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View Rights PortalIMF’s print and digital publications present the research, policy advice, and data on economic and financial sector issues at the global, regional, and country levels.
View Rights PortalFounded in 1993, Editora Fiocruz emerged from the need to make public and expand access to scientific knowledge in subjects regarding health topics, creating a space to give visibility to the results of research. Since its first launch in 1994, it has always aimed to disseminate books on public health, biological and biomedical sciences, clinical research, social and human sciences in health. Today, with more than 25 years of experience, Editora Fiocruz has published more than 450 titles. These publications disseminate not only the academic production of Fiocruz, but also any study of importance and impact for health on a national and international level.
View Rights PortalIt is well known that the old English poem Beowulf begins and ends with funerals and includes the third as a digression part way through. Now, for the first time, a fourth funeral (hitherto disguised as poetic imagery) is identified from archaeological evidence. A detailed analysis of the four funerals establishes their thematic and structural importance, revealing them as pillars around which the poem is built. The poet is revealed as a literate antiquarian of considerable structural skill; one who explores feminist issues, plays with numbers and enjoys a pun; who establishes an ideal then probes its darker side. The author's unique knowledge of Anglo-Saxon culture provides constant surprises and enlightenment. This book will be invaluable to all students of the poem for its fresh and detailed reading, its identification of a coherent structure and its establishment of the integrity of the surviving texts. ;
The title comes from a Borges interview, in which Borges planned to write a short story entitled Wake Me Up At 9 AM but he didn’t write it at last. A Yi borrowed this title. In A Yi’s story, looped in the night of his birthday, Hong Yang asks his wife Jin Yan to wake him up at nine AM the next morning, but he doesn’t wake up any longer. The book recalls how Hong Yang, an illiteracy who has been simply considered as an outlaw, becomes well known in the town by taking advantage of his violence and necessary schemes, with the narrative of a hurried and perfunctory funeral. Love, belief, brotherhood and affection have nothing to do with him. The novel makes a scroll-type portrayal of the vanishing village and people living in the village by virtue of him.
In the historical context of the Austro-Hungarian Empire and the height of the Romantic era, the 19th century, Anton Bruckner, the famous Austrian composer and organist, falls in love with the imposing Countess Henriette. She had been appointed lady-in-waiting to Princess Charlotte of Belgium, the wife of Prince Maximilian of Habsburg, to attend to her during the couple's Mexican endeavor. They had been named Emperor and Empress of Mexico and would embark on a journey to America for this mission. Bruckner meets the countess by chance at the funeral of Maximilian, who had been assassinated in Querétaro in 1867, during the so-called Second Mexican Empire. On the recommendation of a musician friend of Henriette's, who sees him at the funeral, she takes piano lessons with Bruckner. When she tells him that she had accompanied the empress to Mexico, the composer becomes enchanted. He admired Maximilian and was passionate about Mexico; he had even wanted to accompany the emperor. Ultimately, the only trips he made were to give organ concerts in London and another at Notre Dame in Paris. Between classes, the countess tells him of the Atlantic crossing, the arrival in Veracruz, and the entrance to Mexico City. Gradually, they grow closer. In one of his concerts, Bruckner meets Franz Liszt, who was a patron of Maximilian's empire in Mexico. Meanwhile, the countess and the organist plan a Requiem, which will be the turning point between them.
This volume gives an authentic introduction and brief explanation of Chinese folklore and customs from such aspects as mascots, zodiac, folk deities, birthday customs, traditional wedding and funeral ceremonies.
