All Things Women
Find your focus and strengths in times of crisis.
View Rights PortalThis book analyses how three artists - Adrian Piper, Nancy Spero and Mary Kelly - worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing to challenge female stereotypes, addressing viewers and asking them to participate in the project of imagining women beyond familiar words and images of subordination. The book explores this dimension of their work through the concept of 'the other woman', a utopian wish to reach women and correspond with them across similarities and differences. To make the artwork's aspirations more concrete, it places the artists in correspondence with three writers - Angela Davis, Valerie Solanas, and Laura Mulvey - who also addressed the limited range of images through which women are allowed to become visible.
An illuminating look at the world of cleanfluencers that asks why the burden of housework still falls on women. Housework is good for you. Housework sparks joy. Housework is beautiful. Housework is glamorous. Housework is key to a happy family. Housework shows that you care. Housework is women's work. Social media is flooded with images of the perfect home. TikTok and Instagram 'cleanfluencers' produce endless photos and videos of women cleaning, tidying and putting things right. Figures such as Marie Kondo and Mrs Hinch have placed housework, with its promise of a life of love and contentment, at the centre of self-care and positive thinking. And yet housework remains one of the world's most unequal institutions. Women, especially poorer women and women of colour, do most low-paid and unpaid domestic labour. In The return of the housewife, Emma Casey asks why these inequalities matter and why they persist after a century of dramatic advances in women's rights. She offers a powerful call to challenge the prevailing myths around housework and the 'naturally competent' woman homemaker.
Helena Terreros is a renowned police woman detective especialized in crimes against women.Faced with the kidndapping of Paloma, an 11-year-old girl, Paloma deals with forgotten episodes of her childhood as well as with the broken social fabric in Mexico that allows terrible crimes to happen and to go unpunished.
This book is about true rebels: late 19th and early 20th century Ukrainian female writers. They find their own voices in literature and start to defend theis own space, both private and public. 12 stories of life and work of Marko Vovchok, Lesia Ukrainka, Olha Kobylianska, Iryna Vilde, Sophia Yablonska and others.
Sexually transgressive, politically astute and determined to claim educational and employment rights equal to those enjoyed by men, the new woman took centre stage in the cultural landscape of late-Victorian Britain. By comparing the fictional representations with the lived experience of the new woman, Ledger's book makes a major contribution to an understanding of the 'woman question' at the fin de siecle. She alights on such disparate figures as Eleanor Marx, Gertrude Dix, Dracula, Oscar Wilde, Olive Schreiner and Radclyffe Hall. Focusing mainly on the last two decades of the nineteenth century, the book's later chapters project forward into the twentieth century, considering the relationship between new woman fiction and early modernism as well as the socio-sexual inheritance of the 'second generation' new woman writers. ;
Isabel Tierra Frías is still a young woman who has gone through all kinds of humiliations, until one day that she decides to set scores straight. Then she becomes what: a vigilante, a heroin, just a killer? Taking a comedy stand closer to comic-book stories, Macaria España deals with some of the most dramatic situations for women in Mexico with a good pinch of humour, which has brought her protagonist, Isabel Tierra Frías, as one of the deares characters in Mexican literature today
This book commemorates Oksana Miyakovska-Radysh (1919–2020), a long-term archivist of the Ukrainian Free Academy of Sciences (UVAN) in New York. Her greatness lies in serving her cause with absolute freedom from complexes imposed by Russia and its culture. Reading this book is like flipping through an old family album in Miyakovska-Radysh's company. The book reveals numerous secrets. It turns out that Chekhov's Three Sisters were not just a figment of the writer's imagination. Moreover, Chekhov himself was a young man from then Ukrainian Taganrog, fond of his native Ukrainian language, theatre and one of the three sisters. The book also explores the connection between the "new woman" in Russian literature and the 19th-century Ukrainian women's movement and looks into the past mistakes that still have repercussions for Ukrainians today.
