A captivating non-fiction series for children aged 3 to 6, that awakens their interest in wonders of the physical, natural and human world. Transparent overlay pages reveal hidden surprises and facilitate understanding.
View Rights Portal
The National Company for Distribution (Kawmiah distributing company) is one of the national press institutions working in the field of publishing, distribution, printing and journalism, and it has many cultural and intellectual publications through Dar Al Shaab and Dar Al Taawon, and it is of great importance in the paper book market in Egypt and the Arab world with its capabilities in the fields of publishing, distribution and printing And from promising cadres capable of presenting the best publications in various cultural and intellectual fields.
View Rights Portal
The second volume of this highly collectable series, covering the pivotal years of 1969-70. The Island Book of Records Volume II documents the years 1969-70, during which Island sought to build on its success with the Spencer Davis Group by seeking out new British rock talent. By the end of the period, Island was emerging as a major British label, one that could boast releases from Jethro Tull, Nick Drake, King Crimson, John and Beverley Martyn, Fairport Convention and Cat Stevens. Featuring material from recent interviews and from media interviews of the time, and including a comprehensive discography of 45s, The Island Book of Records Volume II is lavishly illustrated with gig adverts (very many at venues that no longer exist), concert tickets, flyers, international LP variants, labels, LP and 45 adverts and other ephemera collector's dream.
The Island Book of Records brings the early years of this iconic record label to life. A fifteen-year labour of love, the volumes will fully document the analogue era of Island. Offering a comprehensive archive of album cover design and photography, together with the voices of the musicians, designers, photographers, producers, studio engineers and record company personnel that worked on each project, the volumes show in unique depth the workings of the label, covering every LP. Featuring material from recent interviews and from media interviews of the time, and each including a comprehensive discography of 45s, the books are lavishly illustrated with gig adverts (very many at venues which no longer exist), concert tickets, flyers, international LP variants, labels, LP and 45 adverts and other ephemera. These LP-sized editions are a collector's dream, offering a truly unparalleled resource for those interested in music history and a perfect gift for any music lover.
Bob Dylan has created a body of work unparalleled in popular music. As a songwriter and as a singer, Dylan expanded the boundaries for song. In this substantially revised and updated second edition of The Bob Dylan Albums, Anthony Varesi analyzes the massive Dylan canon through a detailed discussion of each of the artist’s officially released albums. The book follows Dylan’s career chronologically from 1962’s Bob Dylan through to 2021’s Bootleg Series release Springtime in New York. All of Dylan’s studio albums, live albums, collections and archival releases are examined in the text and in the detailed, annotated, cross-referenced discography, as are Dylan’s notable soundtrack contributions, side projects and benefit concert appearances. The Bob Dylan Albums, 2nd Edition also discusses Dylan’s other writings, such as Chronicles and his Nobel Prize lecture, and reviews the films Dylan has appeared in or been the subject of. The book contains frank analyses of the more controversial aspects of Dylan’s career, including songs Dylan wrote about George Jackson, Rubin “Hurricane” Carter, Joey Gallo and Lenny Bruce, the use of Dylan’s music in advertisements, and Dylan’s 2011 trip to China. The book looks at recurring themes in Dylan’s songs, the influence of other artists on Dylan’s music, and the ongoing relevance of Dylan’s work. In the process, The Bob Dylan Albums, 2nd Edition unearths new meaning in both Dylan’s most famous works and in his songs and albums that have received less attention.
The icon series reflects on the performer's stories told through reportage and images. A complete overview from the beginning until the end of their lives. Including a discography with all released albums and award wins. The book includes a DVD with exclusive footage and interviews to look back on the legacy and pays tribute to the life of the artists. A wonderful series of the world’s most iconic musicians, who unfortunately are no longer among us.
The icon series reflects on Charles Aznavour's stories told through reportage and images. A complete overview from the beginning until the end of his life. Including a discography with all released albums and the awards he won. The book includes a DVD with exclusive footage and interviews to look back on the legacy and pays tribute to the life of the artist. The icon series is a wonderful series about the world’s most iconic musicians, of which some are unfortunately no longer among us.
Since she stepped onstage unannounced at the 1959 Newport Folk Festival, Joan Baez has occupied a singular place in popular music. Within three years, she had recorded three best-selling albums and had embarked on a tour of southern US campuses, playing to integrated audiences in an era of segregation. When Time magazine chronicled the folk revival in November 1962, her portrait was on the cover. Her voice was “as lustrous and rich as old gold.” She has mentored generations of singer-songwriters, most famously Bob Dylan. But Joan Baez has always been much more than simply a singer. Even before she joined Dr Martin Luther King, Jr. on the podium at the March on Washington for Jobs and Freedom in August 1963, she had used her gift to bring solace and hope to people who had little of either. In words and deeds, Baez has consistently championed social justice, nonviolence the guiding principle of her life, and the causes for which she has campaigned are legion. Whether playing to integrated audiences in the American south during the years of segregation, in Latin America during the years of brutal dictatorships, or Sarajevo under siege, Baez offered “an act of love, sharing, witness and music”. Approaching 80, she has stepped down from the stage following a worldwide farewell tour and a final, Grammy-nominated album. She is now embarked on a new chapter of life—painting.Drawing on interviews with long-time friends and musical associates, and on conversations across four decades with Baez herself, Joan Baez: The Last Leaf is a celebration of a timeless figure whose music and influence will endure long after her voice is silenced. The Discography is by Grammy-nominated music historian Arthur Levy. "I don t think it is an exaggeration to say that this is a book destined to become the definitive word on the life and times of Joan Baez; put it on your list of this year's essential reads."Americana UK Author Elizabeth Thomson has written articles and interviews in newspapers and magazines around the world, including The Times and MOJO. A contributor to The New Grove Dictionary of Music & Musicians, Thomson is also the editor of Conclusions on the Wall: New Essays on Bob Dylan and the co-editor of The Dylan Companion.
