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      • Trusted Partner
        Humanities & Social Sciences
        November 2022

        Chinese dreams in Romantic England

        by Edward Weech

      • Trusted Partner
        Literature & Literary Studies
        November 2024

        Women and madness in the early Romantic novel

        Injured minds, ruined lives

        by Deborah Weiss

        Women and madness in the early Romantic novel returns madness to a central role in feminist literary criticism through an updated exploration of hysteria, melancholia, and love-madness in novels by Mary Wollstonecraft, Eliza Fenwick, Mary Hays, Maria Edgeworth, and Amelia Opie. This book argues that these early Romantic-period novelists revised medical and popular sentimental models for female madness that made inherent female weakness and the aberrant female body responsible for women's mental afflictions. The book explores how the more radical authors-Wollstonecraft, Fenwick and Hays-blamed men and patriarchal structures of control for their characters' hysteria and melancholia, while the more mainstream writers-Edgeworth and Opie-located causality in less gendered and less victimized accounts. Taken as a whole, the book makes a powerful case for focusing on women's mental health in eighteenth- and nineteenth- century literary criticism.

      • Trusted Partner
        The Arts
        February 2009

        The secret life of romantic comedy

        by Celestino Deleyto

        The secret life of romantic comedy offers a new approach to one of the most popular and resilient genres in the history of Hollywood. Steering away from the rigidity and ideological determinism of traditional accounts of the genre, this book advocates a more flexible theory, which allows the student to explore the presence of the genre in unexpected places, extending the concept to encompass films that are not usually considered romantic comedies. Combining theory with detailed analyses of a selection of films, including To Be or Not to Be (1942), Rear Window (1954), Kiss Me Stupid (1964), Crimes and Misdemeanors (1989) and Before Sunset (2004), the book aims to provide a practical framework for the exploration of a key area of contemporary experience - intimate matters - through one of its most powerful filmic representations: the genre of romantic comedy. Original and entertaining, The secret life of romantic comedy is perfect for students and academics of film and film genre. ;

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        Fiction
        December 2017

        Library of Chinese Classics :Selected Poems of Libai

        by Xu Yuanchong

        Li Bai is the greatest romantic poet in our country in the Tang Dynasty. Romanticism, as a trend of literary thought, is a social product of Europe from the late 18th century to the early 19th century. However, as a traumatic method, like realism, it is produced simultaneously with literature and art. Realism pays more attention to the portrayal of objective things, while romanticism focuses more on the expression of subjective feelings. With the Chinese poetic term "Fu Beixing" to describe the use of realism works more method, the use of romantic multi-Xing method. The use of Bi Xing is a major feature of Li Bai's poetry. Li Bai is a poet representing the Tang Dynasty culture. The ancient northern Yellow River valley culture in the philosophical thinking, with Confucius "Analects" as the representative, in the literary arts, the realist "Book of Songs" as a typical. The southern culture in the Yangtze River Valley, the philosophical representative is Lao Tzu "moral classics", and the typical literary style is "romantic". Li Bai, on the other hand, is a typical representative of the integration of North and South cultures.

      • Trusted Partner
        Humanities & Social Sciences
        July 2016

        Romantic narratives in international politics

        by Alexander Spencer

      • Trusted Partner
        The Arts
        November 2011

        The limits of performance in the French Romantic theatre

        by Susan McCready, Mike Thompson

        This volume analyses major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theatre rather than conceal them. Through an examination of performance within these plays, the study posits that the stage is a privileged site of demonstration, a literal 'proving ground' that lends a physical reality to abstract values announced in the text and shared or questioned by the audience. Negotiating between the literary study of drama and performance theory, this work breaks new ground in nineteenth-century theatre scholarship while proposing a fresh direction in the study of text and performance. The limits of performance 'challenges conventional wisdom', offering 'a novel take on the mal du siècle, that thematic hardy perennial of French Romanticism and the nineteenth century in general', combined with 'eminently readable and, therefore, compelling' analysis of plays - 'a thought-provoking addition to work in the field' (Glyn Hambrook, Modern and Contemporary France, November 2008). ;

