Your Search Results

      • Trusted Partner
        October 1982

        Geschichte und Geschichtswissenschaft

        Dialoge

        by Georges Duby, Guy Lardreau, Wolfram Bayer

        "Im Gespräch mit dem Philosophen Guy Lardreau gibt Duby hier Auskunft über seine Vorstellungen von Geschichte und über die theoretischen und methodischen Grundlagen der Geschichtswissenschaft; er umreißt seine Sicht der Entwicklungen in der historischen Wissenschaft dieses Jahrhunderts, erläutert die Motive und Grundgedanken seiner wichtigsten Studien und benennt die persönlichen Motive, die seine Arbeit geleitet haben."

      • Trusted Partner
        The Arts
        January 2019

        Tears of laughter

        Comedy-drama in 1990s British cinema

        by Nigel Mather

        Tears of laughter' examines the interactions of comedy and drama in three vital thematic strands of British cinema during the 1990s: comedies exploring issues of class, culture and community in British society, 'ethnic' comedy-dramas engaging with complex issues of identity and allegiance in modern Britain, and romantic comedies featuring characters searching (somewhat desperately or frantically) for a suitable and desirable long-term or short-term partner. Films to be discussed in detail include 'Brassed Off' (1996), 'The Full Monty' (1997), 'East is East' (1999), 'Four Weddings and a Funeral' (1994), 'Notting Hill' (1999) and a post-1990s romantic comedy, 'Love Actually' (2003). The study discusses these specific films and a range of other 1990s British comedy-drama films within the context of community-orientated Ealing comedy classics, contentious situation comedies treating race relations as both a laughing matter and a site of conflict ('Till Death Us Do Part' and 'Love Thy Neighbour'), and romantic comedies set and produced in Britain. It is aimed at film studies academics, students and film enthusiasts.

      • Trusted Partner
        The Arts
        February 2006

        Tears of laughter

        Comedy-drama in 1990s British cinema

        by Nigel Mather

        'Tears of laughter' examines the interactions of comedy and drama in three vital thematic strands of British cinema during the 1990s: comedies exploring issues of class, culture and community in British society, 'ethnic' comedy-dramas engaging with complex issues of identity and allegiance in modern Britain, and romantic comedies featuring characters searching (somewhat desperately or frantically) for a suitable and desirable long-term or short-term partner. Films to be discussed in detail include 'Brassed Off' (1996), 'The Full Monty' (1997), 'East is East' (1999), 'Four Weddings and a Funeral' (1994), 'Notting Hill' (1999) and a post-1990s romantic comedy, 'Love Actually' (2003). The study discusses these specific films and a range of other 1990s British comedy-drama films within the context of community-orientated Ealing comedy classics, contentious situation comedies treating race relations as both a laughing matter and a site of conflict ('Till Death Us Do Part' and 'Love Thy Neighbour'), and romantic comedies set and produced in Britain. It is aimed at film studies academics, students and film enthusiasts. ;

      • Trusted Partner

        Till Stress Do Us Part

        Resilience in Relationships

        by Guy Bodenmann

      • Trusted Partner
        Humanities & Social Sciences

        Shadows Over a Partnership

        by Guy Bodenmann

        Depression is one of the most common mental disorders, and it therefore also affects many people in committed relationships. Although on the one hand relationships represent a degree of protection, they are also affected by the depression, which is a huge challenge for the couple. This book aims to establish sound understanding of the disorder and its different forms, of the causes of depression and its effects on couple relationships, and to demonstrate how couples can regard depression as a shared challenge and overcome it together. For:• those affected and their partners• psychologists• psychiatrists• psychotherapists• advice centers

      • Trusted Partner
        September 2007

        Morgen war schon

        Roman

        by Guy Helminger

        Die langsame Louise träumt auf dem Sofa von einer Reise nach Neuseeland; für ihren Mann Feltzer, den Taxi fahrenden Choleriker, sind die angenehmsten Fahrgäste fünf ausgemergelte Stoffgiraffen. Man könnte es eine einigermaßen glückliche Ehe nennen. Sehnsüchte schweifen in die Ferne, der Alltag klebt hartnäckig am Hier und Heute, und ein leises Unbehagen durchzieht das Zusammenleben. Ein fremder Mann sitzt allzu traulich mit Louise auf dem Sofa. Und bleibt nach einer Fahrt in Feltzers Taxi verschwunden.

      • Trusted Partner
        January 1990

        Die Grenzen kulturwissenschaftlicher Begriffsbildung

        Heidelberger Max-Weber-Vorlesungen 1982

        by Guy Oakes

        Dieses Buch soll dazu beitragen, die philosophischen Wurzeln von Webers Methodologie freizulegen und insbesondere den Zusammenhang seiner Position mit der Wertlehre Rickerts aufzuklären. Dabei bildet die Frage nach dem Verhältnis zwischen der Begründung der kulturwissenschaftlichen Objektivität bei Weber auf der einen und Rickerts Lösung des Problems der Wertobjektivität auf der anderen Seite den Kernpunkt der Untersuchung. Anhand der Bestimmung dieses Verhältnisses soll nicht nur gezeigt werden, daß Webers Begriff der kulturwissenschaftlichen Objektivität von Voraussetzungen ausgeht, die in Rickerts Werttheorie angelegt sind, sondern auch, daß es eben diese Voraussetzungen sind, die eine plausible Lösung des Objektivitätsproblems unmöglich machen.

      • Trusted Partner
        The Arts
        December 2008

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike. ;

      • Trusted Partner
        The Arts
        January 2019

        Claude Chabrol

        by Guy Austin

      • Trusted Partner
        The Arts
        August 2016

        Algerian national cinema

        by Guy Austin

      • Trusted Partner
        September 1994

        Informationstechnologien in Wirtschaft und Gesellschaft.

        Sozioökonomische Analyse einer technologischen Herausforderung.

        by Fournier, Guy

      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
        January 1978

        Der Werwolf von Paris

        Roman

        by Endore, Guy

      • Trusted Partner

        Phoebe

        Romantrilogie

        by McCrone, Guy

      • Trusted Partner

        Powèm entèdi ak lòt powèm (Forbidden poems and other poems)

        by Guy Régis Jr

        Forbidden poems and other poems are a book designed with a series of words that say without lure all cause people fear to speak daylight. It gathers all the sweet words that make life thrive at night. Every poem in this book is a ochan so life can be plagued even when at night bare the sun at the tip of the dawn. It's a song the poet's hopes bring, a veve he draws for love spread without measure like the hay pid of Christmas.

      Subscribe to our

      newsletter