American supermodel Lena Miles go to a paradise Mexican beach resort to celebrate her birthday along with her rockstar boyfriend and some friends, but she disappears all of a sudden. Now it's the turn for police detective Erendira Sandoval to solve the mystery. But just when the FBI gets involved to hurry up procedures, Erendira finds out the amount of Mexican anonymous women who have also vanished and tries to solve their cases as well.
May the Loveforce Be With introduces a new lineage in energy healing, Kali-Ki ReikiTM, that was revealed to the author, Joni Dittrich, Ph.D. (Rajashree Maa), in a series of mystical encounters with the Divine Mother appearing as the goddess Kali Maa. The book brilliantly tells the stories of these encounters and presents the healing symbols that She revealed, explaining how these symbols can be used both for mind-body healing and spiritual awakening, or what Rajashree Maa calls "wisening." While traditional reiki systems also use symbols to transmit healing energy, the symbols introduced in Kali-Ki Reiki are seen as unique, three-dimensional, active, intelligent forms of light that tap into certain universal energy frequencies that are particularly attuned to the evolving conscious awareness as well as the personal and societal dilemmas of our current times. The fact that these symbols were revealed by Divine Mother to a woman in this era points to a need in today's world to re-establish our connection with the feminine forces of nature and spirit. The healing energy transmitted through these symbols is called Loveforce, which is considered to be the manifesting, creative, and healing power of the Limitless Love that is the Source of all that is.
This book about the Thatcher government and the City of London tells the compelling human story of the people and processes that made Britain's 1980s financial revolution. Fusing insider testimony with new archival discoveries, it examines high stakes and networked solutions, and uncovers new objectives that drove reforms. In so doing it demystifies a major shift in capitalism. This has implications for our understandings of government and capitalism, from the way we think about the origins of subsequent financial crises to today's growing inequalities. Survival Capitalism offers new insights into the last major restructuring of the City, disrupts myths surrounding the logics of the market, and pays attention to people and processes at a time when the City of London again faces major change as Britain seeks to find its place outside the European Union in the wake of Brexit.
This graphic novel tells the story of Nyiragitwa, a Rwandan woman who is believed to have lived in the seventeenth century. It is based on an oral tradition that was shared by a man named Ndamyumugabe with the Belgian historian Jan Vansina in 1958 and raises important questions about how Rwandan women might have lived and contributed to their communities in the past.
»Post, Post, Post«. Dieser Stoßseufzer, notiert im Kalender unter dem Datum vom Sonntag, dem 4. März 1990, kommt nicht von ungefähr: Christa Wolf war eine ungeheuer produktive Korrespondentin. Ihre Briefe an Verwandte und Freunde, Kollegen, Lektoren, Politiker, Journalisten geben faszinierende Einblicke in ihre Gedankenwelt, ihre Schreibwerkstatt, ihr gesellschaftliches Engagement. Ob sie an Günter Grass oder Max Frisch schreibt, von Joachim Gauck Einsicht in ihre Stasi-Akte fordert oder sich mit Freundinnen wie Sarah Kirsch und Maxie Wander austauscht, wir sind Zeuge von Freundschaften und Zerwürfnissen, Auseinandersetzungen und von Bestätigung, von der Selbstfindung einer der wichtigsten Autorinnen des 20. Jahrhunderts. Nicht zuletzt beeindruckt ihr Umgang mit der Flut von Leserbriefen, die sie mit zunehmendem schriftstellerischen Erfolg erreicht und auf die sie geduldig und kundig – und manchmal auch mit der gebotenen Direktheit – eingeht.