      • Trusted Partner
        Literature & Literary Studies
        May 2023

        Suicide and the Gothic

        by William Hughes, Andrew Smith

        Suicide and the Gothic is the first protracted study of how the act of self-destruction recurs and functions within one of the most enduring and popular forms of fiction. Comprising eleven original essays and an authoritative introduction, this collection explores how the act of suicide has been portrayed, interrogated and pathologised from the eighteenth century to the present. The featured fictions embrace both canonical and the less-studied texts and examine the crisis of suicide - a crisis that has personal, familial, religious, legal and medical implications - in European, American and Asian contexts. Featuring detailed interventions into the understanding of texts as temporally distant as Thomas Percy's Reliques and Patricia Highsmith's crime fictions, and movements as diverse as Wertherism, Romanticism and fin-de-siècle decadence, Suicide and the Gothic provides a comprehensive and compelling overview of this recurrent crisis in fiction and culture.

      • Trusted Partner
        The Arts
        July 2006

        Hollywood romantic comedy

        States of Union, 1934–1965

        by Kathrina Glitre

        This book explores the changing representation of the couple, focusing on themes of marriage, equality and desire. Kathrina Glitre moves beyond the usual screwball territory to consider cycles of production from 1934-65. The central concern with the representation of the couple is distinctive and includes discussion of three star couples: Myrna Loy and William Powell, Katharine Hepburn and Spencer Tracy, and Doris Day and Rock Hudson. Glitre offers explanations of genre, as well as detailed analysis of screwball comedy, career woman comedy and sex comedy. Each cycle is placed into context to analyse cultural discourses around heterosexuality, gender, romance and love. This structure also enables a more sophisticated understanding of such conventions as masquerade, gender inversion and the happy ending. The book will appeal to university students and academics working on genre, gender, culture and representation, and anyone with a keen interest in Hollywood romantic comedy. ;

      • Trusted Partner
        Humanities & Social Sciences
        March 2024

        How to be multiple

        The philosophy of twins

        by Helena de Bres, Julia de Bres

        In How to be multiple, Helena de Bres - a twin herself - argues that twinhood is a unique lens for examining our place in the world and how we relate to other people. The way we think about twins offers remarkable insights into some of the deepest questions of our existence, from what is a person? to how should we treat one another? Deftly weaving together literary and cultural history, philosophical enquiry and personal experience, de Bres examines such thorny issues as binary thinking, objectification, romantic love and friendship, revealing the limits of our individualistic perspectives. In this illuminating, entertaining book, wittily illustrated by her twin sister, de Bres ultimately suggests that to consider twinhood is to imagine the possibility of a more interconnected, capacious human future.

      • Trusted Partner
        The Arts
        July 2024

        Pasticcio opera in Britain

        History and context

        by Peter Morgan Barnes

        This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.

      • Trusted Partner
        Literature & Literary Studies
        October 2024

        The Legacy of John Polidori

        The Romantic Vampire and its Progeny

        by Sam George, Bill Hughes

        John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.

      • Trusted Partner
        September 2020

        It was always love

        by Hotel, Nikola

        She’s had enough of men, but he can’t get enough of her...   Away. Just get out of here. That's all Aubree thinks about when she gets kicked out of college after a party. She buys an incredibly old car, throws the few things she owns into the trunk and flees to her best friend Ivy in New Hampshire.    There, all she wants is to pull the blanket over her head and think of nothing else. Not about that night. Not about the party. And most of all, not that picture that's been circulating on the Internet ever since. But it doesn't work. Because instead of her friend, she meets Noah, Ivy's stepbrother. With his impulsive but surprisingly sensitive nature, Noah evokes feelings in her that she doesn't need right now. And which, nevertheless, sweep her away like a storm...     Second volume of a romantic and exciting dilogy with 20 lavishly illustrated hand-lettered pages by Carolin Magunia. Including a playlist that can be found on Spotify and contains songs which match perfectly with the story! It was always you (Vol. 1) entered the Spiegel bestseller list immediately after its publication. Both titles can be read separately. For all fans of Mona Kasten, Laura Kneidl and Kelly Moran! 30.000 copies of vol. 1 + 2 were sold since June 2020!