Death in England provides the first ever social history of death from the earliest times 500,000 BC to Diana, Princess of Wales.. The book reveals how attitudes, practices and beliefs about death have undergone constant change: how, why and at what ages people died; plagues and violence; wills and deathbeds; funerals and memorials; beliefs and bereavement.. Richly illustrated - striking and often very powerful images.. In time with the spirit of the age and coming Millenium key scholars in their field write on their respective periods.. With the recent upturn of popular interest in death - through films,TV, books and newspapers - this book will prove stimulating to the general reader; to students of archaeology, art, history, medicine and sociology. ;
This novel, with boundless imagination, takes us back to the age of remote antiquity and presents a collage of dazzling and fascinating scenes – nine ways of crying mastered for survival, a funeral held for oneself before sending winter clothes to her lover, scaring away urchins by acting as a witch, being paraded through the streets as an assassin, and frogs all going to the Great Wall … The tenacity and loyalty of Bi Nu time and again rises above conspiracies and evils of the human world. In the turbulent days of oppression by the powerful, this girl from the bottom of the society creates a legend with her passion of love and kindness.
Looking at royal ritual in pre-revolutionary France, Death and the crown examines the deathbed and funeral of Louis XV in 1774, the lit de justice of November 1774, and the coronation of Louis XVI, including the ceremony of the royal healing touch for scrofula. It reviews the state of the field in ritual studies and appraises the status of the monarchy in the 1770s, including the recall of the parlements and the many ways people engaged with royal ritual. It answers questions such as whether Louis XV died in fear of damnation, why Marie Antoinette was not crowned in 1775 and why Louis XVI's coronation was not held in Paris. This lively, accessible text is a useful tool for under- and post-graduate teaching which will also be of interest to specialists on this under-researched period.
Tears of laughter' examines the interactions of comedy and drama in three vital thematic strands of British cinema during the 1990s: comedies exploring issues of class, culture and community in British society, 'ethnic' comedy-dramas engaging with complex issues of identity and allegiance in modern Britain, and romantic comedies featuring characters searching (somewhat desperately or frantically) for a suitable and desirable long-term or short-term partner. Films to be discussed in detail include 'Brassed Off' (1996), 'The Full Monty' (1997), 'East is East' (1999), 'Four Weddings and a Funeral' (1994), 'Notting Hill' (1999) and a post-1990s romantic comedy, 'Love Actually' (2003). The study discusses these specific films and a range of other 1990s British comedy-drama films within the context of community-orientated Ealing comedy classics, contentious situation comedies treating race relations as both a laughing matter and a site of conflict ('Till Death Us Do Part' and 'Love Thy Neighbour'), and romantic comedies set and produced in Britain. It is aimed at film studies academics, students and film enthusiasts.
'Tears of laughter' examines the interactions of comedy and drama in three vital thematic strands of British cinema during the 1990s: comedies exploring issues of class, culture and community in British society, 'ethnic' comedy-dramas engaging with complex issues of identity and allegiance in modern Britain, and romantic comedies featuring characters searching (somewhat desperately or frantically) for a suitable and desirable long-term or short-term partner. Films to be discussed in detail include 'Brassed Off' (1996), 'The Full Monty' (1997), 'East is East' (1999), 'Four Weddings and a Funeral' (1994), 'Notting Hill' (1999) and a post-1990s romantic comedy, 'Love Actually' (2003). The study discusses these specific films and a range of other 1990s British comedy-drama films within the context of community-orientated Ealing comedy classics, contentious situation comedies treating race relations as both a laughing matter and a site of conflict ('Till Death Us Do Part' and 'Love Thy Neighbour'), and romantic comedies set and produced in Britain. It is aimed at film studies academics, students and film enthusiasts. ;
Ghassan, a musician and Oud player, leaves for New York, fleeing the Lebanese civil war after his extremist bother, Afif, murdered his older and pacifist brother Jamal, who sought to open the door to Muslim-Christian dialogue. In New York, Ghassan struggles to erase all his memories but his thoughts would always bring him back to his hometown, Dar El Ezz, as it was long before the war. ///Soon, he falls in love with and marries Kristin, becomes more emotionally stable, and embraces American culture. But when he must return to Lebanon for his father’s funeral, nostalgia for his homeland and a series of events force Ghassan to face a convergence of two cultures. ///“Efrah Ya Qalbi” (Rejoice, My Heart!) is a novel about love, music, identity, one’s sense of belonging, brotherly conflicts, and the diaspora. It dives into the lives, troubles, and dilemmas of the characters. ///The stories intertwine amid a fascinating narrative, thus revealing the turmoil and troubles of the Lebanese community torn by wars and outbursts. The novel also addresses the relationship between the East and the West, where struggling and cracked identities are silenced and offers a new vision through analysis and narration.
