Daniel Goleman - Foreign Audio
Please contact anaban@gmail.com for information
View Rights PortalMusic hall reflected the lifestyles and preoccupations of working people in a way that only television in the modern era has done since. While London dominated the wider British music hall, Glasgow was the centre of a vigorous Scottish performing culture developed in a Presbyterian society with a very different experience of industrial urbanisation. This book explores all aspects of the Scottish music hall industry, from the lives and professional culture of performers and impresarios to the place of music hall in Scottish life. It explores issues of national identity in terms of Scottish audiences' responses to the promotion of imperial themes in songs and performing material, and in the version of Scottish identity projected by Lauder and other kilted acts at home and abroad. ;
Dancing in the English style explores the development, experience, and cultural representation of popular dance in Britain from the end of the First World War to the early 1950s. It describes the rise of modern ballroom dancing as Britain's predominant popular style, as well as the opening of hundreds of affordable dancing schools and purpose-built dance halls. It focuses in particular on the relationship between the dance profession and dance hall industry and the consumers who formed the dancing public. Together these groups negotiated the creation of a 'national' dancing style, which constructed, circulated, and commodified ideas about national identity. At the same time, the book emphasizes the global, exploring the impact of international cultural products on national identity construction, the complexities of Americanisation, and Britain's place in a transnational system of production and consumption that forged the dances of the Jazz Age.
This book presents a wide range of previously unpublished works by Radclyffe Hall. These new materials significantly broaden and complicate critical views of Hall's writings. They demonstrate the stylistic and thematic range of her work and cover diverse topics, including 'outsiderism', gender, sexuality, race, class, religion, the supernatural and the First World War. Together, these texts shed a new light on unrecognised or misunderstood aspects of Hall's intellectual world. The volume also contains a substantial introduction, which situates Hall's unpublished writings in the broader context of her life and work. Overall, the book invites a critical reassessment of Hall's place in early twentieth-century literature and culture and offers rich possibilities for teaching and future research. It will be of interest to scholars and undergraduate and postgraduate students in the fields of English literature, modernism, women's writing, and gender and sexuality studies, and to general readers. ;
Mei Lanfang's surviving literature amounts to more than 6 million words. Forty Years of Stage Life is the core of his works. It is a self-description of Mr. Mei Lanfang's life. It is the most convenient and reliable way to approach the master and understand his artistic life. The previous editions of the book were arranged according to the published versions under certain historical conditions. This is the first time for Mei Lanfang Memorial Hall to arrange the book according to the original manuscript, which is an original publication returning to the master's original intention based on the accumulation of long-term academic research and the revision of new materials. A large number of pictures of Mei Lanfang's stage performances, artistic creations and reports will be added to the book, as well as some hand-drawn illustrations restoring historical situations, in an effort to show and reproduce the radiance and splendor of the master artist and his unparalleled artistic life in a more comprehensive, full, real and beautiful way.
From children's book author Emily House comes a wonderful story that re-connects us with our planet. A modern fable inspired by recent events, Earth Takes a Break is a touching picture book jam-packed with fun illustrations and woven together with a message of hope. When Earth feels unwell, she goes to the doctor to ask for help. What the doctor prescribes seems impossible to Earth, until she wakes the next day to find a surprising change!
Imperialist discourse interacted with regional and class discourses. Imperialism's incorporation of Welsh, Scots and Irish identities, was both necessary to its own success and one of its most powerful functions in terms of the control of British society. Most cultures have a place for the concept of heroism, and for the heroic figure in narrative fiction; stage heroes are part of the drama's definition of self, the exploration and understanding of personal identity. Theatrical and quasi-theatrical presentations, whether in music hall, clubroom, Shakespeare Memorial Theatre or the streets and ceremonial spaces of the capital, contributed to that much-discussed national mood. This book examines the theatre as the locus for nineteenth century discourses of power and the use of stereotype in productions of the Shakespearean history canon. It discusses the development of the working class and naval hero myth of Jack Tar, the portrayal of Ireland and the Irish, and the portrayal of British India on the spectacular exhibition stage. The racial implications of the ubiquitous black-face minstrelsy are focused upon. The ideology cluster which made up the imperial mindset had the capacity to re-arrange and re-interpret history and to influence the portrayal of the tragic or comic potential of personal dilemmas. Though the British may have prided themselves on having preceded America in the abolition of slavery and thus outpacing Brother Jonathan in humanitarian philanthropy, abnegation of hierarchisation and the acceptance of equality of status between black and white ethnic groups was not part of that achievement.
