Wiley
John Wiley & Sons, Inc. (Wiley)is a renowned, global publishing company focusing on academic publishing for professionals and researchers within the field of science and medicine.
View Rights PortalJohn Wiley & Sons, Inc. (Wiley)is a renowned, global publishing company focusing on academic publishing for professionals and researchers within the field of science and medicine.
View Rights PortalWilkinson Publishing is an independent Australian Publisher with over 40 years of experience. We are passionate about books and sharing great stories that entertain and inspire, and information that helps bring about change and creates opportunities to learn and belong.
View Rights PortalDevolution in Britain today provides a comprehensive analysis of both the historical development and the current state of devolved government. Devolution is now a key element in A-level syllabuses and on most undergraduate politics courses. This book is written in a clear and accessible style for students either encountering devolution for the first time or for those who need to explore the subject area in greater detail. All of the devolved bodies in England, Northern Ireland, Scotland and Wales are examined. This book is a thorough update of the first edition, written by Colin Pilkington and published by MUP in 2002. The book explains the concept and background of devolution, and indicates the constitutional implications of political devolution in the United Kingdom before providing a full and considered historical background to devolution, including an explanation of how the United Kingdom came to be united. It then examines the historical and political events that surrounded the preparation of devolution across Britain, before addressing each country in turn, assessing the relative success of devolution in that country. ;
This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
Von seinen Zeitgenossen entweder gefeiert oder für verrückt erklärt, gilt William Turner heute längst als der bedeutendste Künstler Großbritanniens. Kein anderer Maler des 19. Jahrhunderts hat die weitere Entwicklung der Kunst stärker geprägt als er – ob Impressionismus, Abstraktion oder Futurismus, Turner hat vieles vorweggenommen, was erst Jahrzehnte nach seinem Tod Furore machen sollte. William Turner (1775-1851), Sohn eines Barbiers, verfolgte seinen Traum von Anerkennung und Wohlstand erfolgreich mit den Mitteln der Kunst. Wohl keiner reiste und zeichnete so viel wie er, bediente einerseits gekonnt den Kunstmarkt und schuf zugleich Werke, von denen der Autor und Sammler William Beckford sagte, Turner »malt, als ob sein Hirn und seine Fantasie auf der Palette mit Seifenlauge und Schaum vermischt wären.« Zu seinem 250. Geburtstag folgt Boris von Brauchitsch dem exzentrischen Maler in dieser atmosphärisch dichten Biografie vor gesellschaftspolitisch geweitetem Horizont auf seinen abenteuerlichen Reisen durch Europa, beobachtet ihn bei seinem Wettstreit mit den Großen der Kunstgeschichte, begleitet ihn beim Kampf für die Ebenbürtigkeit der Landschaftsmalerei und geht so manchem Geheimnis nach, das ihn umgibt.