Jacoby & Stuart is a publishing house of richly illustrated and well-written children’s books, picture books, fiction and non-fiction. For adults we publish graphic novels, lovingly designed gift books, richly illustrated and informative non-fiction as well as inventive and exquisite cookbooks.
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Since 2008 MSM Studio has been producing digital content and software solutions for primary, secondary and vocational education. Our products are used by individual students, schools, universities, educational publishers and government organisations worldwide. MSM Studio is the creator and publisher of Balloon — a series of SCORM-compliant language courses covering English, German, Mandarin Chinese, and more. Our AI-aided language courses encompass all of K12 and feature games, animations and fun activities. We are proud to have co-produced Bua na Cainte — the first and by far the best fully interactive Irish language programme published by our Dublin-based partner. Using innovative resources, our award-winning course delivers an exciting and original approach to teaching Irish and is used in most primary schools in the Republic of Ireland. Moreover, MSM Studio delivers custom application software (mobile, web, desktop), tailor-made e-learning content, solutions for virtual/augmented reality, artwork and animations. The high quality of our services is widely recognised by our partners in Scandinavia, the UK, the USA, Ireland, Benelux, and last but not least in Poland where we are based. MSM StudioPomeranian Science and Technology ParkAl. Zwyciestwa 96/9881-451 GdyniaPoland
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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from Broadway musicals to educational theatre, from Somali drama to grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. Science in performance is essential reading for researchers, students and practitioners working between science and the arts within fields such as theatre and performance studies, science communication, interdisciplinary arts and health humanities.
A compelling biography of one of the most celebrated novels in the English language. The fourth and best-known of Virginia Woolf's novels, Mrs Dalloway is a modernist masterpiece that has remained popular since its publication in 1925. Its dual narratives follow a day in the life of wealthy housewife Clarissa Dalloway and shell-shocked war veteran Septimus Warren Smith, capturing their inner worlds with a vividness that has rarely been equalled. Mrs Dalloway: Biography of a novel offers new readers a lively introduction to this enduring classic, while providing Woolf lovers with a wealth of information about the novel's writing, publication and reception. It follows Woolf's process from the first stirrings in her diary through her struggles to create what was quickly recognised as a major advance in prose fiction. It then traces the novel's remarkable legacy to the present day. Woolf wrote in her diary that she wanted her novel 'to give life & death, sanity & insanity. to criticise the social system, & to show it at work, at its most intense.' Mrs Dalloway: Biography of a novel reveals how she achieved this ambition, creating a book that will be read by generations to come.
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Revels stuff. . . .|This Edition of George Chapman's tragedy differs from all other modern editions in being primarily based on the Quarto of 1607 in preference to the much revised Quarto of 1641. N. S. Brooke believes that the earlier text gives a more certain indication of Chapman's intentions and he has supported this view in an introduction and by a bibliographical and critical study of the play. The divergence between the texts of 1607 and 1641 are set out clearly in this volume, which includes the usual textual and critical apparatus found in the Revels series. ;
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Material Masculinities examines the material and consumer practices of over 1000 men from the middling and upper ranks of eighteenth-century society, c.1650-1850. It draws upon evidence from over 35 archives and museum collections to detail how material objects were integral for men in forming identities and shaping experiences. For men of all social ranks, ages, and geographic locations, material knowledge was imperative for masculine social identities to operate in a commercial society. Before the centralised factory and widespread mass-produced goods, men personalised and repaired their goods; products were shaped by men's attitudes and concerns. Objects were tools in men's identity formation and the exercise of social and gendered power. There was a reciprocal relationship between men and goods in this period; men were active agents of material and commercial change driving product and aesthetic innovation.
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A compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.
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Die Mauer usw. von Hamutal Bar-Yosef, ist eine Sammlung von achtzehn Geschichten, von denen einige auf wahren Geschichten beruhen. Amos Oz nannte die Sammlung „eindrucksvoll und rührend“. Hamutal Bar-Yosef entwirft in Die Mauer usw., eine tragikomische, manchmal groteske Lebensabschnittserzählung, die die condition humaine als den gähnenden Abgrund zwischen Verlangen und Wirklichkeit darstellt. Sie beweist großes Einfühlungsvermögen und Respekt für die Figuren ihrer Erzählungen und breitet ihre inneren Welten mit großer Sensibilität vor unseren Augen aus. Hamutal Bar-Yosef ist eine bekannte israelische Schriftstellerin, Dichterin, Übersetzerin und Gelehrte. Sie wurde in einem Kibbuz als Tochter von Eltern geboren, die ihre Familie durch den Holocaust verloren hatten. Ihr einziger Bruder wurde 1948 im israelischen Unabhängigkeitskrieg getötet. Im Alter von zwanzig Jahren heiratete die Autorin den Dramatiker Josef Bar-Josef und hatte vier Kinder. Eines ihrer Kinder beging mit sechzehn Jahren Selbstmord. Sie versorgte ihre Familie zuerst als Gymnasiallehrerin und schrieb dann Leitfäden für Lehrer. Die Autorin schrieb ihre Doktorarbeit erst mit vierzig Jahren und wurde Professorin für hebräische Literatur an der Ben-Gurion-Universität. Sie hat acht wissenschaftliche Bücher und fünfzehn Gedichtbände veröffentlicht und zahlreiche Preise für ihre Gedichte gewonnen. Ihre Sammlung von Geschichten, Die Mauer usw., (ursprünglich betitelt Musik) gewann den ASI-Preis (Association of Israeli Writers). Bar-Yosef hat Gedichte und Prosa aus dem Englischen, Französischen und Russischen übersetzt. Eine englischsprachige nordamerikanische Ausgabe wurde Anfang 2019 von Samuel Wachtmans Sons, Inc., CA, veröffentlicht.184 Seiten. Eine französischsprachige Ausgabe ist zur Veröffentlichung im Sommer 2019 geplant.
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The politics of war reporting: Authority, authenticity and morality challenges the assumptions that reporters and their audiences have about the way the journalistic trade operates and how it sees the world. It unpacks the taken-for-granted aspects of the lives of war correspondents, exposing the principles of interaction and valorisation that usually go unacknowledged. Is journalistic authority really only about doing the job well? Do the ethics of war reporting emerge simply from the 'stuff' of journalism? This book asks why it is that the authoritative reporter increasingly needs to appear authentic, and that success depends not only on getting things right but being the right sort of journalist. This, in turn, depends on the uncalculating mastery of practices both before and during a journalist's career. This book includes interviews with war correspondents and others with an active stake in the field and combines them with the critical sociology of Pierre Bourdieu to construct a political phenomenology of war reporting - the power relations and unspoken 'rules of the game' underpinning the representation of conflict and suffering by the media. It considers the recent phenomena of pooling and embedding journalists as well as the impact of new technologies, and asks what changes in the journalistic area can tell us about authority, authenticity and morality in the cultural industries more broadly. Interdisciplinary in its approach, The Politics of War Reporting will be of interest to scholars and students in the fields of media and cultural studies, sociology and political theory. ;
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