Tales of EUkraine
Tales of EUkraine (TEUk) will bring books to Ukrainian children refugees while helping the Ukrainian publishing sector with the support of the European Commission
View Rights PortalTales of EUkraine (TEUk) will bring books to Ukrainian children refugees while helping the Ukrainian publishing sector with the support of the European Commission
View Rights PortalWe are looking for that flame that ignites our authors’ emotions. We dream of an editorial world where those who deserve can express themselves freely and not thanks to a payment. Horti di Giano offers books with attention to the smallest detail, where Editing is the heart of a work done with passion and the publications are enriched by several hand-made illustrations, in order to give life to a book which is an artistic and complete experience. in every respect. You can find Fantasy, Sci-Fi, Horror, Thriller, Crime and Mistery, Coming-on-age novel, Poetry and Graphic Novel.
View Rights PortalTerry Gilliam presents a sustained examination of one of cinema's most challenging and lauded auteurs, proposing fresh ways of seeing Gilliam that go beyond reductive readings of him as a gifted but manic fantasist. Analysing Gilliam's work over nearly four decades, from the brilliant anarchy of his Monty Python animations through the nightmarish masterpiece Brazil to the provocative Gothic horror of Tideland, it critically examines the variety and richness of Gilliam's sometimes troubled but always provocative output. The book situates Gilliam within the competing cultural contexts of the British, European and American film industries, examining his regular struggles against aesthetic and commercial pressures. He emerges as a passionate, immensely creative director, whose work encompasses a dizzying array of material: anarchic satire, childhood and adult fantasy, dystopia, romantic comedy, surrealism, road movie, fairy tale and the Gothic. The book charts how Gilliam interweaves these genres and forms to create magical interfaces between reality and the illuminating, frightening but liberating worlds of the imagination. Scrutinising the neglected importance of literature and adaptation in Gilliam's career, this study also observes him through the lenses of auteurism, genre, performance, design and national culture, explaining how someone born in Minnesota and raised in California came to be one of British television and film's most compelling figures.
Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker. It introduced Count Dracula, and established many conventions of subsequent vampire fantasy. The novel tells the story of Dracula's attempt to move from Transylvania to England so that he may find new blood and spread the undead curse, and of the battle between Dracula and a small group of men and a woman led by Professor Abraham Van Helsing.
“The Book of Horrors” is a collection of scary stories by modern Ukrainian children’s writers. In the dark dark room, on the black black shelf, there is a scary scary book…. It contains eight thrilling stories about various mystical, sometimes otherworldly and utterly unexpected events and creatures, including children. If you’re not afraid yet, then meet Mia Marchenko’s black tulips (‘The Black Tulips’), Volodymyr Arenev’s inhabitants of the abandoned attic (‘The Wheeled Coffin’), Larysa Andriyevska’s ugly monsters (‘Monsters from under the Child’s Bed’), Ivanka Kravtsova’s bleeding cuckoo bird (‘Cuckoo’), Yozha Kotsun’s beasts (‘The Beasts’), Slava Svitova’s pygmy witch (‘The Pygmy Witch’), Yuriy Nikitinsky’s ghosts (‘Ghost of Olya and the Real boy named Kostyk’) and Maria Artemenko’s philosopher worms (‘This Fairy Tale is not about an Apple’).
Terence Fisher is best known as the director who made most of the classic Hammer horrors - including The Curse of Frankenstein, Dracula and The Devil Rides Out. But there is more to Terence Fisher than Hammer horror. In a busy twenty-five-year career, he directed fifty films, not just horrors but also thrillers, comedies, melodramas and science-fiction. This book offers an appreciation of all of Fisher's films and also gives a sense of his place in British film history. Looking at Fisher's career as a whole not only underlines his importance as a film-maker but also casts a new, interesting light on the areas in which he worked - Gainsborough melodrama, the 1950s B film, 1960s science-fiction and, of course, Hammer, one of the most successful independent film companies in the history of British cinema.
In this riveting story told from a journalist's perspective, the village of Barangay Magapok faces impending doom from an approaching super typhoon. The narrative unfolds like an investigative report, building suspense as it reveals the horrors the villagers are about to endure. However, the shocking twist lies in the source of their tragedy—the deforested mountains that encircle the village, which ultimately trigger a deadly avalanche. The villagers' fear and torment are tragically misplaced, for they have already perished, their lives extinguished over three days and nights. This gripping tale explores the consequences of environmental devastation and the unsettling question of whether we unknowingly bring about our own destruction.
