Frankfurt Invitation Programme Alumni
The Invitation Programme offers publishers from Africa, the Arab world, Asia, Eastern Europe, Latin America and the Caribbean the chance to participate inthe Frankfurter Buchmesse.
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2024 Frankfurt Invitation Programme
Have a look at this compilation of titles from independent publishers from Africa, the Arab world, Asia and Latin America.
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Literature & Literary StudiesAugust 2018Adapting Frankenstein
The monster's eternal lives in popular culture
by Dennis R. Cutchins, Dennis R. Perry
Mary Shelley's Frankenstein is one of the most popular novels in western literature. It has been adapted and re-assembled in countless forms, from Hammer Horror films to young-adult books and bandes dessinées. Beginning with the idea of the 'Frankenstein Complex', this edited collection provides a series of creative readings that explore the elaborate intertextual networks that make up the novel's remarkable afterlife. It broadens the scope of research on Frankenstein while deepening our understanding of a text that, 200 years after its original publication, continues to intrigue and terrify us in new and unexpected ways.
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August 2008Frankenstein oder Der moderne Prometheus
by Mary Shelley, Karl Bruno Leder, Gerd Leetz
Der Roman erzählt von einem künstlich geschaffenen, beseeltem Menschenwesen, das ob seiner Häßlichkeit von Liebe und Gemeinschaft ausgeschlossen bleibt. In seiner ursprünglich kindlich-schuldlosen Seele entsteht so das Böse, und haßerfüllt nimmt es Rache an der Menschheit.
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The ArtsJune 2017Terence Fisher
by Peter Hutchings
Terence Fisher is best known as the director who made most of the classic Hammer horrors - including The Curse of Frankenstein, Dracula and The Devil Rides Out. But there is more to Terence Fisher than Hammer horror. In a busy twenty-five-year career, he directed fifty films, not just horrors but also thrillers, comedies, melodramas and science-fiction. This book offers an appreciation of all of Fisher's films and also gives a sense of his place in British film history. Looking at Fisher's career as a whole not only underlines his importance as a film-maker but also casts a new, interesting light on the areas in which he worked - Gainsborough melodrama, the 1950s B film, 1960s science-fiction and, of course, Hammer, one of the most successful independent film companies in the history of British cinema.
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Literature & Literary StudiesAugust 2018Adapting Frankenstein
by Dennis Cutchins, Dennis R. Perry, Maria Bachman, Paul Peterson
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January 2019Suche und finde! - Tiere
Wimmelbuch ab 2 Jahre
by Illustriert von Frankenstein-Börlin, Tina; Illustriert von Leiber, Lila L.
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August 1999Der Frankenstein-Komplex
Kulturgeschichtliche Aspekte des Traums vom künstlichen Menschen
by Rudolf Drux
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Biography & True StoriesOctober 2019Maidan. First-Hand Stories
by Olena Chebaniuk, Oksana Novalova
Five interviews with participants and witnesses of the Revolution of Dignity in Ukraine events make up the first book of the series of oral histories Maidan. First-Hand Stories initiated by the National Museum of the Revolution of Dignity. Scientists collected more than 200 interviews between 2014 and 2019 and today the project is still underway. Euromaidan, a dramatic period in the recent history of Ukraine, unfolds in the memories, impressions, and reflections of its participants. They share experiences of personal importance which left the biggest mark on them. According to the principles of oral history as a scientific method, the interviews are published with the preservation of the linguistic and stylistic features of the stories, only with minimal edits needed to facilitate reading. The book is for a wide range of historians, ethnologists, linguists, museum workers, and sociologists, as well as anyone interested in the history of Ukraine.
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September 2008Nicht mit uns
Das Leben von Leonie und Walter Frankenstein
by Klaus Hillenbrand
1941: In Berlin begegnen sich zwei junge Menschen, Leonie Rosner und Walter Frankenstein. Sie verlieben sich und heiraten, 1943 wird ihr Sohn Peter-Uri geboren. Als sie in die Vernichtungslager deportiert werden sollen, tauchen die Frankensteins mit ihrem sechs Wochen alten Baby unter. Entschlossen, sich ihr Leben nicht nehmen zu lassen, gelingt ihnen das nicht Vorstellbare: Leonie, Walter, Peter-Uri und der 1944 geborene zweite Sohn Michael überleben im Untergrund, ohne Papiere, ohne Geld, mit Mut und der Solidarität anderer Menschen. 1945: Nach der Befreiung ist ihre Odyssee nicht beendet. Sie wollen Deutschland verlassen und ein neues Leben in Israel beginnen. Walter Frankenstein wird beim Versuch, nach Palästina einzuwandern, von der britischen Mandatsmacht interniert. Erst nach fast zwei Jahren findet die Familie wieder zusammen. Es folgen die Jahre, in denen die Frankensteins in Israel eine neue Existenz zu begründen versuchen, der Unabhängigkeitskrieg 1948, die Aufbaujahre des jungen jüdischen Staates. Nicht mit uns ist die unglaubliche Geschichte vom Überleben einer jüdischen Familie in Nazi-Deutschland – es ist die beeindruckende Lebensgeschichte zweier Menschen, die der mörderischen Verfolgung trotzten.
