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      • The Arts

        Unstrung

        Rants and Stories of a Noise Guitarist

        by Marc Ribot

        Throughout his genre-defying career as one of the most innovative musicians of our time, iconoclastic guitar player Marc Ribot has consistently defied expectation at every turn. Here, in his first collection of writing, we see that same uncompromising sensibility at work as he playfully interrogates our assumptions about music, life, and death. Through essays, short stories, and the occasional unfilmable film “mistreatment” that showcase the sheer range of his voice, Unstrung captures an artist whose versatility on the page rivals his dexterity onstage. In the first section of the book, “Lies and Distortion,” Ribot turns his attention to his instrument—“my relation to the guitar is one of struggle; I’m constantly forcing it to be something else”—and reflects on his influences (and friends) like Robert Quine (The Voidoids) and producer Hal Willner (Saturday Night Live), while delivering an impassioned plea on behalf of artists’ rights. Elsewhere, we glimpse fragments of Ribot’s life as a traveling musician—he captures both the monotony of touring as well as small moments of beauty and despair on the road. In the heart of the collection, “Sorry, We’re Experiencing Technical Difficulties,” Ribot offers wickedly humorous short stories that synthesize the best elements of the Russian absurdist tradition with the imaginative heft of George Saunders. Taken together, these stories and essays cement Ribot’s position as one of the most dynamic and creative voices of our time.

      • Fiction

        The Transaction

        by Guglielmo D’Izzia

        A property harbouring a gruesome secret goes up for sale. Two men—perhaps, the wrong men—are shot in plain daylight. Nothing is what it seems. De Angelis, an inscrutable northerner, travels to a small town perched somewhere in Sicily’s hinterland to negotiate a real estate transaction, only to find himself embroiled in a criminal conspiracy. What follows is a web of unsettling events, involving child prostitution and brazen killings that lead to the abrupt demise of his business deal. As De Angelis embarks on a reckless sleuthing, an unexpected turn of events sends him into a tailspin—forcing him to confront the type of man he really is.

      • Picture books

        The Incredible Painting of Felix Clousseau

        by Jon Agee

        Art imitates life in this hilarious, absurdist picture book—one of Jon Agee's most beloved titles, now back in print "Outrageous!" the judges cried. "Ridiculous!" Who would dare enter a portrait of a duck in the Grand Contest of Art? But when Felix Clousseau's painting quacks, he is hailed as a genius. Suddenly everyone wants a Clousseau masterpiece, and the unknown painter becomes an overnight sensation. That's when the trouble begins. The Incredible Painting of Felix Clousseau is a 1988 New York Times Book Review Notable Children's Book of the Year.

      • Sports & outdoor recreation
        October 2015

        Pictures are Better on the Radio, The

        One Fan's Love Affair with Sport on the Radio

        by Adam Carroll-Smith

        The funny, heart-warming tale of Adam Carroll-Smith's enduring love of sport on the radio - a uniquely personal collection of memories with the power to generate a shared, nostalgic sense of deja vu. From furtively listening to Premier League matches under his duvet as a boy, to secretly following Ashes Tests and Wimbledon championships when he should have been working, all the way to sleep-deprived nocturnal sessions with the Super Bowl and the Ryder Cup, The Pictures are Better on the Radio tells the story of how one fan fell in love with sport on the wireless. Full of acute observations, touching anecdotes and Adam's customary mix of deadpan and absurdist humour, the memoir effortlessly gets to the heart of what it means to be a sports obsessive, and explores why radio continues to be such a cherished medium for fans across the world.

      • Literary studies: fiction, novelists & prose writers

        Confronting the Horror

        The Novels of Nelson Algren

        by James R. Giles (author)

        Because naturalism seems antithetical to modernism and literary existentialism, slight attention has been given to the existence of a contemporary, or post-World War II, naturalism. Indeed, the very term serves as a synonym for “old fashioned.” While understandable, this view has contributed to the misunderstanding, if not neglect, of several American writers who came to prominence in the late 1940s and 1950s. James Jones coined the term “the unfound generation” to describe these writers. The career of Nelson Algren exemplifies this phenomenon.Nelson Algren has always been an enigmatic figure, even at the peak of his career. Algren himself was the source of some of the confusion but he was also the victim of a long continuing critical misperception, that as a disciple of Theodore Dreiser he stressed external reality and social protest. In fact, while he never wavered in his commitment to the “lumpenproletariat”, society’s outcasts, his vision evolved significantly, especially through his acquaintance with Sartre, Beauvoir, and Celine. Algren’s best work reflects his despair over the “absurd” at least as much as his outrage over social and economic injustice.In Confronting the Horror, James R. Giles examines the evolution of Algren’s major themes—external oppression and internal anxiety. He discusses Algren’s fiction in relation to Maxim Gorky’s explanation of the “lower depths” and the works of two contemporary writers, Hubert Selby, Jr., and John Rechy, who combine naturalistic technique with a largely existential, absurdist vision. Giles conclusion is forcefully argued, that Algren’s novels are thematically richer and more complex than hitherto regarded and represent the work of an American writer of the first order.