This collection includes tales about friendship and faith in miracles. It is an ideal reding text for preschool and primary school children. From 3 to 8 years, 6563 words. Rightsholders: gapiukserhii@gmail.com
Damián flees from two assassins who are chasing him on a lonely desert road. He manages to elude them but his car is running out of gas. In the distance he discovers a hotel that looks abandoned from the outside. He knocks on the door and is greeted by Mercedes, a beautiful blonde who invites him in. Inside the hotel is spectacular: every detail is taken care of to perfection, but there is something shady lurking within its walls and corridors. Damián thinks he hears voices calling his name, although he attributes them to stress and fatigue. Our anguished protagonist lives a terrifying experience when he tries to leave the next day and inexplicable things happen that prevent him from doing so. Suddenly, Damian will be trapped in this place that changes, that whispers, that makes us doubt if he is living a nightmare or if everything is a product of his hallucinations. A novel written to the rhythm of rock, with nods to horror classics and a twist that will take you to a place you may never be able, or want, to leave.
Clive Barker: Dark imaginer explores the diverse literary, film and visionary creations of the polymathic and influential British artist Clive Barker. In this necessary and timely collection, innovative essays by leading scholars in the fields of literature, film and popular culture explore Barker's contribution to gothic, fantasy and horror studies, interrogating his creative legacy. The volume consists of an extensive introduction and twelve groundbreaking essays that critically reevaluate Barker's oeuvre. These include in-depth analyses of his celebrated and lesser known novels, short stories, theme park designs, screen and comic book adaptations, film direction and production, sketches and book illustrations, as well as responses to his material from critics and fan communities. Clive Barker: Dark imaginer reveals the breadth and depth of Barker's distinctive dark vision, which continues to fascinate and flourish.
Gothic television is the first full length study of the Gothic released on British and US television. An historical account, the book combines detailed archival research with analyses of key programmes, from Mystery and Imagination and Dark Shadows, to The Woman in White and Twin Peaks, and uncovers an aspect of television drama history which has, until now, remained critically unexplored. While some have seen television as too literal or homely a medium to successfully present Gothic fictions, Gothic television argues that the genre, in its many guises, is, and has always been, well-suited to television as a domestic medium, given the genre's obsessions with haunted houses and troubled families. This book will be of interest to lecturers and students across a number of disciplines including television studies, Gothic studies, and adaptation studies, as well as to the general reader with an interest in the Gothic, and in the history of television drama.
THE BIG BOOK OF MALAYSIAN HORROR STORIES takes us from terrors that are mythological and historical to contemporary and technological. The biggest Fixi Novo anthology yet is set in various states in Malaysia, but the most common states are Darul Distress and Negeri Scary. These brand-new stories are complemented by Chin Yew's equally spooky illustrations.
A world full of scents – and an adventure full of magic, racing hearts and dangers! Luzie Alvenstein can sense it right down to her fingertips: there is something wrong with the invitation she is holding in her hand. Her rival Elodie de Richemont has invited her to enter the “Contest of a thousand talents” – a competition for the world’s finest scent pharmacists. Of course the only thing Elodie is interested in is finding new talents to run her scent pharmacies. But Luzie has no choice. Together with Mats, Leon and Daan de Bruijn she goes to England in order to take part in the competition. What begins as a great game soon develops into a fight for survival – and this threatens to rob Luzie of everything she has ever loved… This is the fourth volume in the bestselling series of children’s books for boys and girls aged 10+. Written by the highly successful author Anna Ruhe and with atmospheric and beautifully detailed black-and-white illustrations by Claudia Carls.
Below the earth and above the sky. The two arcs between which a human lives his life and rotates through them. Who is more truthful than history if we look at human life as a whole? How does love attract him, how does authority blind him, how does inattention obliterate him, so he thinks of himself as the highest, and the law of time falls into the mud with him. Who is truer than history? With these tales, I only wrote about human.
Tabi Po tells the story of Elias, a neophyte aswang (flesh-eating humanoid creature). Born from a tree during the country’s Spanish era, Elias embarks on a journey with two older aswangs in the quest to understand their true nature. Along the way, Elias meets Salome, a sex slave of the friars, and falls for her. In the middle of a rising revolution, Elias is forced to face his own battles– his love for Salome and her pursuit of vengeance versus his hunger for flesh, the growing rift between himself and his two aswang mentors, the society’s stigma with their kind, and the battle with his own inner demons.