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Humanities & Social SciencesDiagnosis of Complex Posttraumatic Stress Disorder
by Jan Gysi
People with complex post-traumatic stress disorder often find themselves in a pattern of loss of control, helplessness, and dependency. A therapy that focuses on individual symptoms such as depression or a “simple” post-traumatic stress disorder often does not do them justice. Even more so when the wrong diagnosis is made due to false assumptions or a lack of information. What all must be ensured for the diagnosis to be made: is there a threat of intrafamilial or external violence? Is existential stability guaranteed during therapy? Are there investigations of legal proceedings in the background? With brilliantly structured overviews, this book helps even experienced diagnosticians to keep track of the variety of diagnostic options to be considered or ruled out and not to overlook anything.Axis I: Personality disordersAxis II: Specific stress-related disordersAxis III: Structural dissociation of personality: dissociativeand partial dissociative identity disorderAxis IV: Dissociative symptomsAxis V: Comorbid disorders For:• psychiatrists• psychologists• psychotherapists specializing in PTSD
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January 1990Einstein, Frankenstein & Co. oder Die Geburt der Zukunft
Die Bilanz unseres naturwissenschaftlichen Weltbildes an der Schwelle des neuen Jahrtausends
by Brockman, John / Übersetzt von Siber, Karl H
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March 2013Alice in Sussex
Frei nach Lewis Carroll und H.C. Artmann
by Nicolas Mahler, Andreas Platthaus, Nicolas Mahler, Lewis Carroll
Alice findet sich im Traumland wieder. Dort trifft sie auf das weiße Kaninchen, das Alice in seinen unterirdischen Bau führt, um dort nach einer illustrierten Ausgabe von H.C. Artmanns »Frankenstein in Sussex« zu suchen. Im Laufe der Handlung trifft Alice wiederholt auf das Kaninchen, das auch aus anderen literarischen Werken zitiert, sei es von Herman Melville oder E.M. Cioran. Anders als bei Carroll befindet sich diese Alice nicht im Wunderland, sondern in einem tiefen Haus unter der Erde. Dort begegnet sie in verschiedenen Stockwerken den bekannten Schöpfungen Lewis Carrolls: der pfeiferauchenden Raupe, der grinsenden Katze, der Suppenschildkröte und anderen mehr. Wiederholt werden von diesen Kreaturen die Schrecknisse der Kindheit und Jugend angesprochen. Als Alice, im Erdgeschoss des Hauses angekommen, Frankensteins Monster begegnet, erwacht sie aus ihrem schrecklichen Traum.
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The ArtsJune 2017Monstrous adaptations
Generic and thematic mutations in horror film
by Richard Hand, Jay McRoy
The fifteen groundbreaking essays contained in this book address the concept of adaptation in relation to horror cinema. Adaptation is not only a key cultural practice and strategy for filmmakers, but it is also a theme of major importance within horror cinema as a hole. The history of the genre is full of adaptations that have drawn from fiction or folklore, or that have assumed the shape of remakes of pre-existing films. The horror genre itself also abounds with its own myriad transformations and transmutations. The essays within this volume engage with an impressive range of horror texts, from the earliest silent horror films by Thomas Edison and Jean Epstein through to important contemporary phenomena, such as the western appropriation of Japanese horror motifs. Classic works by Alfred Hitchcock, David Cronenberg and Abel Ferrara receive cutting-edge re-examination, as do unjustly neglected works by Mario Bava, Guillermo del Toro and Stan Brakhage.
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Literature & Literary StudiesJune 2015A Supplement of the Faery Queene
By Ralph Knevet
by J. B. Lethbridge
Ralph Knevet's Supplement of the Faery Queene (1635) is a narrative and allegorical work, which weaves together a complex collection of tales and episodes, featuring knights, ladies, sorcerers, monsters, vertiginous fortresses and deadly battles - a chivalric romp in Spenser's cod medieval style. The poem shadows recent English history, and the major military and political events of the Thirty Years War. But the Supplement is also an ambitiously intertextual poem, weaving together materials from mythic, literary, historical, scientific, theological, and many other kinds of written sources. Its encyclopaedic ambitions combine with Knevet's historical focus to produce an allegorical epic poem of considerable interest and power. This new edition of Knevet's Supplement, the first scholarly text of the poem ever published, situates it in its literary, historical, biographical, and intellectual contexts. An extensive introduction and copious critical commentary, positioned at the back of the book, will enable students and scholars alike to access Knevet's complicated and enigmatic meanings, structures, and allusions. ;
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Literature & Literary StudiesJanuary 2019The art of The Faerie Queene
by J. B. Lethbridge, Richard Brown
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
