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      • 2017

        Song of Batoche

        by Maia Caron

        In her stunning debut novel, Métis author Maia Caron tells the story of the Riel Resistance on the Saskatchewan (1885) largely through the eyes of the Métis women involved, including Madeleine Dumont and Marguerite Riel.To learn more about this publisher, click here: http://bit.ly/2SETYpv

      • Literary Fiction
        May 2023

        Hold Your Tongue

        by Matthew Tétreault

        Upon learning his great-uncle Alfred has suffered a stroke, Richard sets out for Ste. Anne, in southeastern Manitoba, to find his father and tell him the news. Waylaid by memories of his stalled romance, tales of run-ins with local Mennonites, his job working a honey wagon, and struck by visions of Métis history and secrets of his family’s past, Richard confronts his desires to leave town, even as he learns to embrace his heritage. Evoking an oral storytelling epic that weaves together one family’s complex history, Hold Your Tongue asks what it means to be Métis and francophone. Recalling the work of Katherena Vermette and Joshua Whitehead, Matthew Tétreault’s debut novel shines with a poignant, but playful character-driven meditation on the struggles of holding onto “la langue,” and marks the emergence of an important new voice.

      • Memoirs
        February 2023

        An Anthology of Monsters

        How Story Saves Us from Our Anxiety

        by Cherie Dimaline

        An Anthology of Monsters by Cherie Dimaline, award-winning Métis author of The Marrow Thieves, is the tale of an intricate dance with life-long anxiety. It is about how the stories we tell ourselves—both the excellent and the horrible—can help reshape the ways in which we think, cope, and ultimately survive. Using examples from her published and forthcoming books, from her Mere, and from her own late night worry sessions, Dimaline choreographs a deeply personal narrative about all the ways in which we cower and crush through stories. Witches emerge as figures of misfortune but also empowerment, and the fearsome Rougarou inspires obedience, but also belonging and responsibility. Dimaline reveals how to collect and curate these stories, how they elicit difficult and beautiful conversations, and how family and community is a place of refuge and strength.

      • September 2017

        Sous le rideau, la petite valise brune

        by Thiry, Françoise

        During the winter of 1966, a Boeing 707 of Sabena arriving from Bujumbura landed on Belgian soil. A half-asleep girl, holding a small brown suitcase in her hand, trotted behind a flight attendant, who handed it over to a man wearing a white shirt with a funny white collar, a black suit, and on the back of the jacket a small golden cross. The hostess greets "Monseigneur" before splitting the crowd and disappearing. The heroine of the novel is a Métis child of a Burundian mother and an unknown Belgian father, taken from her maternal family to be, like many others, given in adoption to a "good Catholic family" in Belgium. Throughout the narration, the hidden part of the narrator questions her "licit" part in the hope that one day both will join. The reader follows the slow metamorphosis of the child and the amputation of his memory until his fierce struggle against oblivion, his efforts to "reattach" his broken halves lead to the discovery of his astonishing identity. To raise the curtain, to open the padlock of the little brown suitcase, is to traverse a singular journey imbricated in a collective history long shelved in the cupboard, a secret of state and a secret of Church: the forced rapt of the half-breeds, “the children of shame” born under Belgian colonization before the Independences. A moving and lucid autofiction, which shows to what extent a religious institution can place itself above the laws and make suffer in the name of a distorded pseudo-morals.

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