Recent years have seen a rennaissance of scholarly interest in the fin-de-siecle fiction of the New Woman. New Woman Strategies offers a new approach to the subject by focusing on the discursive strategies and revisionist aesthetics of the genre in the writings of three of its key exponents: Sarah Grand, Olive Schreiner and Mona Caird. ;
A daring investigation that explores how women are targeted and recruited by the far right. As the far right has gained popularity and acceptance around the world, its ranks have swelled with an unlikely category of members: women. Women play significant roles in far-right movements, acting as propagandists, prizes to be won and mother-warriors of the nation. But up to now their activities have been largely overlooked. In Pink-pilled, Lois Shearing provides a cutting-edge account of how the far right has used the internet to recruit women, while shedding light on what life is like for women within these movements, including their experiences of misogyny and violence. Understanding how and why women join movements that explicitly aim to restrict their autonomy is essential if we want to fight back. Pink-pilled offers key insights for countering women's radicalisation and building communities resistant to far-right thought.
A woman chops off her finger to demonstrate her fidelity to her lover. A mother loses her mind upon discovering that her husband has left her and their only child. An artist seeks to unravel why his neighbour's face enchants him. A passenger on a bus acts as an emissary of death. Meet some of the characters in Double Wahala Double Trouble, a collection of eleven stories by the award-winning poet, short story writer, children's novelist, and literary scholar. In this stunning collection, Umezurike lures the reader into a journey of the absurd and the grisly to show us men and women struggling to live, desire, love, and thrive against the eddy of troubles in their world.
Monologue writings, or from the horse's mouth, so to speak, are not so popular in fiction prose as they require the author fully understand his hero, absorbing all his experiences, thoughts, words, and behavior. This novel by the writer and publisher from Lviv meets these criteria. Foremost, this is a very positive, energizing reading in which the life of a Galician woman from Lviv - from the pre-war period to our time - appears in all possible truthfulness and whimsy, tragedy, and comedy. For a wide range of readers.
The Octopus Woman wakes up early in the morning, puts a stocking on each of her legs, and then her crazy day begins! She needs to get the kids ready for kindergarten and school, feed the parrot and the cat, walk through half the city going to work, spend all day in the office, do a lot of things on her way home, and, in the end, read a bedtime story to the kids… How does she manage to do everything? And how can she do it so well? The secret of Octopus Woman is hidden in this vivid book! From 3 to 6 years, 300 words Rightsholders: Alex Sharlai, alex.sharlay@gmail.com
Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
Für die fünfzehnjährige Ich-Erzählerin ist ihre Mutter Charlotte der Mittelpunkt der Familie, geliebt, alles beherrschend und geradeheraus. Das Offensichtliche aber wird auch von Charlotte totgeschwiegen: dass die Nachrichten von der Front beunruhigen und die Flüchtlingstrecks aus dem Osten in immer kürzeren Abständen durch die Stadt ziehen. Bis zu dem Januarmorgen 1945, an dem plötzlich vollgestopfte Bettensäcke im Flur bereitstehen, vom Führerbild an der Wand nur noch ein heller Fleck zu sehen ist und die Mutter ihren Silberfuchs mit einer endgültigen Geste, die ihre Tochter nicht mehr vergessen wird, in den Schrank zurücklegt. Mitreißend, anrührend und mit liebevoller Ironie erzählt Christa Wolf von den inneren Verflechtungen einer Familie, von einer Fünfzehnjährigen, die erwachsen wird, vom Trauma der Flucht. 1971 entstanden, ist diese Erzählung der Auftakt zum späteren, weit ausholenden Kindheitsmuster, dem autobiographischen Meisterwerk, das bis heute ein Weltecho hat.
Over fifty years after Jamaican and Trinidadian independence, Imagining Caribbean womanhood examines the links between beauty and politics in the Anglophone Caribbean, providing a first cultural history of Caribbean beauty competitions, spanning from Kingston to London. It traces the origins and transformation of female beauty contests in the British Caribbean from 1929 to 1970, through the development of cultural nationalism, race-conscious politics and decolonisation. The beauty contest, a seemingly marginal phenomenon, is used to illuminate the persistence of racial supremacy, the advance of consumer culture and the negotiation of race and nation through the idealised performance of cultured, modern beauty. Modern Caribbean femininity was intended to be politically functional but also commercially viable and subtly eroticised.