This novel is one of Anthony Burgess's most accessible and entertaining works. By turns bawdy, raucous, tender and bittersweet, and full of music and songs, this is a warm and affectionate portrait of the working-class Lancashire of the 1920s and 1930s that he knew from his own early life. The Pianoplayers is a funny, moving, autobiographical novel that brings to life the world of silent cinemas and music-halls of 1920s Manchester and Blackpool. Fully annotated and with a new introduction, this is an authoritative text for a new generation of readers. Part of the forthcoming Irwell Edition of the Works of Anthony Burgess, this book offers an opportunity to reappraise an unjustly neglected novel important to our understanding of Burgess's wider oeuvre. The 2017 Burgess centenary makes this a key moment for reflection on the life and work of a major figure in twentieth century letters.
This collection includes the best short prose by the most successful Ukrainian female author. The reader will find here both recognized masterpieces that have been translated into many languages and sperformed on numerous European stages ("Alien", "Girls", "The Tale of the Guelder Rose Flute"), and little-known youthful attempts in various prose genres. The book concludes with a recently written story, which sums up the history of an entire generation, the "deferred war generation", through the drama of the misunderstanding between a mother and her daughter.
Collects together the best articles by key historians, literary critics, and anthropologists on the cultures of colonialism in the British Empire in the nineteenth and twentieth centuries.. A substantial introduction by the distinguished historian, Professor Catherine Hall, discusses new approaches to the history of empire and establishes a narrative frame through which to read the essays which follow.. The volume is clearly divided into three sections: theoretical, emphasising concepts and approaches; the colonisers 'at home', focusing on how empire was lived in Britain; and 'away' - the attempt to construct new cultures through which the colonisers defined themselves and others in varied colonial sites. A useful guide to recent scholarship on the culture of imperialism. ;
This book series contain 5 volumes: The Centennial History of Chinese Cinematography (1900-2000) The Centennial History of Chinese Fine Arts (1900-2000) The Centennial History of Chinese Dancing (1900-2000) The Centennial History of Chinese Drama (1900-2000) The Centennial History of Chinese Music (1900-2000) A period historical works of the Chinese Art for the last hundred years (1900-2000),offering a profound analysis of the underlying interaction between the development of the centenial history of fine arts and society, economy, thoughts and cultural vicissitudes through the narration of the conditions of the development of Chinese art.
Samuel Hall Young, a Presbyterian clergyman, met John Muir when the great naturalist's steamboat docked at Fort Wrangell, in southeastern Alaska, where Young was a missionary to the Stickeen Indians. In "Alaska Days With John Muir" he describes this 1879 meeting: "A hearty grip of the hand and we seemed to coalesce in a friendship which, to me at least, has been one of the very best things in a life full of blessings." This book, first published in 1915, describes two journeys of discovery taken in company with Muir in 1879 and 1880. Despite the pleas of his missionary colleagues that he not risk life and limb with "that wild Muir," Young accompanied Muir in the exploration of Glacier Bay. Upon Muir's return to Alaska in 1880, they traveled together and mapped the inside route to Sitka. Young describes Muir's ability to "slide" up glaciers, the broad Scotch he used when he was enjoying himself, and his natural affinity for Indian wisdom and theistic religion. From the gripping account of their near-disastrous ascent of Glenora Peak to Young's perspective on Muir's famous dog story "Stickeen," Alaska Days is an engaging record of a friendship grounded in the shared wonders of Alaska's wild landscapes.
An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though some of the films examined are well known, others have been forgotten and deserve reassessment. Original statistical data is used to assess the popularity of the films with audiences. With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works.
Ohne dich: Party bei Hörnchen und Bär, die gemeinsam alles schaffen. Neues von Eichhörnchen, genannt Hörnchen, und Bär, den zwei tierischen Freunden, die so perfekt zusammen passen wie Eiskrem mit Schlagsahneschaum. Nach langer Zeit wollen die beiden endlich mal wieder eine richtig große Party feiern und bereiten begeistert alles vor. Bär backt Apfelkuchen und presst Zitronen für die selbstgemachte Limonade aus. Doch dann lädt Hörnchen immer mehr Gäste ein, besorgt Ballons, bereitet einen Band-Auftritt vor. Vor lauter Aufregung bemerkt es nicht, dass Bär ein mulmiges Gefühl beschleicht. Ihm wird das alles zu viel. Und als die Feier startet, ist es Hörnchen, das sich im Haus voller Gäste plötzlich irgendwie allein fühlt. Doch die beiden wären ja nicht beste Freunde, wenn sie die Gefühle des anderen nicht verstehen würden. Und so schaffen es die zwei, doch noch gemeinsam mit allen ein großartiges Fest zu feiern. Eine fabelhafte Geschichte mitten aus dem Hier und Jetzt. Nach „Ohne dich, das geht doch nicht!“ und „Ich und du und Huhn dazu“ das dritte Bilderbuch mit Hörnchen und Bär über freundschaftlichen Zusammenhalt. Erzählt einfühlsam von den gemischten Gefühlen, nach der Pandemie wieder unter vielen Freunden und Freundinnen zu sein. Witzige, empathische Reime von Smriti Halls und hinreißende, ausdrucksstarke Illustrationen von Steve Small für Kinder ab 4 Jahren. Wunderschönes Mitbringsel zur nächsten Party – nicht nur für Kinder, auch für alle Erwachsenen mit „Bauchgefühl“.