      • Memoirs

        Nein, Nein, Nein!: One Man’s Tale of Depression, Psychic Torment, and a Bus Tour of the Holocaust

        by Jerry Stahl

        In September 2016, Jerry Stahl was feeling nervous on the eve of a two-week trip across Poland and Germany. But it was not just the stops at Auschwitz, Buchenwald, and Dachau that gave him anxiety. It was the fact that he would he would be traveling with two dozen strangers, by bus. In a tour group. And he was not a tour-group kind of guy. The decision to visit Holocaust-world did not come easy. Stahl’s lifelong depression at an all-time high, his career and personal life at an all-time low, he had the idea to go on a trip where the despair he was feeling—out-of-control sadness, regret, and fear, not just for himself, but for our entire country—would be appropriate. And where was despair more appropriate than the land of the Six Million? Seamlessly weaving global and personal history, through the lens of Stahl’s own bent perspective, Nein, Nein, Nein! stands out as a triumph of strange-o reporting, a tale that takes us from gang polkas to tour-rash to the truly disturbing snack bar at Auschwitz. Strap in for a raw, surreal, and redemptively hilarious trip. Get on the bus.

      • Humorous stories (Children's/YA)

        A terribly rowdy book

        Terribly funny horrors!

        by Vitalii Kyrychenko, Yurii Nikitinskyi

        «A Terribly Rowdy Book» is totally unusual. It is written to be terribly rowdy, ironic, absurd, horrible, frightful and funny at the same time. The title is made as a parody of horror, slasher and mystery stories. The authors’ inspiration comes from scary-like nursery rhymes, Absurdist humor of Daniil Kharms as well as Scary Movie. If you are afraid to smile at scary things and forgot the times when you were kids, don’t read it at all. But if you happened to have bought this title, read it either under your blanket, in the bathroom or in the blackest corner. And in no case should you give it to your kids because you are good parents and not some we-don’t-know-who.

      • Music

        THE BLUE MONDAY DIARIES

        In the Studio with New Order

        by Michael Butterworth

        A firsthand account of the studio sessions for the fastest selling 12” single ever, ‘Blue Monday’, New Order’s classic dance track, and Power, Corruption and Lies, their acclaimed second album. Compiled from the journals of Michael Butterworth, the trusted friend of New Order who lived and worked with the band throughout the recording sessions. Three decades on, Butterworth breaks the silence to reveal exactly what went into the recording of this classic track, as well as Power, Corruption and Lies. Drawn from Butterworth’s meticulous journal entries, The Blue Monday Diaries provides a uniquely personal insight into the creative personalities of the band. And with the deluxe boxset reissue of New Order’s remastered 1983 album ‘Power, Corruption & Lies’ on CD and vinyl, as well as four 12-inch singles released on 2 October, ‘Blue Monday’ is set to make its first Official Chart Top 40 appearance in over 25 years.

      • April 2013

        The Original 1939 Notebook of a Return to the Native Land

        Bilingual Edition

        by Aimé. Edited Césaire, edited by James Arnold, Clayton Eshleman

        The first bilingual edition of this radically original work

      • Art & design styles: Conceptual art
        August 2021

        Sting in the Tale

        Art, Hoax, and Provocation

        by Antoinette LaFarge

        An illustrated survey of artist hoaxes, including impersonations, fabula, cryptoscience, and forgeries, researched and written by an expert “fictive-art” practitioner.   The shift from the early information age to our 'infocalypse' era of rampant misinformation has given rise to an art form that probes this confusion, foregrounding wild creativity as a way to reframe assumptions about both fiction and art in contemporary culture. At its center, this “fictive art” (LaFarge’s term) is secured as fact by employing the language and display methods of history and science. Using typically evidentiary objects such as documentary photographs and videos, presumptively historical artifacts and relics, didactics, lectures, events, and expert opinions in technical language, artists create a constellation of manufactured evidence attesting to the artwork’s central narrative. This dissimulation is temporary, with a clear “tell” often surprisingly revealed in a self-outing moment. With all its attendant consequences of mistrust, outrage, and rejection, this genre of art with a sting in its tale is a radical form whose time has come.

      • November 2014

        Between Nostalgia and Apocalypse

        Popular Music and the Staging of Brazil

        by Daniel B. Sharp

        Chronicles the entanglement of traditional and experimental music in northeast Brazil

      • March 2013

        The Story Until Now

        A Great Big Book of Stories

        by Kit Reed

        The best stories from a master of speculative fiction

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