Teacher Created Materials
Teacher Created Materials publishes innovative, imaginative, and award-winning resources for teachers, parents, and students in all subjects for ages 4-18 worldwide.
View Rights PortalTeacher Created Materials publishes innovative, imaginative, and award-winning resources for teachers, parents, and students in all subjects for ages 4-18 worldwide.
View Rights PortalFor over 40 years, Teacher Created Materials (TCM) has published innovative and imaginative resources for teachers and students, bringing exceptional curriculum content to classrooms worldwide. Our award-winning resources are sold and licensed in 89 countries. Everything we publish is created and approved by teachers. All our leveled reading books and curriculum kits are designed to engage students, improve literacy and reading comprehension, build content knowledge, and develop critical-thinking skills.
View Rights PortalFaced unexpectedly with Lyme Disease, Spanish Architect Blanca Rosa Gutiérrez must face illness and abandonment, while at the same time trying to take care of her two small children. She struggles to find help and treatment from doctors, until the combination of finding the right physician, and an iron will to overcome adversity through meditation and non traditional healing, puts her back on the road to full health. As the author says in her own words: "I wrote this book with a single purpose in mind: make it into a song of hope for anybody who is ill and feels defeated by pain, and have lost the will to live." This book is not about illness, is about recovery and new beginnings
Viajera es un libro infantil, escrito desde la experiencia propia de ser madre. La historia habla de una mujer que viaja mucho, y a pesar de haber tenido buenas experiencias y encontrar belleza en el mundo, le aflige el deseo de compartir su alegría. Esta añoranza la hace volver a su lugar de origen, en una búsqueda distinta. Ahí, se encuentra con un ser muy diferente a ella pero que la hace feliz ¿Es posible que la viajera haya llegado a su destino? O tal vez ese amor único le brinde la fortaleza para un viaje aún más asombroso y con la dicha de otra manera de compartir.
María, una reconocida periodista, viaja a Barcelona y queda involucrada en un delito por el que cae en prisión. En una vieja máquina de escribir inicia un relato en el que vuelve una y otra vez sobre su pasado, sobre la maternidad y los vínculos familiares. Su marido viaja desde Buenos Aires y contrata a un afamado abogado para poder liberarla y así volver juntos, finalmente, a la casa familiar con las hijas de ambos. Pero María ya no es la misma, no se siente madre, y se esconde en un pueblo de pescadores donde le ocurrirá un hecho que cambiará su vida. María, a well-known journalist, travels to Barcelona and is involved in a crime for which she is imprisoned. Using an old typewriter, she begins a story in which she returns over and over again to her past, to motherhood and her family ties. Her husband travels from Buenos Aires and hires a famous lawyer to be able to free her and finally return together to the family home with their daughters. But María is no longer the same, she does not feel like a mother, and she hides in a fishing village where an event will happen to her that will change her life.
Una vez más, Asbel Hernández me toma por sorpresa. Leo sus historias y es inevitable sentir su aspereza y su enorme fuerza narrativa. Es una literatura cruel. Una prosa despiadada que es capaz de colocar en la superficie de una letra, de cualquier palabra, de una frase trivial, todo el dolor que acompaña al verdadero amor. Al amor por un hombre, al amor de una madre, al amor de una hija. al hambre de amor. Con su ya conocido estilo provocador, Asbel nos obliga en este libro a replantear nuestro concepto de familia al mostrarnos su compleja fragilidad anclada en el discurso cultural alentando roles que nada tienen que ver con el amor. Asbel desnuda en su literatura a La Maternidad exponiendo sus lealtades y mentiras, las dependencias. Sus demandas nunca satisfechas. Por sus páginas desfilan todas las Medeas y Clitemnestras, todos los destinos posibles enfrentados a las tristes fuerzas de poder que se juegan al interior de la familia. Cierro el libro y pregunto en silencio: ¿Me quieres, mamá? María Esther Núñez
Nori&Eu; is a project with three voices. Caeto, a Brazilian author of comics and an illustrator, is the editor and brings together two versions of one family’s story: the narrative of Sonia and her son Massanori, or Nori. Sonia tells her story beginning with the birth of Massanori, the difficulties in diagnosing her autistic son, his relationships with the other siblings, family, school and friends. A story of love and dedication, but full of prejudice and difficulties as well. Moving and dramatic. Massanori in turn, a student in Caeto’s drawing course and author of mangas (fanzines), tells his story in a peculiar manner, circumscribed by world events. As explained by his mother: “I perceive my son’s mind as a compendium relating facts and dates, today not only limited to Disney related subjects or super heroes, but historical facts, cultural landmarks and family stories that he finds in books, encyclopedias and by talking with family members… It’s his security blanket.”
