EDGE Science Fiction and Fantasy Publishing
Livres Canada Books
View Rights PortalThis novel tells the one-hundred life experience of Cen Guoren, a rural intellectual, and portrays a distinct venerable literary image: even going through numerous hardships, Cen still adheres to kindness, is keen on cultivating his own morality merit and consciously inherits the outstanding traditional culture. The novel has reconstructed the drastic history over the century, eulogized the unfading morality, and further demonstrated the long-standing and everlasting cultural glamour of Chinese nation.
Have you ever had a wound you couldn’t look away from? Did you become obsessed with its ever-changing colours? Did the constant itch take over your mind? Somnath Hore carried an itch like this. He saw the wounds of the world, and they moved him. This is the story of how these wounds became the heart of his art. Find out about the life of celebrated artist Somnath Hore in the Art Exploration Series.
Through the Fiction of Phebe Gibbes places this prolific, newly recovered English writer at the centre of the revolutionary period. Gibbes's novels mark the struggles of women for agency in an expanding British empire, from the Seven Years' War to revolutions in American, Haiti and France. With Gibbes as a nexus in a lineage of women writers from Aphra Behn to Jane Austen, Kathryn S. Freeman offers a valuable perspective on the 'long eighteenth century', with Gibbes' own evolution mirroring that of the larger period. The study traces the development of Gibbes' authorial voice from satire to irony through a range of female characters subverting patriarchal oppression. Freeman guides the reader through patterns of narrative voice, concerns with gender and sexuality, and elements of wordplay through detailed discussion of five novels representing Gibbes' evolving representation of a subversive female subjectivity.
The hardworking and studious Reed is a well-known "wild child" in the fishing village. Influenced by the legend, he and his sister, He Ju, had the whimsical idea of learning the outstanding swimming skills from the porpoise, and thus became interested in the endangered species of porpoise. The porpoise, which had been repeatedly disturbed, always avoided them... By chance, the siblings, with their excellent swimming skills, rescued a baby porpoise that had been trapped by garbage. This cute porpoise has since become an exotic friend who plays the game with them ...
Ist es möglich, einen Berg zu denken, zu dem das Tal fehlt? Wenn man sich Gott und die Welt vorstellen kann, kann man sich z. B. nicht Gott ohne die Welt vorstellen: Was einem vorschwebt, von A bis Z, erscheint oft realer als das, was vor Augen bloß irritiert. Einmal waren Berge Berge, die Täler waren Täler. Nachdem es mehr Dinge zwischen Grund und Grat gibt, als wir träumen können, sind Berge weder Berge noch Abgründe Abgründe: Was einem blüht, mag zugleich auch blühendes Tal sein. In aller Stille rufen Laute einander auf und zu, kaum wahrnehmbar noch, tief von innen und unten. Nachtwach, in Sprache, schwellen die Intervalle an, stets fügt sich eine zweite Stimme zur ersten, dann noch eine, und dann noch und noch: wie ein Echo das Offene durch Wiederholung der Beschränkung auskostet, aber auf immer weniger Wirklichkeit trifft. In Oswald Eggers Val di Non wird man fabelhaft wandern oder einfach nur spazieren gehen. Ein Buch, reich bebildert und illustriert mit zig Einstiegen und auch Verstiegenheiten, mit stillen Verstolperungen hinein in eine unfassbare Fundlandschaft aus Wunderbarem: Wie das wohl sein wird – gelebt zu haben, ohne gewesen zu sein.
Any reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
In recent years there has been a growth in both the practice and research of dark tourism; the phenomenon of visiting sites of tragedy or disaster. Expanding on this trend, this book examines dark tourism through the new lens of pilgrimage. It focuses on dark tourism sites as pilgrimage destinations, dark tourists as pilgrims, and pilgrimage as a form of dark tourism. Taking a broad definition of pilgrimage so as to consider aspects of both religious and non-religious travel that might be considered pilgrimage-like, it covers theories and histories of dark tourism and pilgrimage, pilgrimage to dark tourism sites, and experience design. A key resource for researchers and students of heritage, tourism and pilgrimage, this book will also be of great interest to those studying anthropology, religious studies and related social science subjects.
