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The ArtsJanuary 2019The secret life of romantic comedy
by Celestino Deleyto
The secret life of romantic comedy offers a new approach to one of the most popular and resilient genres in the history of Hollywood. Steering away from the rigidity and ideological determinism of traditional accounts of the genre, this book advocates a more flexible theory, which allows the student to explore the presence of the genre in unexpected places, extending the concept to encompass films that are not usually considered romantic comedies. Combining theory with detailed analyses of a selection of films, including To Be or Not to Be (1942), Rear Window (1954), Kiss Me Stupid (1964), Crimes and Misdemeanors (1989) and Before Sunset (2004), the book aims to provide a practical framework for the exploration of a key area of contemporary experience - intimate matters - through one of its most powerful filmic representations: the genre of romantic comedy. Original and entertaining, The secret life of romantic comedy is perfect for students and academics of film and film genre.
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The ArtsFebruary 2009The secret life of romantic comedy
by Celestino Deleyto
The secret life of romantic comedy offers a new approach to one of the most popular and resilient genres in the history of Hollywood. Steering away from the rigidity and ideological determinism of traditional accounts of the genre, this book advocates a more flexible theory, which allows the student to explore the presence of the genre in unexpected places, extending the concept to encompass films that are not usually considered romantic comedies. Combining theory with detailed analyses of a selection of films, including To Be or Not to Be (1942), Rear Window (1954), Kiss Me Stupid (1964), Crimes and Misdemeanors (1989) and Before Sunset (2004), the book aims to provide a practical framework for the exploration of a key area of contemporary experience - intimate matters - through one of its most powerful filmic representations: the genre of romantic comedy. Original and entertaining, The secret life of romantic comedy is perfect for students and academics of film and film genre. ;
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The ArtsJuly 2006Hollywood romantic comedy
States of Union, 1934–1965
by Kathrina Glitre
This book explores the changing representation of the couple, focusing on themes of marriage, equality and desire. Kathrina Glitre moves beyond the usual screwball territory to consider cycles of production from 1934-65. The central concern with the representation of the couple is distinctive and includes discussion of three star couples: Myrna Loy and William Powell, Katharine Hepburn and Spencer Tracy, and Doris Day and Rock Hudson. Glitre offers explanations of genre, as well as detailed analysis of screwball comedy, career woman comedy and sex comedy. Each cycle is placed into context to analyse cultural discourses around heterosexuality, gender, romance and love. This structure also enables a more sophisticated understanding of such conventions as masquerade, gender inversion and the happy ending. The book will appeal to university students and academics working on genre, gender, culture and representation, and anyone with a keen interest in Hollywood romantic comedy. ;
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Literature & Literary StudiesNovember 2024Women and madness in the early Romantic novel
Injured minds, ruined lives
by Deborah Weiss
Women and madness in the early Romantic novel returns madness to a central role in feminist literary criticism through an updated exploration of hysteria, melancholia, and love-madness in novels by Mary Wollstonecraft, Eliza Fenwick, Mary Hays, Maria Edgeworth, and Amelia Opie. This book argues that these early Romantic-period novelists revised medical and popular sentimental models for female madness that made inherent female weakness and the aberrant female body responsible for women's mental afflictions. The book explores how the more radical authors-Wollstonecraft, Fenwick and Hays-blamed men and patriarchal structures of control for their characters' hysteria and melancholia, while the more mainstream writers-Edgeworth and Opie-located causality in less gendered and less victimized accounts. Taken as a whole, the book makes a powerful case for focusing on women's mental health in eighteenth- and nineteenth- century literary criticism.
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Literature & Literary StudiesJune 2017Charles Robert Maturin and the haunting of Irish romantic Fiction
by Christina Morin
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Humanities & Social SciencesJuly 2024Romanticizing masculinity in Baathist Syria
Gender, identity and ideology
by Rahaf Aldoughli
This book provides a novel analysis of the conceptual sources and ideological contours of the Assad regime. The book documents the Baathists' fascination with Romanticised and 'muscular' ideas of the nation that emerged in eighteenth- and nineteenth-century European social philosophy, and traces the implementation and impacts of these ideologies in the Syrian context. Emphasising the emergence of new forms of public gendered identity in Syria as a unifying feature of nationalism bound closely with the stability of the regime, the book shows how Romantic, muscular nationalism first rose to hegemony and then was shattered by its inherent violence, contradictions and inequalities. The final chapter closes by considering how a new vision of pluralism and civic belonging is today challenging the Romanticised Baathist ideal in contention for Syria's future.