This groundbreaking book is the first full-length study of British horror radio from the pioneering days of recording and broadcasting right through to the digital audio cultures of our own time. The book offers an historical, critical and theoretical exploration of horror radio and audio performance examining key areas such as writing, narrative, performance practice and reception throughout the history of that most unjustly neglected of popular art forms: radio drama and 'spoken word' auditory cultures. The volume draws on extensive archival research as well as insightful interviews with significant writers, producers and actors. The book offers detailed analysis of major radio series such as Appointment with Fear, The Man in Black, The Price of Fear and Fear on Four as well as one-off horror plays, comedy-horror and experimental uses of binaural and digital technology in producing uncanny audio. ;
Clara, Julian, Felix and Fee must have done something bad, because they are waiting for a severe punishment: detention. “Detention” is actually the wrong word. In fact their task is to get the school garden into shape, which includes the fountain with non-stop snapping turtles. But oh, shock horror! First of all, Felix digs up a skull. Then several suspicious looking men turn up, alleging that they are sports teachers. Could this be the cover-up of a murder? And what is the grumpy housemaster Kratzek hiding? In order to find out just what is going on at the closed school, the four detainees must stick together at all costs – and that is the biggest adventure of them all.
In an era where the historical novel reigns supreme, "The Migrant Princess" emergesas a beacon of classical storytelling replete with the allure of bygone adventures. Theprotagonist's odyssey from a princess in the palatial splendors of India to a life ofcaptivity in New Spain captures the timeless quest for freedom. Catarina de SanJuan's narrative is not just a tale of physical liberation but a profound exploration ofself-discovery and personal growth. As readers, we embark on a journey that mirrorsour own — the inevitable transition from the innocence of childhood to thecomplexities of adulthood, underscored by the universal longing for a place we cancall home. This novel is a tapestry woven with threads of nostalgia, reminiscent of the serializednovels of the 19th century, each chapter a cherished installment that beckons thereader to a world both magnificent and mysterious. The author masterfully balancesthe historical accuracy of Catarina's epoch with a fictional reimagining that is bothengaging and relatable. It's a narrative that resonates with the adventurer in all of us,inviting us to rediscover our own world through the eyes of a princess far from home. "The Migrant Princess" is not only a novel but an experience. It is a reminder of why weread — to feel, to learn, and to dream. It beckons to readers across demographicswith its message of resilience and the enduring power of hope. This book is poised tobecome a beloved classic, and it would be a prestigious addition to your publication'sesteemed collection. Consider this novel a journey worth taking, an opportunity todive into the depths of human spirit, and a story that promises to leave its mark on thehearts of its readers.
However, the age-old tradition of oral storytelling is on the decline. Rapid urbanisation, the breakdown of the extended family, technology and so on have altered our social fabric. Whilst our daily lives are still peppered with snippets of remembered words of wisdom and proverbs, the reality is that a new generation of Africans have never had the pleasure of listening to a story being told by a storyteller. Story, Story! Story Come! is a contribution to larger efforts to revive storytelling in Africa and beyond. Through a global online contest, Positively African invited African writers, wherever they lived and whatever their age, to write a folktale – either based on an old one, or newly imagined. The challenge was to develop new narratives that speak to issues that are fundamental to Africa’s development in a way that is unconventional but true to our past traditions of folktale and oral storytelling. The stories needed to contain life lessons that are relevant for both young and old, however writers were invited to be as inventive and disruptive as they wished in terms of theme, form, language, characters, imagery and context. The ten winning stories are refreshingly imaginative and tackle a mix of issues. We criss-cross from South Sudan to South Africa, Mali, Niger, Nigeria, Ghana, Kenya and Zambia. Some stories offer valuable moral lessons on greed and pride; others celebrate bravery, perseverance and friendship. One story takes us to a real archaeological site in Niger where a young girl imagines the future. In another, African water spirits share a world with a Beyoncé-obsessed teen that is taught a big lesson in humility. We have also included two additional stories, one by author and publishing partner Zukiswa Wanner and another by the editor of the anthology, Maimouna Jallow. One thing that they all have in common is that they speak to issues we face globally today, from an African perspective.