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September 2013The Renaissance and Grand Voyage
by Zhang Wushen
This book helps the readers know the european Renaissance, religious reform. geographic discovery and the formation of a national government，USA.
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The ArtsJuly 2025Renaissance skin
by Evelyn Welch
A magnificently illustrated study of skin in Renaissance Europe. People in the Renaissance saw skin differently from how we do today. The Europe of 1500 to 1700 was a world of humours, and skin - the clothing of the body - was thought to be dangerously porous. In this landmark book, Evelyn Welch explores Renaissance skin as a bodily surface, as physical matter and as a generator of new knowledge. Ranging across anatomy, surgery and sausage making, she reveals how skin was managed by physicians as well as by glovemakers, butchers and parchment makers. How did people protect their health in a changing global environment, one where the air itself could be pathogenic? How did they see their bodies in a world where there was suddenly a multiplicity of skin colours and decorations? Addressing these questions and more, Welch show us what happens when you see skin differently, either in the marketplace, where men and women from far-away lands were put on display, or under the microscope. In doing so, she reveals that the past had a distinctive and very different way of understanding bodily experiences.
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Humanities & Social SciencesJune 2010The Material Renaissance
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by Michelle O'Malley, Christopher Breward, Evelyn Welch, Bill Sherman
Despite the recent interests of economic and art historians in the workings of the market, we still know remarkably little about the everyday context for the exchange of objects and the meaning of demand in the lives of individuals in the Renaissance. Nor do we have much sense of the relationship between the creation and purchase of works of art and the production, buying and selling of other types of objects in Italy in the period. The material Renaissance addresses these issues of economic and social life. It develops the analysis of demand, supply and exchange first proposed by Richard Goldthwaite in his ground-breaking Wealth and the demand for art in Renaissance Italy, and expands our understanding of the particularities of exchange in this consumer-led period. Considering food, clothing and every-day furnishings, as well as books, goldsmiths' work, altarpieces and other luxury goods, the book draws on contemporary archival material to explore pricing, to investigate production from the point of view of demand, and to look at networks of exchange that relied not only on money but also on credit, payment in kind and gift giving. The material Renaissance establishes the dynamic social character of exchange. It demonstrates that the cost of goods, including the price of the most basic items, was largely contingent upon on the relationship between buyer and seller, shows that communities actively sought new goods and novel means of production long before Colbert encouraged such industrial enterprise in France and reveals the wide ownership of objects, even among the economically disadvantaged. ;
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The ArtsJuly 2024Italian graphic design
Culture and practice in Milan, 1930s-60s
by Chiara Barbieri
Italian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s. The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism. Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture.
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Gender studies: menNovember 2007Representing Renaissance art, c.1500–c.1600
by Catherine E. King
Representing Renaissance art, c.1500-c.1600 is a study of change and continuity in the iconographies of art and the visual representation of artists during the sixteenth century, especially in Italy and the Netherlands. The issue of how, and how far, artists obtained higher status for their profession during the Renaissance is a key question for the study of the early modern period. This book considers the maintenance of well-established traditions for the visual representation of artists, and also examines the new iconographies that emerged in the sixteenth century. By highlighting art and architecture that artists designed for their personal use, including the decoration of their houses, this study provides insight into the tastes and 'ways of looking' specific to artists. By examining the visual evidence we see the opinions both of artists who expressed their views in literary texts, and additionally those of artists who did not publish their ideas in written form.