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Humanities & Social SciencesJuly 2016Romantic narratives in international politics
by Alexander Spencer
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September 2024Bright Falls 3. Iris Kelly doesn't date
by Ashley Herring Blake, Moon Notes, Franca Fritz, Heinrich Koop
Mit schönem Farbschnitt in der Erstauflage – Lieferung je nach Verfügbarkeit Fake Dating vom Feinsten – humorvoll und prickelnd! Um Iris Kelly herum sind alle verliebt. Und sie freut sich für jeden von ihnen. Wirklich. Schließlich hat sie ja eine Karriere als Romance-Autorin gemacht. Leider sind ihr dabei die Ideen fürs Dating ausgegangen. Ein Abend in einer Bar mit einer sexy Fremden namens Stevie entwickelt sich zum schlimmsten One-Night-Stand, den Iris je hatte. Um sich abzulenken, bewirbt sie sich bei einer Theatergruppe - und trifft dort Stevie wieder. Diese bittet Iris, ihre Freundin zu spielen. Iris willigt skeptisch ein. Während die beiden so tun, als seien sie ein Paar, fängt es zwischen ihnen gewaltig zu knistern an. Und bald geht es nur noch darum, wer den ersten Schritt macht... Die prickelnde RomCom lässt die Herzen von New-Adult-Fans ab 16 Jahren höher schlagen. Der dritte Band der „Bright Falls“-Reihe von Ashley Herring Blake erzählt eine witzige und gefühlvolle LGBTQIA+-Story mit dem beliebten Trope „Fake Dating“. Eine smarte und humorvolle Romance über die Liebe zwischen zwei Frauen, die Leser*innen begeistern wird. Iris Kelly doesn't date: Band 3 der erfolgreichen Reihe „Bright Falls“ Gefühle, Liebe und LGBTQIA+: Eine prickelnde Romantic Comedy für Leser*innen ab 16 Jahren. Voll im Trend: Humorvolle Gay Romance mit dem beliebten Trope „Fake Dating“. Witzig und gefühlvoll: Eine New-Adult-Romance über die Wendungen des Lebens und die Magie der Liebe. Die TikTok-Sensation: Band 3 der „Bright Falls“-Reihe von der amerikanischen Bestsellerautorin Ashley Herring Blake, die einen TikTok-Hype ausgelöst hat. Genial ausgestattet in der Erstauflage: Softcover mit Klappen, trendig illustriertem Buchschnitt und coolem Lesezeichen zum Abtrennen. Die Romance für junge Frauen erzählt eine witzige und gefühlvolle LGBTQIA+-Geschichte über Iris Kelly und ihren desaströsen One-Night-Stand. Eine spicy RomCom für alle Fans von Alice Oseman und Casey McQuiston, die beweist, dass die Liebe oft dort zu finden ist, wo man sie am wenigsten erwartet.
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Literature & Literary StudiesMay 2023Counterfactual Romanticism
by Damian Walford Davies
Innovatively extending counterfactual thought experiments from history and the social sciences to literary historiography, criticism and theory, Counterfactual Romanticism reveals the ways in which the shapes of Romanticism are conditioned by that which did not come to pass. Exploring various modalities of counterfactual speculation and inquiry across a range of Romantic-period authors, genres and concerns, this collection offers a radical new purchase on literary history, on the relationship between history and fiction, and on our historicist methods to date - and thus on the Romanticisms we (think we) have inherited. Counterfactual Romanticism provides a ground-breaking method of re-reading literary pasts and our own reading presents; in the process, literary production, texts and reading practices are unfossilised and defamiliarised.