A text that transcends literary genres, this book concludes a path that runs through the author’s previous books: Al Ike fe Al Mabahej was Al Ahan (The Ike in the Joys and Sorrows) 2002, Kitab Al Ghewaya (The Book of Seduction) 2007, and Al Aar men Al Difatayn... Abeed Al Azmenah Al Hadethah fee Marakeb Al Tholomat (Shame on the Two Banks: Slaves of Modern Times in the Boats of Darkness) 2011. The theme of the book focuses on travel as a human activity and an example of human life. Hence the novel’s philosophical approach manifests itself as an examination of the different stages of travel as a metaphor for man’s journey from life to death. With this philosophical view the writer's prose fuses with cities and travel experiences, diving deep to describe the souls of the cities, going far beyond what can be captured by a camera. The book contemplates the styles of architecture and the meanings they represent, reflecting on the meaning of beauty and perfection, as well as the nature of aggression that resides in them. It reflects, too, on the meaning of living on an island and the symbolism of water, which makes travel a unique experience that increases the depth of life and compensates us for our short existence. The writer examines his visions by invoking publications that highlight travel, including The Thousand and One Nights, which he considers to be a travel book.
A new children's picture book by author Emily House (of Earth Takes a Break) brings us the heartwarming tale of Bonbon and Blanket and the lengths we'll go to hold onto those we love. A great pick for a kids' bedtime storybook! Bonbon and Blanket’s friendship is full of fun and adventure, but the pair very soon discover that not every adventure is of their own choosing!
Ambadas Khobragade felt utterly free while doodling and painting. His Dancing Brush made time and space, sky and earth quiver with movement. He was like a mystic in a trance when he played with colours on the canvas. Come, immerse yourself in Ambadas’s vibrant art. Let his story remind you that some childhood memories remain with you as powerful sources of inspiration.
ROLLENWECHSEL: Der seriöse Arzt wird zum seriösen Patienten Basil Porter Der Autor, ein Kinderarzt, beginnt sein Buch mit einer Beschreibung seiner lebhaften Erinnerungen an einen schlimmen Fall von Blinddarmentzündung als kleines Kind. Er beschreibt weiterhin eine Reihe schwerer Krankheiten und Traumata, die er als Erwachsener hatte: einen unentdeckten Tumor im Kiefer, ein Zugunglück mit schwerwiegenden Schäden an Wirbelsäule und Nervensystem und dann die unerwartete Entdeckung einer Leukämie, die seine Leidensfähigkeit als Patient auf die Probe stellt. Besonders anschaulich stellt Prof. Porter die zusätzliche Herausforderung dar, die auftritt, wenn der Arzt selbst zum Patienten wird. Er schilderr die erstaunlichen Fortschritte in Medizintechnik und Wissenschaft, die ihm mehrfach das Leben gerettet haben, und macht auf die mangelnde Empathie der Fachleute aufmerksam, die er auf seinem Krankheitsweg so häufig verspürte. Als Arzt wurde von ihm häufig erwartet, dass er seine Probleme toleriert und tapferer ist als ein Durchschnittspatient. In Wirklichkeit ist der Arzt in solchen Situationen auch nicht mehr als ein Patient. Der Autor legt nahe, dass ein Großteil der Lösung in jedem von uns liegt und dass eine positive Einstellung zum Leben und eine gute soziale Unterstützung viel dazu beitragen können, dass wir Schwierigkeiten überwinden. Dieses Buch ist kein Lehrbuch für die Ärzteschaft, sondern das erzählerische Geständnis eines Oberarztes, der aus Sicht des Patienten mit mehreren Prüfungen im Leben konfrontiert war. Basil Porter ist ein Kinderarzt mit langjähriger Erfahrung in der akademischen Medizin und im Management von Gesundheitssystemen. Er ist emeritierter Professor an der Fakultät für Gesundheitswissenschaften der Ben-Gurion-Universität des Negev in Israel. Er ist außerdem ein versierter Geiger und Bratschist. Klicken Sie auf den folgenden Link, um den entsprechenden Artikel anzuzeigen: https://www.ima.org.il/FilesUpload/IMAJ/0/271/135527.pd