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Children's & YAJune 2019Giggi and Daddy
by Richa Jha and Mithila Ananth
Daddy wasn’t Daddy until Ria popped out of his pocket. Or so he says. Giggi and Daddy is a light-hearted tale which through an innocent clash of narratives between a father and his daughter explores the evolving definition of what it means to be the ‘Best Dad in the World’. Richa Jha takes the reader on a jolly fun ride of tall tales and a fancy imagination, and an adorable Daddy-daughter duo. Mithila Ananth’s blend of simple uncomplicated lines and textured backdrops that ooze perfect comic timing make this book a hilarious visual treat.
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Children's & YAInseparable
by Xue Tao
Xiaoju, a girl who loves Peking Opera, accidentally saw an interview with the Peking Opera master Mr. Mei from the TV show. She decided to run away from home to visit him. During her adventure, she built a mysterious but deep friendship with little frogs, crows, and old lady Linglong. But she didn't hear anything from her father, and even made a confusion between dad and the crow. Things got confusing. This is a story of a girl chasing the dream of Peking Opera, that father and daughter across time and space warm each other, and that everything in the nature can speak and give the power of growth.
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Children's & YAApril 2021Aai and I
by Mamta Nainy and Sanket Pethkar
Aadya looks just like her mother (Aai)—same little nose, same delicate ears, same big eyes, and identical thick, long hair. But one day, Aai goes away to a big hospital with a promise to return before Aadya learns her next Math lesson. The long-awaited return shocks Aadya because now her mother looks completely unlike her. She wonders if Aai will ever greet her with her usual, cheery, ‘Hello! Mini-me.’ Or will Aadya have to take matters into her own hands just to hear that again?With lyrical prose and a tender touch, Aai and I is an empowering story of the bond between a mother and a daughter, and of the little one finding her own identity as she finds herself no longer 'looking' the same as her mother. Mamta Nainy captures with elan Aadya’s innocence, impatience, and dilemma, and Sanket Pethkar’s vibrant, gorgeous artwork brings to life a typical Indian household in the state of Maharashtra.
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Children's & young adult fiction & true stories2018The New Girl Code
by Niki Smit
Tumi Letsatsi is a 13-year old melanin kween living in Rondebosch, Cape Town. Her favourite colour is yellow, she's still trying to figure out how not to dent her afro on the bus, and how one goes about (ahem!) “french kissing”. She’s a little awkward and a lot uncertain about her future, friendships and how to put together a cool outfit! But then she stumbles across the magic of coding and creates an app called “Project Prep” that goes viral and rockets her and her friends to fame. Then everything starts to fall apart, as she deals with a catfish who befriends her and steals her code, nasty rumours at school and the newfound attention of a crush. The New Girl Code (by Niki Smit, locally edited by Buhle Ngaba) is about the wonders of working in tech, aimed at girls and young women aged 9-15. The project is an initiative of Inspiring Fifty and based on an idea by Janneke Niessen.
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Children's & YALa memoria del bosque (The memory of the forest)
by Sara Bertrand, Elizabeth Builes
The memory of the forest tells two stories. One, that of a little girl and her mother, and the other story told by the mother to her daughter: a princess who has seen her village burn, a princess who has known fire and violence up close, a princess who hides, turns into a ball; but she is discovered by another - a cat - who makes her remember, questions her. It is a story that is permeated by the dialogues between mother and daughter around the story being told. Elizabeth Builes’ illustrations, with their gestural strokes, her impeccable handling of a palette of soft tones, her skill in the handling of nature and the creation of intimate scenes, give life to a story that goes beyond what is narrated in words.
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Children's & YA2017Dance of the Wild
by Richa Jha and Ruchi Mhasane
Little Shilu loves to dance around naked. She wants to be like the animals; like Pirate, her cat. When her grandmother Nannu says she can’t because she is now a big girl, Shilu gets down to understanding why she can’t. Peppered with Nannu’s loving chiding, intimate grandma-granddaughter bonding over conversations, and a heart-to-heart between the mother and this little inquisitive daughter, this book is a reflection of the wild and free nature of childhood. Rhuchi Mhasane’s soft evocative illustrations rendered in pencil with watercolour, and put together digitally, create a dreamlike charm. Richa Jha’s gentle, affectionate and lyrical text takes the reader into the mind of the little girl who can’t wait to get the answers to her ‘Why can’t I?’
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Family & relationshipsBean Trellis, My Mother-in-law
by Ma Ruifang
As the Chinese saying goes, "mothers-in-law and daughters-in-law are natural enemies". However, Bean Trellis, My Mother-in-law depicts the close bond of the author as daughter-in-law with her mother-in-law for more than three decades. Wherein lies the secret? "仁" Benevolence, "义" righteousness, "礼" courtesy, "智" wisdom, and "信" faith are constant beliefs of the Chinese people, which in the author's eyes are also the most admirable qualities of her mother-in-law, who is illiterate, yet hardworking, kind, and full of the wisdom of simple life. Her kindness and generosity is just the secret to the well-being of the whole family. Aside from describing the unique in-law relationship, this book also looks at the ups and downs of a big Chinese family from the 1970s to the 2020s. With humorous and documentary storytelling, the author wrote her life stories just like chatting with neighbors under the bean trellis. It is all-encompassing, containing traditional Chinese wisdom about getting along with the world, educating children, and even cooking, which could provide new reading experiences and inspiration for all readers.