Rorro the cat (of extraterrestrial origin) writes about a character named “Godmother,” a shopping center goddess, connoisseur of international lovers, queer militant, and synthetic drug partier who he unscrupulously calls “CONICET Bureaucrat,” and who he outs as a thief, judging himself as the author of the book, Desbunde y felicidad: attributed to the top critic Cecilia Palmeiro. Rorro’s project? Taking over Earth to invent The Clowder Future. The book’s plot is insane, full of designer orgies, semi-legal trips under the guise of research grants, and hangovers as frequent as the dicks Godmother runs through. But it’s also a radical critique of how humans live, a catty, feminist investigation. María Moreno
Once upon a time… the Tell universe, a universe that is presented to us in multiple intertwined dimensions, and in which the characters intersect in paths of thought and action. In a transition between written language and visual language, the novel reconstructs the relationship between life and art, so that the action breaks down into reality and warns us that we live in it. On the one hand, we are introduced to a 60 years-old filmmaker who revisits his life. Despite not having the last name Tell, he wonders if he is a descendant of the mythical Swiss hero, William Tell. On the other hand, there is a young man trying to piece together an endless puzzle in which, in exchange for a fee, he finds himself aroused by his own desires. And also, there is a mysterious feminine presence around which all stories are forged, as the origin and end of the real and the mythical. Read, see, and dare to ask yourself: Am I a Tell?
Este libro explica cómo fue el abandono de niñas y niños en la Barcelona del siglo XV, deteniéndose en tres etapas esenciales: la escena del abandono, el cuidado de los lactantes en manos de nodrizas y el aprendizaje en casas ajenas. En cada fase se revisan las condiciones de integración y marginación, la presencia de lo femenino y los relatos de amores y desamores. Las historias que aquí se recogen permiten comprender las diferentes dimensiones del abandono, acto que involucraba no solo a los infantes expuestos, sino también a su entorno. Los niños en su mayoría eran abandonados en las puertas del Hospital de la Santa Creu de Barcelona durante las horas menos transitadas para evitar el juicio social. Las cartas que acompañaban a los infantes reflejan el drama de la pobreza y, por ende, la incapacidad forzosa de las madres para asumir el rol de la crianza. Al reconstruir el contexto de la época, el lector tiene la posibilidad de realizar un ejercicio de empatía que vuelve el foco de atención al presente. Es inevitable percibir las duras realidades que se mantienen a lo largo del tiempo y el casi irreparable sufrimiento que causa la soledad en los primeros años de vida.
Four characters cross paths in a hospital: a woman about to give birth; a family facing the inexplicable death of one of their own; a man who falls ill; and a teenager persecuted among hundreds of women in an oppressive town. Their life is intertwined with secondary characters with whom they mix as they walk towards their separate destinies. In a violent city in the middle of the desert, death, birth, love, pain, and revenge are joined by the shadow of God or maybe by the shadow casted by his absence. Weaved in a net of actions that develops at full speed through a clean and poetic prose, this is a story that hurts and heals at the same time. This novel speaks of God and Spirit, of inner strength and emptiness, of solitude and communion, also of hope.
The family is the first modeler of interpersonal relationships. In it all the richness of the emotional world unfolds. That is why it is key to teach our children from birth to build their own path to inner well-being, through self-knowledge and the skills to manage their emotions. This will help them from the beginning of their lives to connect with the other from empathy and compassion. “This book offers us a journey to recognize the emotions in our relationships. On each page, it offers us pauses to reflect, realize and experiment, allowing true learning. It is a companion for travelers such as parents, teachers, psychologists and for all of us who work in accompaniment ”. Jorge Genzone, President of the Gestalt Association of Buenos Aires
Woman, empowerment and legacy, offers the possibility to discuss woman in a brazilian and overall scenario, their challenges, particularities, difficulties and the reflection and analysis of the unequal society that we face everyday. Through the choose of a strong theme like this, the author Silvana Mello, searches to contribute and leaves a positive mark for the future female generations.
5h 21m is a literary essay that reflects upon running and marathons, trying to answer essential questions, such as: why and to what purpose does a person put on a pair of sneakers and runs. This is not a training manual or a book about the techniques of long distance running. Using running as a prop, the author talks about issues of youth, health, travels, and death. This is also an excercise in creative writing, and how it intersects with certain types of athletic pursuits. Also, the title refers to the 5 hours and 21 minutes which were the authors first registered time running the marathon’s distance of 26.2 miles.