Mel Lewis (1929-1990) was born Melvin Sokoloff to Jewish Russian immigrants in Buffalo, New York. He first picked up his father's drumsticks at the age of two and at 17 he was a full-time professional musician. The View from the Back of the Band is the first biography of this legendary jazz drummer. For over fifty years, Lewis provided the blueprint for how a drummer could subtly support any musical situation. While he made his name with Stan Kenton and Thad Jones, and with his band at the Village Vanguard, it was the hundreds of recordings that he made as a sideman and his ability to mentor young musicians that truly defined his career. Away from the drums, Lewis's passionate and outspoken personality made him one of jazz music's greatest characters. It is often through Lewis's own anecdotes, as well as many from the musicians who knew him best, that this book traces the career of one of the world's greatest drummers. Previously unpublished interviews, personal memoirs, photos, musical transcriptions, and a selected discography add to this comprehensive biography.
A personal journey into the music of the Arctic
The first ethnographic study of music-making in modern Syria
A social history of salsa in Colombia.
“Método de Tango” (Spanish for “Tango Method”) is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires, Argentina. This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies. CONTENTS» Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar. » All the tools and techniques for playing tango music are covered throughout specific chapters and exercises. » 5 to 8 original works for ensemble are included in each book. Parts for other instruments are included on a separate insert. » Audio and video recordings and play-along tracks for each exercise and pieces are available for free on Tango Sin Fin’s YouTube channel. THE BASS IN TANGO CONTENTS » Time-marking models. The role of the bass as part of the rhythmic base. Marcato, pizzicato, and other typical articulations used in tango. » Bass lines. Characteristic devices used to create bass lines and perform them spontaneously. » Rhythmic melody. Articulation as a fundamental constituent element of the tango language. » Expressive melody. Fraseo as an essential device for expressiveness. » Milonga and vals, the use of percussive effects, guidelines to play in a tango ensemble, the history of the bass in tango, the different styles of the genre. » 6 original works for ensemble. » 250 audio and video examples.
A collaborative tribute of words and music reflecting the tension and beauty of jazz
“Método de Tango” (Spanish for “Tango Method”) is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires, Argentina. This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies. CONTENTS » Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar. » All the tools and techniques for playing tango music are covered throughout specific chapters and exercises. » 5 to 8 original works for ensemble are included in each book. Parts for other instruments are included on a separate insert. » Audio and video recordings and play-along tracks for each exercise and pieces are available for free on Tango Sin Fin’s YouTube channel. THE BANDONEON IN TANGO CONTENTS » Rhythmic melody. Different ways to articulate and accentuate a rhythmic tango melody. » Expressive melody. Fraseo as a fundamental constituent element of the tango language. » Time-marking models. The role of the bandoneon as part of the rhythmic base. » Ornaments and variations. Melodic embellishments and their use. » Milonga and vals, the use of percussive effects, guidelines to play in a tango ensemble, the history of the bandoneon in tango, the different styles of the genre. » 7 original works for ensemble. » 350 audio examples.
“Método de Tango” (Spanish for “Tango Method”) is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires, Argentina.This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies. CONTENTS» Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar. » All the tools and techniques for playing tango music are covered throughout specific chapters and exercises. » 5 to 8 original works for ensemble are included in each book. Parts for other instruments are included on a separate insert. » Audio and video recordings and play-along tracks for each exercise and pieces are available for free on Tango Sin Fin’s YouTube channel. THE GUITAR IN TANGO CONTENTS » Rhythmic melody. Different ways to articulate and accentuate a rhythmic melody in tango. » Expressive melody. Fraseo and ornamentation as essential expressive devices. » Milonga and vals, connecting passages, guidelines for playing in a tango ensemble, the history of the guitar in tango, tango orchestra styles, and more. » 8 original works for guitar and ensemble. » 350 audio & video tracks.
You never heard such sounds in your life
A new interview-based biography of The Wizard of Oz lyricist
“Método de Tango” (Spanish for “Tango Method”) is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires, Argentina. This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies. CONTENTS » Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar. » All the tools and techniques for playing tango music are covered throughout specific chapters and exercises. » 5 to 8 original works for ensemble are included in each book. Parts for other instruments are included on a separate insert. » Audio and video recordings and play-along tracks for each exercise and pieces are available for free on Tango Sin Fin’s YouTube channel. THE PIANO IN TANGO CONTENTS » Rhythmic melody. Articulation as a fundamental constituent element of the tango language. » Expressive melody. Fraseo as an essential resource for expressiveness. » Time-marking models. The piano as a support for the melodic discourse. » Different functions. The conductor role and other responsibilities undertaken by the pianist. » Milonga and vals, ornaments, guidelines to play in a tango ensemble, the history of the piano in tango, the different styles of the genre, and more. » 7 original works for piano. » 280 audio and video examples.
The first in-depth study of diverse and radical innovation in Arab music
