Brookes Publishing is an independent publisher based in Baltimore, Maryland, USA. For more than 40 years, Brookes has been a leading provider of professional resources and assessments in early childhood, communication and language, education (particularly special education), and disability. Brookes Publishing is committed to bettering lives and outcomes for all people.
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Hawker Brownlow Education, a Solution Tree company, is Australasia’s leading provider of educational resources, events and professional development services. Since 1985, we have empowered F–12 teachers and educational professionals with the tools and skills they need to improve classrooms and raise student achievement. From our head office in Melbourne, we publish the latest and best-regarded educational thinking from around the region and the world, releasing over 300 new titles and printing over 100 000 publications each year to support educational professionals. Our publications can be found on the shelves of over 9200 schools across Australia and New Zealand, in addition to reaching educational professionals in over 50 countries globally. We train and inspire thousands of educational professionals through major annual conferences, regional events and in-school support, delivering over 2000 hours of professional development each year. For more, visit www.hbe.com.au and follow @HawkerBrownlow on Facebook, YouTube, Twitter and LinkedIn.
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Genre: Fantasy and bromance Logline:Damian Grand, a high school graduate, finds himself in Avalon – the afterlife of Eternal Souls – when the enigmatic demon of revelations Fabian kidnaps him to reclaim a debt from his past life. His mission is to stop the ancient monster, Many-Faced One, whom he once resurrected. But Damian soon realizes that his past hides more than he expected.Will Damian manage to stay in his current incarnation and stop the ancient evil, or will he join the Many-Faced One cultists, who seek to liberate souls from the eternal suffering of reincarnation?
English cricket fans will love Jarrod Kimber's second Ashes book, Australian Autopsy – Australian cricket fans perhaps less so! Employing his own unique brand of dry humour, Kimber tells the story of the events of the winter 2010/11 series, and England's record-breaking 3-1 victory Down Under. Described by the Guardian as “a 22nd-century cricket writer”, Kimber’s style is certainly refreshing, having little in common with traditional cricket writing either in literary or lifestyle terms. He travels around his homeland staying in flea-bitten motels, bonding in a beautiful bromance with fellow cricket writer Sam Collins, and getting whispered at by Cricket Australia officials. When Australian Autopsy isn’t chronicling his dreams about Alastair Cook, it observes the English side ripping up the Australians’ script, cutting deep into the national psyche and cricket system. A wholly original chronicle of life on an Ashes tour, the international cricket circus, and Kimber’s home country.
An ordinary day, a packed commuter train – and an usual friendship blooms between a securities trader heading for his first day at a new job and an exhausted research student heading to his part-time job. Fate, it turns out, strikes in strange ways on ordinary days.
What does it mean to be queer in a Confucian society in which kinship roles, ties, and ideologies are of such great importance? This book makes sense of queer cultures in China—a country with one of the largest queer populations in the world—and offers an alternative to Euro-American blueprints of queer individual identity. This book contends that kinship relations must be understood as central to any expression of queer selfhood and culture in contemporary cultural production in China. Using a critical approach—“queering Chinese kinship”—Lin Song scrutinizes the relationship between queerness and family relations, and questions Eurocentric queer culture’s frequent assumption of the separation of queerness from blood family. Offering five case studies of queer representations across a range of media genres, this book also challenges the tendency in current scholarship on Chinese and East Asian queerness to understand queer cultures as predominantly counter-mainstream, marginal, and underground. Shedding light on the representations of queerness and kinship in independent and subcultural as well as commercial and popular cultural products, the book presents a more comprehensive picture of queerness and kinship in flux and highlights queer politics as an integral part of contemporary Chinese public culture.
