McGill-Queen's University Press
Livres Canada Books
View Rights PortalEstablished in 1948, UQP is a dynamic publishing house known for its innovative philosophy and commitment to producing books of high quality and cultural significance. UQP publishes books for general readers in the areas of fiction, non-fiction, poetry, Indigenous writing and youth literature as well as scholarly works. Our books and authors have received national and international recognition through literary prizes. These include the Miles Franklin Literary Award, the ABIAs, the CBCAs, the Prime Minister’s Literary Awards, the NSW Premier’s Literary Awards, the Deutscher Jugendliteraturpreis and the White Raven awards.
View Rights PortalA scholarly, modern-spelling edition of a play by the Caroline dramatist John Ford, which has not seen much previous critical attention due to being accidentally omitted from the 1652 edition of his complete works. The introduction resituates the play in the Ford canon and explores how it spoke to audiences when it was first composed in the late 1620s, when it tapped into the contemporary fascination with the pathology of melancholy, and also when it was finally published in 1653. By this time the play's main plot about a sovereign who is threatened with execution would have recalled the beheading of Charles I four years earlier. The play can thus be seen as examining both psychology and politics.
Iraqi women in Denmark is an ethnographic study of ritual performance and place-making among Shi'a Muslim Iraqi women in Copenhagen. The book explores how Iraqi women construct a sense of belonging to Danish society through ritual performances, and investigates how this process is interrelated with their experiences of inclusion and exclusion in Denmark. The findings refute the all too simplistic assumptions of general debates on Islam and immigration in Europe that tend to frame religious practice as an obstacle to integration in the host society. In sharp contrast to the fact that the Iraqi women's religious activities in many ways contribute to categorising them as outsiders to Danish society, their participation in religious events also localises them in the city. Written in an accessible, narrative style, this book addresses both an academic audience and the general reader interested in Islam in Europe and immigration to Scandinavia. ;
In the mid-ninth century, Francia was rocked by the first royal divorce scandal of the Middle Ages: the attempt by King Lothar II of Lotharingia to rid himself of his queen, Theutberga and remarry. Even 'women in their weaving sheds' were allegedly gossiping about the lurid accusations made. Kings and bishops from neighbouring kingdoms, and several popes, were gradually drawn into a crisis affecting the fate of an entire kingdom. This is the first professionally published translation of a key source for this extraordinary episode: Archbishop Hincmar of Rheims's De divortio Lotharii regis et Theutbergae reginae. This text offers eye-opening insight both on the political wrangling of the time and on early medieval attitudes towards magic, penance, gender, the ordeal, marriage, sodomy, the role of bishops, and kingship.The translation includes a substantial introduction and annotations, putting the case into its early medieval context and explaining Hincmar's sometimes-dubious methods of argument.
Winner of the ASAA mid-career book prize in Asian Studies 2020 and joint winner of the 2020 Royal Studies Journal Book Prize Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898-1948) and Juliana (1948-80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands' modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs.
Morgan's study of key texts situating Edmund Spenser and the plantation in Munster in the late 1590s reveals not only a hatred and abiding fear of the Catholic Irish but also disturbing tensions with the state in England including the Queen herself. In doing so, he has combined traditional historical and literary methods with stylometric document testing to reveal the authorship of these controversial contemporary tracts. Overall this insightful book reimagines the English colonial mentality of the period by examining its underbelly of anonymous texts.
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.