McGill-Queen's University Press
Livres Canada Books
View Rights PortalEstablished in 1948, UQP is a dynamic publishing house known for its innovative philosophy and commitment to producing books of high quality and cultural significance. UQP publishes books for general readers in the areas of fiction, non-fiction, poetry, Indigenous writing and youth literature as well as scholarly works. Our books and authors have received national and international recognition through literary prizes. These include the Miles Franklin Literary Award, the ABIAs, the CBCAs, the Prime Minister’s Literary Awards, the NSW Premier’s Literary Awards, the Deutscher Jugendliteraturpreis and the White Raven awards.
View Rights PortalA city burns, and a queen burns for love: Dido, Queen of Carthage re-imagines one of the great legendary stories. The encounter between a wandering hero and an African queen engenders love and loss, eroticism and absurdity, childish simplicity and compelling eloquence. Written for children to perform in the 1580s, Dido is nonetheless a remarkable play, revolutionary in its approach to character, blank verse, and audiences. This volume is the first single-text scholarly edition in English. It is an indispensable resource for scholars, students, and theatre practitioners. The edition features an accessible text, lightly punctuated for ease of reading and speaking. It incorporates new research into authorship (which indicates that Marlowe wrote the play), a detailed analysis of Dido's sources, and a survey of criticism; it assesses the evidence for early performances and provides extensive information about modern productions.
Dick of Devonshire by Thomas Heywood dramatises England's disastrous 1625 Cadiz expedition through the story of a foot-soldier turned national hero. For the first time, The Revels Plays publishes a scholarly modern-spelling edition of this unduly overlooked play, together with an anthology of its source material. The play, written in 1626, exists in only one contemporary manuscript, now contained in MS Egerton 1994. There is no evidence that the work was printed or performed in its time, and until now, its authorship has remained uncertain. Ellis's critical introduction analyses new data that uncovers the play's authorship, playing company, and playhouse for the first time, as well as exploring the occasion of the play, its textual and theatrical histories, and its stagecraft. Commentary notes guiding the modern reader include explanatory glosses, literary references, and notes on historical context.
A scholarly, modern-spelling edition of a play by the Caroline dramatist John Ford, which has not seen much previous critical attention due to being accidentally omitted from the 1652 edition of his complete works. The introduction resituates the play in the Ford canon and explores how it spoke to audiences when it was first composed in the late 1620s, when it tapped into the contemporary fascination with the pathology of melancholy, and also when it was finally published in 1653. By this time the play's main plot about a sovereign who is threatened with execution would have recalled the beheading of Charles I four years earlier. The play can thus be seen as examining both psychology and politics.
Morgan's study of key texts situating Edmund Spenser and the plantation in Munster in the late 1590s reveals not only a hatred and abiding fear of the Catholic Irish but also disturbing tensions with the state in England including the Queen herself. In doing so, he has combined traditional historical and literary methods with stylometric document testing to reveal the authorship of these controversial contemporary tracts. Overall this insightful book reimagines the English colonial mentality of the period by examining its underbelly of anonymous texts.
In the mid-ninth century, Francia was rocked by the first royal divorce scandal of the Middle Ages: the attempt by King Lothar II of Lotharingia to rid himself of his queen, Theutberga and remarry. Even 'women in their weaving sheds' were allegedly gossiping about the lurid accusations made. Kings and bishops from neighbouring kingdoms, and several popes, were gradually drawn into a crisis affecting the fate of an entire kingdom. This is the first professionally published translation of a key source for this extraordinary episode: Archbishop Hincmar of Rheims's De divortio Lotharii regis et Theutbergae reginae. This text offers eye-opening insight both on the political wrangling of the time and on early medieval attitudes towards magic, penance, gender, the ordeal, marriage, sodomy, the role of bishops, and kingship.The translation includes a substantial introduction and annotations, putting the case into its early medieval context and explaining Hincmar's sometimes-dubious methods of argument.
Winner of the ASAA mid-career book prize in Asian Studies 2020 and joint winner of the 2020 Royal Studies Journal Book Prize Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898-1948) and Juliana (1948-80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands' modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs.
Elizabeth erfuhr schon mit zehn Jahren, dass sie einmal Königin werden würde. Als Vierzehnjährige sprach sie während des Zweiten Weltkriegs den Kindern in aller Welt übers Radio Mut zu. Als ihr Vater starb, bestieg sie mit 25 Jahren den Thron. Aber sie musste noch viel lernen, bei einem Professor nahm sie Unterricht in englischer Verfassung und Politik. Denn ihre Hauslehrer:innen hatten eine andere Aufgabe: eine Lady aus der Prinzessin zu machen. Und jetzt sollte sie mit den Premierministern verhandeln! Sie tat es über siebzig Jahre lang. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Künstlerin, Pilotin oder Wissenschaftler, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen.
Tagsüber ist Hubert Kleinganove und betreibt eine Pfandleihe im Kohlenpott Polens der achtziger Jahre. Nachts vor dem Spiegel und mit Perlen geschmückt nennt er sich Barbara Radziwill – nach der Königin von Polen und Großfürstin von Litauen. Sein Geld verdient er mit »Baguette überbacken«, dem Dönerkebab der Volksrepublik. Und mit gestohlenen Chrysanthemen vom Friedhof. Wenn es eine Schuld einzutreiben gilt, sind seine »Hofdamen« zur Stelle, Sascha und Felus. Die beiden Ukrainer wissen, wie sie ihn um den Finger wickeln können. Michal Witkowski, ein Meister der Vielstimmigkeit, verwebt den Slang der Straße mit der sarmatischen Adelsplauderei zu einer Lebensbeichte, vergleichbar einem Mix aus Dorota Maslowskas Reiherkönigin und Grimmelshausens Simplicissimus.