to save the earth's wild places. We'll meet Mina Hubbard, who outraged the exploration community when she stepped into a canoe in northern Labrador. Evelyn Cheesman, who became the first female keeper of insects at London Zoo. Dorothy Pilley, who shocked polite society by donning men's climbing breeches. Ethel Haythornthwaite, who helped make the Peak District Britain's first National Park. And Wangari Maathai, who started a movement to plant millions of trees across sub-Saharan Africa. Drawing on interviews with Sir David Attenborough, Wangari Maathai's daughter and others, Lonsdale recounts the women's adventures across five continents. Evocative and inspiring, this book shows how women can be 'wildly different'.
Famed reporter Russell Blaze is dead. It may have been an accident, but then again, it may have been murder. Russ' son Cody finds Russ's unfinished memoir for clues as to what may have happened. The opening words are: On the night of October 16, 1968, I uttered a sentence that would haunt me for the rest of my life. The sentence was, "Someone should kill that motherf***er.As Cody delves into the memoir, a window opens into a tragic past and thrusts the still-burning embers of another time's radical violence into the political reality of the present. History that once seemed far away becomes a deeply personal immersion for Cody into the storied heyday of Haight-Ashbury: drugs, sex, war protesters, right-wing militias, ground-breaking journalism-and the mysterious Gloria, who wanders into Russ' pad one day just to "crash here for a while until things calm down."Cody discovers aspects of his father's life he never knew, and slowly begins to understand the significance of those words his father spoke in 1968.Words Kill is a story of loss, violence, and racism; love, hate, and discovery. It is a story of then . . . and now.
Flo has lived with her parents all her life and never goes out to the town. She wants to see new things and meet new people. So one day, Flo braves herself and goes alone. How shocked she is when she sees people in the town are different from her. They don't have... flowers on their body.
Ende der neunziger Jahre tauchte plötzlich eine neue soziale Spezies in US-Großstädten auf: die Hipster. Die Erben der Beatniks oder Hippies trugen zu enge Jeans, Baseballmützen, Schnäuzer und hatten Dosenbier oder einen Laptop dabei. Begleitet wurde ihr Auftreten von der Musik der Strokes oder von Belle and Sebastian, 2001 setzte Wes Anderson ihnen in »The Royal Tenenbaums« ein filmisches Denkmal. Spätestens als 2004 die erste deutsche Filiale von American Apparel eröffnete, hatten die Hipster bzw. die eng mit ihnen verwandten digitalen Bohèmes den Sprung über den Atlantik geschafft. Die New Yorker Zeitschrift n+1 widmete den Hipstern 2009 eine Tagung an der New School: Was sind eigentlich Hipster? Und wofür sind sie ein Symptom? Für eine Generation, die Geld verdienen und doch nicht erwachsen werden will? Ein durch und durch ironisches Zeitalter? Den postindustriellen Konsumkapitalismus? Der Band sorgte nicht nur in den USA für großes Aufsehen, das Buch wird mittlerweile in mehrere Sprachen übersetzt. In dieser Ausgabe werfen Jens-Christian Rabe (Süddeutsche Zeitung), Tobias Rapp (Der Spiegel) und Thomas Meinecke zusätzlich einen deutschen Blick auf dieses transatlantische Phänomen.