      • Trusted Partner
        Humanities & Social Sciences
        July 2024

        Romanticizing masculinity in Baathist Syria

        Gender, identity and ideology

        by Rahaf Aldoughli

        This book provides a novel analysis of the conceptual sources and ideological contours of the Assad regime. The book documents the Baathists' fascination with Romanticised and 'muscular' ideas of the nation that emerged in eighteenth- and nineteenth-century European social philosophy, and traces the implementation and impacts of these ideologies in the Syrian context. Emphasising the emergence of new forms of public gendered identity in Syria as a unifying feature of nationalism bound closely with the stability of the regime, the book shows how Romantic, muscular nationalism first rose to hegemony and then was shattered by its inherent violence, contradictions and inequalities. The final chapter closes by considering how a new vision of pluralism and civic belonging is today challenging the Romanticised Baathist ideal in contention for Syria's future.

      • Trusted Partner
        Children's & YA

        Royal Horses (1). Crown Heart

        by Jana Hoch

        His world is that of the Royals – full of scandals and secrets. Falling in love with him was never part of her plan. Their paths cross at the royal stud farm... Greta just wants to get away: away from her school and away from the friends who have so endlessly disappointed her. The holiday job at the royal stud farm comes at just the right time for her. She might not have any interest in horses – and even less in princes and princesses – but the royal family’s palace still makes her heart beat faster. But on the very first day she quarrels with Edward, the horse trainer. He guesses that she is hiding a secret and wants to do whatever it takes to bring it out in the open. When, shortly afterwards, Prince Tristan appears at the stud farm, Greta’s life is completely turned upside down. She notices all too late that she is in the process of falling in love – and specifically with the boy that she actually wants to stay away from. Humorous and romantic, glamorous and exciting: ‘Royal Horses’ is the perfect love story for all readers from 12 to 99 years-old. Greta and Edward‘s story continues! Volume 2, ‘Crown Dream’ will be out in autumn 2020.

      • Trusted Partner
        Children's & YA

        Heart of Mist

        by Katrin Lange

        A girl torn between two brothers. Regardless of which one she falls in love with it will be disastrous for the other. Christopher and Adrian have sworn that no girl will ever come between them again, because there is a sleeping monster inside Adrian, just waiting to hurt his brother. But then Jessa comes to High Moor Grange… Jessa would do anything to find her sister Alice, who has been registered as missing for five years. High Moor Grange is the first clue she has been given after all this time – but apart from a ruin shrouded in mist, all she finds there are the owners of this dilapidated manor house. Jessa suspects that they both know more about Alice’s disappearance than they admit. Christopher wants nothing more than to be rid of her, and constantly gets on her nerves with his arrogance – and even his warm-hearted brother Adrian seems to be harbouring some secrets. Jessica knows that she ought to stay away from the twin brothers, because instead of finding answers at High Moor Grange, she finds herself in danger of losing her heart in a battle against a 200-year-old curse. Dark, irresistible and deeply romantic – a modern Beauty and the Beast story by the queen of emotions!

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      • Trusted Partner
        Literature & Literary Studies
        March 2025

        Through the fiction of Phebe Gibbes (1764–90)

        Women, alienation, and prodigality in the long eighteenth century

        by Kathryn Freeman

        Through the Fiction of Phebe Gibbes places this prolific, newly recovered English writer at the centre of the revolutionary period. Gibbes's novels mark the struggles of women for agency in an expanding British empire, from the Seven Years' War to revolutions in American, Haiti and France. With Gibbes as a nexus in a lineage of women writers from Aphra Behn to Jane Austen, Kathryn S. Freeman offers a valuable perspective on the 'long eighteenth century', with Gibbes' own evolution mirroring that of the larger period. The study traces the development of Gibbes' authorial voice from satire to irony through a range of female characters subverting patriarchal oppression. Freeman guides the reader through patterns of narrative voice, concerns with gender and sexuality, and elements of wordplay through detailed discussion of five novels representing Gibbes' evolving representation of a subversive female subjectivity.

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