›Anna Livia Plurabelle‹ ist das berühmteste, meistzitierte Kapitel des unübersetzbarsten aller Bücher, »Finnegans Wake« von James Joyce. Unser Band bringt den Text des Originals, eine alte und zwei neue Übertragungen (von Wolfgang Hildesheimer und Hans Wollschläger) und eine Einführung von Klaus Reichert. ALP, nach Arno Schmidt die »All-Frau«, die Zusammensetzung »aus der schönen rot-gehaarten Isolde, den Maggies und sonstigen ›Stundentänzerinnen‹«, ist für Joyce das weibliche Prinzip des Universums, Wasser, Erde, Eva, Isis, Isolde und Psyche in einem; sie tritt zu Beginn des Buches mit den Fluten der Liffey auf und wird am Ende im Traum wie ein Fluß dem väterlichen Ozean zugetragen, wo alles sich verliert, sich wiederfindet und von neuem beginnt. »Was soll nun der deutsche Leser mit dem Buch anfangen? Er kann sich ans Nach-Prüfen, Nach-Denken, Nach-Schmecken, Nach-Sprechen von Hildesheimers und Wollschlägers Übertragung machen. Er wird entdecken, daß »Finnegans Wake« doch, wenn man nicht den falschen Ehrgeiz hegt, gleich alles ›verstehen‹ zu wollen, ein ›funeral‹ ist, nämlich eines der Begräbnisse des herkömmlichen Romans, und ein ›fun for all‹, ein Spaß für alle.« »Jörg Drews«
Wie sieht das Innenleben von Gedichten aus, dem die Erzählung schon verfahrensweise fehlt? Genauer: wie verschweigt ein Text, wovon er handelt (aber nicht womit)? Zwischem dem "Ich" eines inneren (fast inerten) Monologs und dem, was "Achilles" schon im Namen schildert (Ich und Alles miteinander), führen und verzwirnen Wortfiguren (wie: ein Leben leben, das Spiel spielen, Tode sterben) zum stummen Gespräch. Dieses reicht von verliebt gesponnen Schnüren bis zum Erzählgarn und auch Funeral ineinander verzopfter Denk-Vorgänge: Beziehungslinien, deren Worte, "wie Blumen" (in Wörtlichkeit von Ligatur) einander berühren und liieren, sich schneiden, überlagern und wiederhin verlieren - wie die Linien einer Hand. Das Buch ist eins, wenn man es von von vorne bis hinten und von hinten nach vorne gelesen hat: als Fügung auf der ganzen Linie, ohne Ende und Wendung (Wörtlichkeit von Prosa als direkte wie distrikte Rede), in monodischen Einzeilern, die sich "vorschlängeln" (Wörtlichkeit von Proserpina) und "erstrecken" im arealen Areal der Poesie der Prosa der Poesie usw. - Überhaupt geht das Wortlose in einem guten Gedicht umher wie die in Homers Schlachten nur von wenigen gesehenen Götter (Klopstock).
Moving images of the British monarchy are almost as old as the moving image itself, dating back to an 1895 American drama, The Execution of Mary Queen of Scots. And from 1896, actual British monarchs appeared in the new 'animated photography', led by Queen Victoria. Half a century later the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century's end, Princess Diana's funeral was viewed by 2.5 billion worldwide. In the first book length examination of film and television representations of this enduring institution, distinguished scholars of media and political history analyze the screen representations of royalty from Henry VIII to 'William and Kate'. Seventeen essays by Ian Christie, Elisabeth Bronfen, Andrew Higson, Karen Lury, Glynn Davies, Jane Landman and other international commentators examine the portrayal of royalty in the 'actuality' picture, the early extended feature, amateur cinema, the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set. A long overdue contribution to film and television studies, this book will be essential reading for scholars and students of British media and political history.