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Literature & Literary StudiesMarch 2013The Renaissance text
Theory, editing, textuality
by Andrew Murphy
This collection of essays focuses attention on the broad issue of Renaissance textuality. It explores such topics as the position of the reader relative to the text; the impact of editorial strategies and modes of presentation on our understanding of the text; the complexities of extended textual histories; and the relevance of gender to the process of textual retrieval and preservation. The essays, whilst informed by contemporary theory, are not dominated by a single programmatic viewpoint. Reflecting the multiplicitous nature of Renaissance textuality, the collection provides space for a variety of different positions and lines of analysis and enquiry. The Renaissance text will be of interest to those with specialist concerns in editing, textuality and bibliography, and will also be of interest to those more generally concerned with Renaissance literature or with textual or literary history. ;
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The ArtsMay 2016Representations of Renaissance monarchy
Francis I and the image-makers
by Lisa Mansfield
Representations of Renaissance monarchy analyses the portraits and personal imagery of Francis I, one of the most frequently portrayed rulers of sixteenth-century Europe. The distinctive likeness of the Valois king was widely disseminated and perceived by his French subjects, and Tudor and Habsburg rivals abroad. Complementing studies on the representation of Henry VIII, this book makes a dynamic contribution to scholarship on the enterprise of royal image-making in early-modern Europe. The discussion not only highlights the inventiveness of the visual arts in Renaissance France but also alludes to the enduring politics of physical appearance and seductive power of the face and body in modern visual culture. Coinciding with the five hundredth anniversary of Francis I's accession, this book will appeal to scholars and students of medieval and Renaissance art, the history of portraiture or anyone interested in images of monarchy and the history of France. ;
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Humanities & Social SciencesFebruary 2006Women in Italy 1350–1650
Ideals and realities
by Mary Rogers, Paola Tinagli
This enlightening book aims to fill the gap in the literature on women's lives from the mid-fourteenth to the mid-seventeenth century, a time in which Italian urban societies saw much debate on the nature of women and on their roles, education and behaviour. Indeed these were debates which would in subsequent years resonate throughout Europe as a whole. Using a broad range of contemporary source material, most of which has never been translated before, this book illuminates the ideals and realities informing the lives of women within the context of civic and courtly culture. The text is divided into three sections: contemporary views on the nature of women, and ethical and aesthetic ideals seen as suitable to them; life cycles from birth to death, punctuated by the rites of passage of betrothal, marriage and widowhood; women's roles in the convent, the court, the workplace, and in cultural life. Through their exploration of these themes, Rogers and Tinagli demonstrate that there was no single 'Renaissance woman'. The realities of women¹s experiences were rich and various, and their voices speak of diverse possibilities for emotionally rich and socially useful lives. This will be essential reading for students and teachers of society and culture during the Italian Renaissance, as well as gender historians working on early modern Europe. ;
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November 1981Heidnische Mysterien in der Renaissance
by Edgar Wind, Christa Münstermann, Gisela Heinrichs, Bernhard Buschendorf, Bernhard Buschendorf, Bernhard Buschendorf
Die Heidnischen Mysterien handeln vom »Bilddenken« des Neuplatonismus und von seinem glanzvollen Ausdruck in der Renaissancekunst. Heidnische Mythologie, christliche Bildersprache, religiöse Spekulation und philosophische Reflexion verschmelzen zu jener »poetischen Theologie«, deren verschiedene Ausprägungen bei Philosophen, Dichtern und bildenden Künstlern der Renaissance (unter besonderer Berücksichtigung des florentinischen Künstler- und Gelehrtenkreises um Lorenzo di Medici) aufgezeigt werden. Aus den Mosaiksteinen dieses Denkens rekonstruiert Wind allmählich das System eines »orphischen Pantheon« und lässt dabei seine ideengeschichtliche Explikation immer wieder in faszinierende Interpretationen bildkünstlerischer Werke der Renaissance münden.
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Literature & Literary StudiesJanuary 2019Pastoral poetry of the English Renaissance
An anthology
by J. B. Lethbridge, Sukanta Chaudhuri
Renaissance pastoral poetry is gaining new interest for its distinctive imaginative vein, its varied allusive content, and the theoretical implications of the genre. This is by far the biggest ever anthology of English Renaissance pastoral poetry, with 277 pieces spanning two centuries. Spenser, Sidney, Jonson and Drayton are amply represented alongside their many contemporaries. There is a wide range of pastoral lyrics, weightier allusive pieces, and translations from classical and vernacular pastoral poetry; also, more unusually, pastoral ballads and poems set in all kinds of prose works. Each piece has been freshly edited from the original sources, with full apparatus and commentary. This book will be complemented by a second volume, to be published in 2017, which includes a book-length introduction, textual notes and analytic indices.
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Shakespeare studies & criticismMay 2017The Renaissance of emotion
Understanding affect in Shakespeare and his contemporaries
by Edited by Richard Meek, Erin Sullivan
This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that stresses the dominance of the material, humoral body. The Renaissance of emotion seeks to redress this balance by examining the ways in which early modern texts explore emotional experience from perspectives other than humoral medicine. The chapters in the book seek to demonstrate how open, creative and agency-ridden the experience and interpretation of emotion could be. Taken individually, the chapters offer much-needed investigations into previously overlooked areas of emotional experience and signification; taken together, they offer a thorough re-evaluation of the cultural priorities and phenomenological principles that shaped the understanding of the emotive self in this period.