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June 2024Room for Love 1. Two in a Room
by Laura Labas, Leonie Landa,
Crashing into You. Unwiderstehliche Romantic Comedy mit Tempo, Witz und ganz viel Herz Alles nimmt seinen Anfang, als die 20-jährige New Yorker Mathematik-Studentin Shiloh auf dem Weg zur Uni einem gestürzten Fahrradfahrer hilft. Zum Dank lädt Miles sie in das schicke Hotel in Brooklyn ein, wo er um die Hand seiner Freundin anhalten will. Das edle Büfett kann sich die chronisch unterfinanzierte Shiloh nicht entgehen lassen. Aber Miles wird von seiner Freundin eiskalt abserviert, und so lässt er den Abend mit Shiloh ausklingen. Wieso die Honeymoon-Suite ungenutzt lassen? Die Wege der zwei – die es bei allen Unterschieden beide nicht gerade leicht haben mit ihren Eltern – trennen sich wieder. Aber zum Glück sind da ja noch der Zufall und die Stadt New York ... Ungekürzt gelesen von Leonie Landa
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Architectural structure & designSeptember 2018Romantic Escape
Designing the Modern Guest House III
by Wendy Perring
Guest House have become fashionable all over the world especially in China because they help people keep themselves away from the din and bustle of cities. Forty-two pieces of works of folk hostels, including hostels with water senses, city hostels and country hostels, are copied into the book. They explain the cordinal demmands when designing folk hostels. Readers will know more about the design of hostels through its pictures, blueprints and literary description as well as for architects and people who are employed in the service trade.
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Humanities & Social SciencesFebruary 2013Comedy, caricature and the social order, 1820–50
by Brian Maidment
Offering an overview of the marketplace for comic images between 1820 and 1850, this book makes a case for the interest and importance of a largely neglected area of visual culture. It considers the impact on the development of print culture of the emergent, but soon widespread, use of lithography and wood engraving, both capable of integrating texts and images cheaply and imaginatively on the printed page. Drawing on a wide range of commercially produced print genres, including song books, play-texts, comic annuals and magazines as well as single plate and series of caricatures, this book traces the ways in which Regency and early Victorian visual humour both sustains some of the characteristics of an earlier caricature tradition while also beginning to develop new ways of analyzing and coping with social change through comic forms and genres. ;
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The ArtsNovember 2011The limits of performance in the French Romantic theatre
by Susan McCready, Mike Thompson
This volume analyses major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theatre rather than conceal them. Through an examination of performance within these plays, the study posits that the stage is a privileged site of demonstration, a literal 'proving ground' that lends a physical reality to abstract values announced in the text and shared or questioned by the audience. Negotiating between the literary study of drama and performance theory, this work breaks new ground in nineteenth-century theatre scholarship while proposing a fresh direction in the study of text and performance. The limits of performance 'challenges conventional wisdom', offering 'a novel take on the mal du siècle, that thematic hardy perennial of French Romanticism and the nineteenth century in general', combined with 'eminently readable and, therefore, compelling' analysis of plays - 'a thought-provoking addition to work in the field' (Glyn Hambrook, Modern and Contemporary France, November 2008). ;
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FictionDecember 2017Library of Chinese Classics :Selected Poems of Libai
by Xu Yuanchong
Li Bai is the greatest romantic poet in our country in the Tang Dynasty. Romanticism, as a trend of literary thought, is a social product of Europe from the late 18th century to the early 19th century. However, as a traumatic method, like realism, it is produced simultaneously with literature and art. Realism pays more attention to the portrayal of objective things, while romanticism focuses more on the expression of subjective feelings. With the Chinese poetic term "Fu Beixing" to describe the use of realism works more method, the use of romantic multi-Xing method. The use of Bi Xing is a major feature of Li Bai's poetry. Li Bai is a poet representing the Tang Dynasty culture. The ancient northern Yellow River valley culture in the philosophical thinking, with Confucius "Analects" as the representative, in the literary arts, the realist "Book of Songs" as a typical. The southern culture in the Yangtze River Valley, the philosophical representative is Lao Tzu "moral classics", and the typical literary style is "romantic". Li Bai, on the other hand, is a typical representative of the integration of North and South cultures.
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Literature & Literary StudiesMay 1999Introduction to English Renaissance comedy
by Alexander Leggatt
Introduction to English Renaissance comedy provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, emphasising the eclectic, experimental nature of this comedy: its departures from the mainstream New Comedy tradition, its searching, witty analysis of social and personal relations in court, city and country. This book makes a close analysis of some of the richest comedies of the period, making unexpected connections between them: Shakespeare's A Midsummer Night's Dream and The Tempest, Lyly's Endymion, Greene's Friar Bacon and Friar Bungay, Marston's The Malcontent, Middleton's Michaelmas Term, Jonson's Bartholomew Fair, Shirley's The Lady of Pleasure and Brome's A Jovial Crew. Through these plays the reader is given a comprehensive picture of English comedy in one of its most creative periods. ;