A Kiss to My Mum is a novel that delves into the growth of a child from a single-parent family. The hero is a ten-year-old boy called Zhao Andi. He is Zhao Andi to his teacher, My Dear An to his father and Didi to his mother. At his father’s funeral, for the first time he sees his mother Shu Yimei, so beautiful as if she stepped down from a photo. At this gloomy moment Didi was pushed to an arduous cliff, on the other side of which is his mother Shu Yimei, blowing the scent of orange. The novel develops around the gradual emotional thaw of the boy and his mother. At first they cannot get along with and are watchful of each other. But distance gradually gives way to proximity and then to mutual understanding and harmony between the two on their way to the future. This is a story of a boy and his parents, singing high praise for children. It is also about our life, our minds and love. All the characters in the novel are very much realistic, including the boy of slight autism and the mother of slight depression. The atmosphere of modern life in the novel is achieved through the depiction of other characters such as the hero’s classmate and good friend Zhang Xiaochen, his sister Ke’er, his uncle Baolin and his English teacher Li Qinsong, a man of dubious identity, thus adding to the enjoyment of the book.
Every morning Marta goes out and verifies that everytthing is the way it should be: her friends in a terrace playing an eternal game of cards, the same beach as always in the usual place, children having fun in the schoolyard... Just a regular and amazing life in the neighbourhood.
The students and teachers at Blue Reef High are worried sick. It’s not just because recently there’s been an influx of reptile and python shapeshifters who are causing chaos. Now there’s a powerful hurricane building up off the coast of Florida. Tiago, the shark shapeshifter, the dolphin girl Shari and all their friends decide to escape by swimming out to the open sea. But will they really be safe there? And will Blue Reef High still be standing when they return? Quite apart from the hurricane, Tiago has heard some unpleasant rumours – that some unscrupulous business people are going to organize fights between divers and sharks. Is this true, and if so, will the Seawalker friends be able to defend themselves?
"Hidden in his horn he guards the secret of the jungle”. This might be as well the beginning of a novel, but it's an inspired riddle about wild animals. The illustrations in high varnish of this edition highlight the different skin textures of each animal and invites the reader to discover a new way of reading in a tactile and playful way.
A Vision of Battlements is the first novel by the writer and composer Anthony Burgess, who was born in Manchester in 1917. Set in Gibraltar during the Second World War, the book follows the fortunes of Richard Ennis, an army sergeant and incipient composer who dreams of composing great music and building a new cultural world after the end of the war. Following the example of his literary hero, James Joyce, Burgess takes the structure of his book from Virgil's Aeneid. The result is, like Joyce's Ulysses, a comic rewriting of a classical epic, whose critique of the Army and the postwar settlement is sharp and assured. The Irwell Edition is the first publication of Burgess's forgotten masterpiece since 1965. This new edition includes an introduction and notes by Andrew Biswell, author of a prize-winning biography of Anthony Burgess.
Alejandra Ángeles' first novel, "Casta Diva," also published by Fondo Blanco in 2023, is set in Mexico City and tells the story of two young women, Ágata and Catalina, who share the same dream: to become opera singers. This raises the question: what does it take to be an opera Diva? Ágata doesn't quite know, but she yearns to find out. Her questioning also touches Catalina, who senses the answer and plans the journey. Ágata has the voice, but not the character. Catalina, on the other hand, has the voice, the character, and the cunning to navigate the challenging operatic environment. Ágata comes from a small family background, while Catalina... Catalina brings the music, which will become an accomplice and intertwine their lives. Choruses, cantatas, zarzuelas, and operas will stage the situations they must face behind the scenes to secure a place at the Opera of Bellas Artes, and with it, the opportunity for something much greater.