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Humanities & Social SciencesAugust 2023The bad German and the good Italian
by Paul Barnaby, Filippo Focardi
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Literature & Literary StudiesMay 1999Introduction to English Renaissance comedy
by Alexander Leggatt
Introduction to English Renaissance comedy provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, emphasising the eclectic, experimental nature of this comedy: its departures from the mainstream New Comedy tradition, its searching, witty analysis of social and personal relations in court, city and country. This book makes a close analysis of some of the richest comedies of the period, making unexpected connections between them: Shakespeare's A Midsummer Night's Dream and The Tempest, Lyly's Endymion, Greene's Friar Bacon and Friar Bungay, Marston's The Malcontent, Middleton's Michaelmas Term, Jonson's Bartholomew Fair, Shirley's The Lady of Pleasure and Brome's A Jovial Crew. Through these plays the reader is given a comprehensive picture of English comedy in one of its most creative periods. ;
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Literature & Literary StudiesNovember 1997The Italian Resistance
An anthology
by Philip Cooke
Anthology of key extracts, in Italian - both literary and non-literary.. Introduction and notes in English.. Contains material which would mesh well with various standard set texts, such as Pavese, Bittorini, Calvino, Viganò.. A unique selection - no competing Italian edition. ;
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Humanities & Social SciencesAugust 2024Ireland and the Renaissance court
by David Edwards, Brendan Kane
Ireland and the Renaissance court is an interdisciplinary collection of essays exploring Irish and English courts, courtiers and politics in the early modern period, c. 1450-1650. Chapters are contributed by both established and emergent scholars working in the fields of history, literary studies, and philology. They focus on Gaelic cúirteanna, the indigenous centres of aristocratic life throughout the medieval period; on the regnal court of the emergent British empire based in London at Whitehall; and on Irish participation in the wider world of European elite life and letters. Collectively, they expand the chronological limits of 'early modern' Ireland to include the fifteenth century and recreate its multi-lingual character through exploration of its English, Irish and Latin archives. This volume is an innovative effort at moving beyond binary approaches to English-Irish history by demonstrating points of contact as well as contention.
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December 2017Die Entdeckung der Frauen in der Renaissance
Herrscherinnen, Künstlerinnen, Lebedamen
by Thomas Blisniewski
Die Renaissance ist eine bemerkenswerte Zeit, in der sich auch Frauen die Chance bot, die öffentliche Bühne zu betreten – als Herrscherinnen, Denkerinnen und Mäzeninnen, als Künst lerinnen, Dichterinnen und Komponistinnen. Frauen begegnen Männern auf Augenhöhe, und gerade in der Malerei findet dies einen einzigartigen Ausdruck: Nicht nur richten Frauen den künstlerischen Blick auf sich selbst, auch die großen Maler begin nen, Frauen um ihrer selbst willen zu porträtieren. Thomas Blisniewski führt uns durch eine kunst- und kulturgeschichtlich heraus ragende Epoche im 15. und 16. Jahrhundert, in der – zumindest für kurze Zeit – die Frauen in das Licht des Geschehens rücken. »Eine Hommage an weibliche Kraft und Kreativität.« Freundin
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2024My Italy with Berlusconi
And what has become of it. Essays, conversations, reports
by Michaela Namuth
The political era of media entrepreneur and multi-billionaire Silvio Berlusconi began in 1994. German journalist Michaela Namuth also arrived in Rome at that time. He became prime minister, she became a freelance correspondent for various newspapers. She spent the long period of his government with him. During this time, the populist Berlusconi not only paved the way for a far-right government, he was also an ice-breaker for other right-wing populists in Europe and elsewhere. What else happened during and after Berlusconi's time in power is told in 20 chapters of articles, reports and interviews. The result is a colourful mosaic of contemporary Italy. It is about publishing, design, crime fiction, the mafia, a women's factory, the south and Nutella. Under Berlusconi, the country has changed. Many speak of “Berlusconisation”, by which they mean the gradual weakening of democracy. It is a critical book, but also a declaration of love to a contradictory country whose name still has a special ring to many ears.
