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View Rights PortalYorwerth Associates Literary Agents represents award-winning and best-selling titles for foreign and translation rights in nonfiction and fiction genres, specializing in self-help, personal growth, health, spirituality, world religions, business, parenting, and gifted children.
View Rights PortalAls »Lyrik zum Die-Pulsadern-Aufschneiden« bezeichnete Federico García Lorca (1898–1936) die Gedichte, die er 1930 aus New York und Havanna mit nach Hause brachte, deren Drucklegung (1940) er jedoch nicht mehr erlebte. Wo unsere Landkarten New York verzeichnen, liegt in Wirklichkeit eine andere Stadt. Es gibt nur einen Zugang zu ihr – García Lorcas Gedichte.
First published in 1974, this novel is a semi-autobiographical reflection on the author's experience of having been the subject of Stanley Kubrick's film adaptation of A Clockwork Orange in 1971. This is the end of Enderby, Anthony Burgess's finest comic creation. Dyspeptic and obese, this is the account of his last day as a visiting professor in New York, and his last day on Earth. The Irwell Edition of The Clockwork Testament will provide new information about the genesis of the novel, gleaned from a series of drafts and typescripts recently discovered in the archive of the International Anthony Burgess Foundation (IABF) in Manchester, as well as printing a deleted chapter for the first time in English.
Horizontal together tells the story of 1960s art and queer culture in New York through the overlapping circles of Andy Warhol, underground filmmaker Jack Smith and experimental dance star Fred Herko. Taking a pioneering approach to this intersecting cultural milieu, the book uses a unique methodology that draws on queer theory, dance studies and the analysis of movement, deportment and gesture to look anew at familiar artists and artworks, but also to bring to light queer artistic figures' key cultural contributions to the 1960s New York art world. Illustrated with rarely published images and written in clear and fluid prose, Horizontal together will appeal to specialists and general readers interested in the study of modern and contemporary art, dance and queer history.
"Lexicon of Intimate Cities" is the biggest novel of Yuriy Andruhovych so far. A tireless traveler across Ukraine, Europe, and America, the author tells us 111 stories about 111 cities with which he was lucky enough to experience happy and not so happy, but always intimate, in the broadest sense of the word, moments.Arranged in the alphabetical order according to the geographical names of the locations, these diverse texts – from essays and short stories to prose poems together form an autobiographical atlas of the writer's world. In addition, each "lexical" adventure is clearly inscribed in time space coordinates, which allows the reader to follow the author in 111 private-historical leaps from the mid-60s of the last century to the present day.It is hardly worth expecting objective characteristics of Kyiv and Lviv, Moscow and Warsaw, New York and Yenakiyiv from this atlas, this extremely subjective "manual of geopoetics and cosmopolitics". But you can definitely find more artistically important things in it: the atmosphere, mood, images, smells and tastes of favorite cities and places, as they were imprinted in the author's memory. As well as momentary observations and deeper reflections, lyricism and sadness, irony and sarcasm - that is, everything that makes our communication with the world to resemble true intimacy.
Uwe Johnson wurde am 20. Juli 1934 in Kammin (Pommern), dem heutigen Kamien Pomorski, geboren und starb am 22. oder 23. Februar 1984 in Sheerness-on-Sea. 1945 floh er mit seiner Mutter und seiner Schwester zunächst nach Recknitz, dann nach Güstrow in Mecklenburg. Sein Vater wurde von der Roten Armee interniert und 1948 für tot erklärt. 1953 schrieb er sich an der Universität Leipzig als Germanistikstudent ein und legte sein Diplom über Ernst Barlachs Der gestohlene Mond ab. Bereits während des Studiums begann er mit der Niederschrift des Romans Ingrid Babendererde . Reifeprüfung 1953. Er bot ihn 1956 verschiedenen Verlagen der DDR an, die eine Publikation ablehnten. 1957 lehnte auch Peter Suhrkamp die Veröffentlichung ab. Der Roman wurde erst nach dem Tode von Uwe Johnson veröffentlicht. Der erste veröffentlichte Roman von Uwe Johnson ist Mutmassungen über Jakob. Von 1966 – 1968 lebte Uwe Johnson in New York. Das erste Jahr dort arbeitete er als Schulbuch-Lektor, das zweite wurde durch ein Stipendium finanziert. Am 29. Januar 1968 schrieb er in New York die ersten Zeilen der Jahrestage. Aus dem Leben von Gesine Cresspahl nieder. Deren erste ›Lieferung‹ erschien 1970. Die Teile zwei und drei schlossen sich 1971 und 1973 an. 1974 zog Uwe Johnson nach Sheerness-on Sea in der englischen Grafschaft Kent an der Themsemündung. Dort begann er unter einer Schreibblockade zu leiden, weshalb der letzte Teil der Jahrestage erst 1983 erscheinen konnte. 1979 war Uwe Johnson Gastdozent für Poetik an der Johann Wolfgang Goethe-Universität in Frankfurt. Ein Jahr später erschienen seine Vorlesungen unter dem Titel Begleitumstände. Sein Nachlass befindet sich im Uwe Johnson-Archiv an der Universität Rostock. Rolf Michaelis, geboren 1933, hat 1958 über Die Struktur von Hölderlins Oden promoviert. Er war Feuilletonredakteur bei verschiedenen Zeitungen, u. a. langjähriger Leiter des Literaturteils der Zeit. Buchveröffentlichungen u. a. über Gerhart Hauptmann, Heinrich von Kleist, Federico García Lorca und Uwe Johnson.
Any reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
My Life With Lifers Lessons For A Teacher: Humanity Has No Bars "I have always been drawn to darkness," Elaine Leeder writes. "I know I always championed the underdog." As a sociology professor at Ithaca College in the 1990s, she began teaching at Elmira Correctional Facility in upstate New York. When she moved to California, that same desire to help led her to the prison education program at San Quentin. Then, inspired by her lessons, a group of Leeder's students approached her about working with a program the prisoners had established to aid in their long and difficult process of redemption and transformation. She accepted. These members of New Leaf on Life-the San Quentin "lifers"-have been sentenced to terms ranging from fifteen years to life in prison. Unlike Death Row inmates, who will either die in prison or be executed, many of the lifers are eligible for parole after having spent twenty to thirty years behind bars. But too often, they never see that opportunity because of the popular view that they are all "hardened criminals," killers incapable of rehabilitation and unfit to be free. What Leeder has learned, however, is that incarceration does not dictate character. Her students, although they are convicts, are committed to making their time in jail a life sentence in the best sense, not a death sentence. They have gone the extra mile to come to terms with their crimes, and have often managed to redeem their lives. My Life With Lifers shares the journey of a woman "on the outside" as she discovered the true nature of life in prison, and the roadblocks-so many of them unneeded-on the inmates' path to freedom. What Leeder's experiences add up to is both a fascinating human story and a reasoned and impassioned case for prison reform.