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Personal & social issues: self-awareness & self-esteem (Children's/YA)Picture Books about Emotion Management for Girls
by Le Fan, Liu Chanjuan, Liu Jiaxi
While growing up, girls are more likely than boys to receive contradictory expectations from different aspects of their lives: parents, teachers, peers, society, and themselves. They could be rebellious but at the same time remain "good girls". They could express anger against bullies at school while simultaneously meeting teachers' expectations of nonaggressive behavior. They could be powerful and competitive at the same time that they worry about being considered "unfeminine". Girls struggle with these conflicting messages in their everyday lives, trying to please all these other people and losing track of themselves. Writer Le Fan, who has experienced the same contradictions as growing up, hopes that girls could love themselves, put themselves first a little more. So here comes the Picture Books about Emotion Management for Girls. The series contains five stories of five courageous little girls who were experiencing confusion in their lives. Little Le Fan in I am not Just a Good Girl tried to find the balance between two sides of herself—a cool girl and a good girl. Xiaoxiao in I love myself learned to be more confident and accepted her new look after her baby teeth fell out. Jiang in I'm so Jealous learned to deal with jealousy towards her best friend. A timid girl Xiao in I can Say No strived to express herself and stop the little boy's bullies. Feng in I Really Want to Win embraced her inner "tomboy" with daddy's encouragement. All the five little girls, though struggling, broke out of cultural and societal stereotypes swirling around them and became their true selves.
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Der Mensch und das Biest
Eine Geschichte von Herrschaft und Unterdrückung
by Girling, Richard
1. Auflage
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Humanities & Social SciencesSeptember 2024Empire's daughters
Girlhood, whiteness and the colonial project
by Elizabeth Dillenburg
Girlhood and whiteness in the British empire traces the interconnected histories of girlhood, whiteness, and British colonialism in the late nineteenth and early twentieth centuries through the study of the Girls' Friendly Society. The society functioned as both a youth organisation and emigration society, making it especially valuable in examining girls' multifaceted participation with the empire. The book charts the emergence of the organisation during the late Victorian era through its height in the first decade of the twentieth century to its decline in the interwar years. Employing a multi-sited approach and using a range of sources-including correspondences, newsletters, and scrapbooks-the book uncovers the ways in which girls participated in the empire as migrants, settlers, laborers, and creators of colonial knowledge and also how they resisted these prescribed roles and challenged systems of colonial power.
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February 2020Marshal's Daughter
by He Jiesheng
This book is a documentary work based on He Jiesheng's legendary childhood and adolescent experiences as the main narrative clues. It is also the first biographical literature where she uses herself as the protagonist to focus on her childhood and teenage experiences. As the daughter of Marshal He Long, as the youngest Red Army soldier, He Jiesheng's growth experience also reflects the difficult course of the Chinese revolution.
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Children's & YANyiragitwa: Daughter of Sacyega
by Mr Ndamyumugabe (Author), Jerome Irankunda (Author), Erin Jessee (Author), Christian Mugarura (Illustrator)
This graphic novel tells the story of Nyiragitwa, a Rwandan woman who is believed to have lived in the seventeenth century. It is based on an oral tradition that was shared by a man named Ndamyumugabe with the Belgian historian Jan Vansina in 1958 and raises important questions about how Rwandan women might have lived and contributed to their communities in the past.
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I Follow The Voices of Soft, Quiet Goddesses
by Hugo Roca Joglar
There is an idea by D.H. Lawrence: 'we are the secret dreams of our grandmothers.' But not the dreams they openly accepted and pursued, rather the secret dreams: those they denied, and merely thinking about them plunged them into fear and guilt. This Hugo Roca's definitive exploration of this concept: It begins with the death of his grandmother and ends with the imminent birth of his daughter, and in between, he narrates his struggle to establish a different flow, where through a process of re-educating himself (which leads to confront the most horrible demons of his lineage), he seeks to stop lying and to have no more secrets: to decipher his hidden dreams so as not to pass on the curse of embodying them to his daughter. A narrative that redefines parenthood and embarks on a profound quest for new forms of beauty.
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Literature & Literary StudiesSeptember 2020God's only daughter
Spenser's Una as the invisible Church
by J. B. Lethbridge, Kathryn Walls
In this study, Kathryn Walls challenges the standard identification of Una with the post-Reformation English Church, arguing that she is, rather, Augustine's City of God - the invisible Church, whose membership is known only to God. Una's story (its Tudor resonances notwithstanding) therefore embraces that of the Synagogue before the Incarnation as well as that of the Church in the time of Christ and thereafter. It also allegorises the redemptive process that sustains the true Church. Una is fallible in canto I. Subsequently, however, she comes to embody divine perfection. Her transformation depends upon the intervention of the lion as Christ. Convinced of the consistency and coherence of Spenser's allegory, Walls offers fresh interpretations of Abessa (as Synagoga), of the fauns and satyrs (the Gentiles), and of Una's dwarf (adiaphoric forms of worship). She also reinterprets Spenser's marriage metaphor, clarifying the significance of Red Cross as Una's spouse in the final canto.
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January 1988Hellwach und bewusst leben
Wege zur Entfaltung des menschlichen Potentials - die Anleitung zum bewussten Sein
by Tart, Charles / Übersetzt von Kierdorf, Theo