In this book, you will find pages. And in these pages, you will see paintings. And in the paintings, you will discover verbs. And the verbs tell the story of a day, from sunrise to sunset, and beyond.
People and Places introduces children to the works of Indian artists from the Mughal era up to contemporary times. They are encouraged to develop a visual understanding of their culture and environment, including people, neighbourhood and workplaces. Games such as Spot the Difference, Sort & Order, Search & Spell, have been imaginatively adapted to make children seek alternative avenues of creativity. The book takes an interdisciplinary approach to enhance visual literacy and cognitive skills in early learners.
Magical World of the Wild is a theme-based book which introduces children to miniature, folk, modern and contemporary Indian art. It encourages them to observe and explore the world of animals through compelling artworks by well-known artists. Games such as Spot the Difference, Let’s Count, Join the Dots have been imaginatively adapted to make children seek alternative creative avenues. The book takes an interdisciplinary approach to enhance visual literacy and cognitive skills in young readers.
Young Raza started searching for deeper meanings within the Bindu and saw it more than just a Dot. It lingered with him till he started giving creative expression, using Bindu as the focal point. This book delves into the works of famous Indian artist S.H. Raza and takes children on a fantastic visual journey. It directs them to demystify the Bindu and introspect on its meaning and significance. Raza’s world of Bindu - as Universe, Sun, Panchtatva and more – unfolds through brilliant illustrations and a stirring narrative.
Ambadas Khobragade felt utterly free while doodling and painting. His Dancing Brush made time and space, sky and earth quiver with movement. He was like a mystic in a trance when he played with colours on the canvas. Come, immerse yourself in Ambadas’s vibrant art. Let his story remind you that some childhood memories remain with you as powerful sources of inspiration.
A furious storm rips across Calcutta, bringing thunder and rain! At #5 Jorasanko, the floorboards creak and the windows rattle. The lightning turns shadows into monsters. Young Abanindranath pulls his razai close and shivers. What would you do if you grew up in a house bigger than the world? How would you know if the house is a friend or a foe? Find out about the life of celebrated artist Abanindranath Tagore and his childhood home in the Art Exploration Series.
Meera always knew she wanted to be an artist. Art follows her everywhere. But something is missing from her art ... Find out about the life of celebrated sculptor Meera Mukherjee and her artistic journey in the Art Exploration Series.
The book introduces young readers to Indian modern art in a fun and engaging manner. This enriching activity-led book traces the development of modern art history from Pre-independence and unfolds in eight sections that feature prominent artists or styles under the various art movements.
This story is a recreation of a fable originally written in “Kalila and Demna”, an ancient book with Indian roots. In the original story, an old egret tricks the fish into thinking that they are being taken to a safe lake, but they are in fact becoming the egret’s food. Until one day, the crab also asks the egret to take him to the lake and sees the remaining fish bones while riding on his back. He then returns and informs the others. “Believe Me, I’m not an Egret!” is a parody of the original fable, encouraging the children to think about and question what they hear.
Heritage is a social construction rooted in modern and contemporary societies. It is commonly a positive assessment of many elements of the physical and human environment (e.g. ecosystems and landscapes, monuments, customs, gender norms, religious practices, gastronomy, and livelihoods). Heritage and tourism are strongly related to each other in that heritage gives rise to tourist attractions and activities, and tourism enhances the designation of heritage sites. Non-human animals (hereafter 'animals') are present as implicit or explicit heritage elements through multiple tourist environments: animals may be themselves the heritage focus of tourist interest (visual arts, gastronomy, as charismatic and distinguished beings, as part of festivities or rituals), or it may be that animals are agents involved in heritage tourist environments such as working animals or in recreational activities. A post-humanist perspective the moral valuation of equality between humans and other animals demands that both are sentient beings and self-aware of their pain and pleasure. Thus, the involvement of animals as heritage elements by themselves or as an element of tourist consumption in heritage sites implies their commodification and lack of agency. As such, these practices are usually unethical, since they threaten the animals' primary interests: not to suffer, not to feel pain and to be able to live their freedom. This book contains chapters that reveal both the unethical interactions between humans and animals within heritage tourism, and those that show experiences in which efforts are made to minimize damage within the commercialization of animals involved as heritage themselves. It will be of interest to postgraduate students, academics, NGOs and tourism planners.
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.