Folklore Publishing
Livres Canada Books
View Rights PortalIn the context of the "Xiaoxiang Family Letters" activity carried out across the province, the organizing committee extensively collected family letters and selected 100 family letters to show the spirit of the people in the new era. The main content of the letter includes the gratifying changes in the fight against poverty in Sanxiang, the affectionate concern of the wandering children and the fathers and elders in the hometown, the home and country feelings of heroes and the most beautiful people, and the silent persistence of various industries in specific positions, and so on. The structure of each chapter of the book is divided into two parts: introduction (mainly including the information of the writer and recipient, refer to "Anti-epidemic") and the main text. The structure of the whole book includes the preface, table of contents, main text, and postscript. Further reading or content links. The structure is characterized by conciseness, conciseness and conciseness.
This book contains 81 letters written by medical care staff, police officers, journalists, community workers, volunteers and others during their fight novel coronavirus time. Together with photos and letters, it records ordinary true stories one by one, showing people what love is and what national spirits is.
The book consists of dialogues between Chang Shuhong, the guardian of Dunhuang, and Daisaku Ikeda, a famous Japanese thinker. It contains five chapters, focusing on Dunhuang art and oriental civilization.
On Dunhuang Murals is general reading material about the art of Dunhuang murals, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
On Dunhuang Painted Sculptures is general reading material about the art of Dunhuang painted sculptures, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
Mogao Grottoes Art in Dunhuang is general reading material about the art of Dunhuang grottoes, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
Dunhuang, Dunhuang—The Autobiography of Chang Shuhong tells the life of Mr. Chang Shuhong, the guardian of Dunhuang, who devoted all his life to Dunhuang.
The book is divided into several parts, such as the study of Hunan culture, historical stories, Hunan famous characters, folk customs, appreciation of scenery in Hunan, Hunan art and literature, etc., to show Hunan's history, culture and events from different perspectives. The book is supported with theories, historical materials, and also is of interest. It is of positive significance to the advancement of the research and development of Hunan culture.
"Never invest beyond theShanhai Pass", as the saying goes.The particular cultural environment and openness make the brain drain in Northeast China extremely serious. However, Miao Qing, a seemingly delicate doctoral student from a famous school, resolutely went northward because she had a personal plan thatwas related to both her father and herself, namely, to design a world-leading large aircraft. Her father once said that just as a poet without imagination must be a lousy poet, a country without advanced aircraft could never escape the fate of a backward country. For this reason, Miao Qing started her career atKunpeng Group, later went to Feiying Company to produce a leading small low-altitude aerial drone, and then sheplayed the leading role in the national G-31 project that designed a stealth supersonic aircraft and made a successful trial flight.
The book mainly explores Chinese classical opera in terms of the existence, cutural essence and functions, artistic features, and the position in Chinese traditional culture. The author conducts study based on theories of popular culture and folk culture, historical resources of Chinese classical opera, along with various survival tactics for opera like opera adptation and opera prohibition.
Chinese Traditional Folklore series consists of six volumes, including Folk Festive Paper-cutting, Folk Dragon and Lion Dance, Folk Manual Embroidery, Folk Festival Lantern Riddles, Folk Festival Couplets, and Folk Traditional New Year Pictures. This series of books gives a detailed introduction to the tools, techniques, categories, customs, legends and applications of Chinese traditional folk culture in the form of pictures and texts. It is a set of folk craft activities readers that integrate ornamental and practicality.
English folk-rock, a former progressive rock music style, remains a stimulus for further change in folk music and has enabled English folk-rock to become regarded as popular music by a new audience with diverse musical tastes. From musicological and historical perspectives, this book maintains that folk music performance continues to be influenced by rock and other popular music styles. From a cultural studies perspective, this book also demonstrates how the popularity of folk music presented at world music festivals has stimulated significant growth in folk music audiences since the mid-1990s and consequently the UK is experiencing a new phase of revivalism - the third folk revival. The book contains contributions from Martin Carthy (The Imagined Village), Simon Nicol (Fairport Convention), Ashley Hutchings (The Albion Band), Gerry Conway (Fairport Convention) and Rick Kemp (Steeleye Span). ;
British culture after Empire is the first collection of its kind to explore the intertwined social, cultural and political aftermath of empire in Britain from 1945 up to and beyond the Brexit referendum of 2016, combining approaches from the fields of history, English and cultural studies. Against those who would deny, downplay or attempt to forget Britain's imperial legacy, the various contributions expose and explore how the British Empire and the consequences of its end continue to shape Britain at the local, national and international level. As an important and urgent intervention in a field of increasing relevance within and beyond the academy, the book offers fresh perspectives on the colonial hangovers in post-colonial Britain from up-and-coming as well as established scholars.
Chinese Traditional Folklore series consists of six volumes, including Folk Festive Paper-cutting, Folk Dragon and Lion Dance, Folk Manual Embroidery, Folk Festival Lantern Riddles, Folk Festival Couplets, and Folk Traditional New Year Pictures. This series of books gives a detailed introduction to the tools, techniques, categories, customs, legends and applications of Chinese traditional folk culture in the form of pictures and texts. It is a set of folk craft activities readers that integrate ornamental and practicality.
Chinese Traditional Folklore series consists of six volumes, including Folk Festive Paper-cutting, Folk Dragon and Lion Dance, Folk Manual Embroidery, Folk Festival Lantern Riddles, Folk Festival Couplets, and Folk Traditional New Year Pictures. This series of books gives a detailed introduction to the tools, techniques, categories, customs, legends and applications of Chinese traditional folk culture in the form of pictures and texts. It is a set of folk craft activities readers that integrate ornamental and practicality.
Chinese Traditional Folklore series consists of six volumes, including Folk Festive Paper-cutting, Folk Dragon and Lion Dance, Folk Manual Embroidery, Folk Festival Lantern Riddles, Folk Festival Couplets, and Folk Traditional New Year Pictures. This series of books gives a detailed introduction to the tools, techniques, categories, customs, legends and applications of Chinese traditional folk culture in the form of pictures and texts. It is a set of folk craft activities readers that integrate ornamental and practicality.
Zhuzhi poem is a kind of literary poems developed from folk songs. Since the mid-Tang Dynasty poet Liu Yuxi learned and sang the Zhuzhi poem, Zhuzhi poem has become a cultural trend that reflects people's sentiments and also a channel for people to express true feelings for thousands of years. The book contains 22 related research papers, including research on the origin of Zhuzhi poems, the relationship between Zhuzhi poems and local culture, the characteristics and expression of Zhuzhi poems, the differences and connections between Zhuzhi poems and folk songs, the comparison between Zhuzhi poems and other poetic styles, and the study of Zhuzhi poems teaching and creation, etc. This book helps readers to deepen understanding of Zhuzhi poems and further realize the beauty.
One day, mom brought back a little boy. From then on, all the family took focus on the baby. The boy’s sister thought parents didn’t love her any longer, so she hided in a cave alone and changed into a donkey. For looking after her, grandpa changed into a donkey too. Did other members of the family change into donkey?