Humanities & Social Sciences
December 2021
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Promoted Content
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Promoted Content
Humanities & Social SciencesNovember 2021The ABC of the projectariat
Living and working in a precarious art world
by Kuba Szreder
The ABC of the projectariat contributes new thinking on and practical responses to the widespread problem of precarious labour in the field of contemporary art. It works as both a critical analysis and a practical handbook, speaking to and about the vast cohort of artistic freelancers worldwide. In an accessible ABC format, the book strikes a unique balance between the practical and the theoretical: the analysis is backed up by lived experience, the arguments are rooted in concrete examples and there are suggestions for constructive action. Roughly half of the entries expose the structural underpinnings of projects and circulation, isolating traits such as opportunism, neoliberalism, inequality, fear and cynicism at the root of the condition of the projectariat. This discussion is paired with a practical account of different modes of action, such as art strikes, productive withdrawals, political struggles and better social time machines. Just as proletarians had nothing to lose but their chains, the projectarians have nothing to miss but their deadlines.
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Archaeological methodology & techniquesMarch 2016Saving The Tsars' Palaces
by Christopher Morgan & Irina Orlova
Millions of people annually visit the great country palaces built by the tsars in a circle round St. Petersburg. Created by artists from all over Europe, with untold serf labour at their disposal, the palaces were intended to impress and they do. Today, in the corner of most rooms, a single black and white photograph shows the same room in 1944, amid the smouldering wreckage found by Russian soldiers returning after the three-year siege of Leningrad. Forced to abandon the palaces, the Nazis vented their anger on the treasures they occupied.The story behind these photographs is in many ways more impressive even than the rooms themselves. It is the story of a relatively small band of talented Russians who were determined not to allow their country’s heritage to be swept away by all the horrors of the twentieth century. The palaces today are truly the work of Russians but restorers have to be self-effacing. There have been books about what they did but not about them. In Saving The Tsars’ Palaces, Christopher Morgan and Irina Orlova vividly recount the remarkable story of those who battled to save the palaces, not just during and after the war, but during the Revolution and the harsh times that followed.
