Award Publications is an award-winning independent children’s publisher, producing exciting, creative and best-selling books for children from birth to 12 in more than 70 countries around the world since 1972. From picture books to board books, junior learning to activity, gift to reference, our aim is to bring joy, and to encourage, entertain and inspire children, and those who read with them, to build a life-long love of books and reading
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The SZBA is presented to writers, intellectuals and publishers whose writings and translations of humanities have enriched Arab cultural, literary and social life.
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The story happens in an ordinary Chinese family. It features the extraordinary scene of the Chinese Lunar New Year in 2020 under the sudden attack of the COVID-19 pandemic, answering the question asked by the little protagonist, "Why can't we hang out?" The book is both informative and humanistic, for it not only incorporates COVID-19 pevention knowledge into the story, such as what the novel coronavirus is, how it spreads, and what control and prevention measures should be implemented to fight against it, but also touches readers' heart by demonstrating family affection, friendship, and true love among people with elegant watercolor images. It guides children and even their parents to develop a sense of cherish and respect for the ordinary lives.
Der Tischkalender im Kleinformat (10 x 10 cm) Mit dreizehn Aquarellen von Hermann Hesse und jahreszeitlichen GedichtenDas handliche Calendarium mit Hermann Hesses farbenfrohen Kleinaquarellen auf den Frontseiten bringt für das Jahr 2020 auf den Rückseiten eine Auswahl von Texten des Autors zum Thema Jahreszeiten: In Vers, Prosa und mit farbigen Reproduktionen seiner Aquarelle enthält dieses Calendarium viel von dem, was die Eigenart und den unverwechselbaren Reiz der zwölf Monate ausmacht. Im Kunststoffschuber zum Aufstellen. Passt auf jeden Schreibtisch.
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By far the biggest change to The UK Pesticide Guide in 2020 is the loss of a number of active ingredients that have been fundamental to many crop protection programmes. The final use-up of chlorothalonil formulations; propiconazole, fenpropimorph, chloridazon and diquat occurs in 2020 but there are also a few of exciting new additions. Aclonifen is a new residual herbicide for use in potatoes that already has a number of EAMUs for use in minor crops. BASF is launching its new triazole, mefentrifluconazole, which promises to restore full triazole activity, at least initially. On the insecticide front the new active ingredient from Corteva agriscience, sulfoxaflor, is now listed for use in Cucurbitae and ornamentals under full protection for control of aphids and whitefly.
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Ein literarischer Begleiter durch das Jahr: Der Insel-Kalender 2020 versammelt wie jedes Jahr Gedanken, Geschichten und Gedichte Hermann Hesses über das Leben und den Wechsel der Jahreszeiten. Mit einem Kalendarium, das Raum bietet für eigene Notizen und neben Geburtstagen wichtiger Autorinnen und Autoren auch die Mondphasen verzeichnet. Im Anhang finden sich ein Übersichtskalender der Jahre 2020 und 2021, eine Tabelle der Schulferien sowie ein Adress- und ein Telefonverzeichnis. Lassen Sie sich von diesem wunderbaren Band durchs Jahr begleiten.
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"China Family Education Blue Book (2020)" is jointly selected by the Chinese Education Society Family Education Professional Committee and Beijing Dongcheng District Home Education Research Center, is a blue book that brings together an annual excellent family education theory and practice research results. This book is based on academic articles, investigation reports, typical cases, annual documents, etc., etc. This book has important reference value to promote our family education work in depth.
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Sweets for the Medor is a collection of essays by Andriy Bondar written between 2017 and 2020. Essay writing here is a way to explore and rethink the world through one’s system of values and experience. Honesty here is intertwined with intellectual reflection. Deeper meanings and sometimes unexpected conclusions hide behind the form of short prose. Voids can be filled, and the definition of "falling from the height of one's own body" can refer not only to bodily injury, but also to a moral fall, which always occurs from the height of one's own ethical structures, and losses can later turn into gains, you just need to look at them from a different angle.
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This graphic novel tells a story of a Lithuanian boy Algiukas, who in 1941 together with his family was deported to Siberia. His aunt Petronella brings along a book of the Japanese haiku poems. In exile, she inspires the deportees not to succumb to the despair and to see the beautiful side of life. AWARDS Main Prize in Book Art Contest 2017 Best Book of the Year by IBBY Lithuania 2017 Best Illustrations for a Children’s Book by IBBY Lithuania 2017 White Raven 2017 The Aloysius Petrikas Literary Prize for Children’s Book of the Year 2018 Children’s Book of the Year 2018 (Lithuania) IBBY Honor List 2020 Nomination at the Angoulême International Comics Festival 2020 Selection for Children’s Book Jury in Latvia 2020 International Jānis Baltvilks Award in Latvia 2020 Nomination for Bologna Ragazzi Award 2020 in Italia Latvian edition of “Sibīrijas haiku” was included in the Latvian PEN list of the most important books published in Latvia in 2020 Nomination at the International Book Contest “Reading St. Petersburg,” 2021 (Russia) Nomination for Latvian Literature Prize 2020 Nomination for the Deutscher Jugendliteraturpreis 2021 in the young adult book category
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What gives us strength? To us as individuals, to our families, to the country, to the world? Each of us has his own source of inspiration. But what to do if it does not always work? Then we are looking for the strength in others, for their advice and support, for their way of keeping strong in challenging times. In 2019-2020, Ukrainians needed additional sources of strength, because war, uncertainty, political populism, and pandemic created additional stress. During those years twenty-five leading Ukrainian intellectuals reflected on their sources of their resilience in the publication "What will give us strength?". Collected under one cover, twenty five essays discuss a difficult period of challenges in the life of each author individually as well as Ukraine in general. The answers offered by the authors will become a valuable guide for the reader, a model of motivation, an advice to hold on to.
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Ukraine: from Ancient Times to the Present is an express guide to the past of our country from historians Maria Takhtaulova and Sergiy Zhukov. The book can be divided into two parts. The first part contains brief information on significant historic events (settlement of the first people, the formation of Kyivan Rus, the Cossacks, etc.); the second gives a general idea of the cultural achievements of Ukrainians (language, architecture, traditions, and much more). A simple presentation of information and many illustrations make the book ideal for familiarizing children with the history and culture of Ukraine, as well as contribute to the interest in this science.
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This book is a collection of short and medium works in the series, including short and medium stories, short and medium reportage, prose, poetry and children's literature. These works are rich in the characteristics of the times and the breath of life. They show the moving deeds of Hunan's targeted poverty alleviation and targeted poverty alleviation, and demonstrate the spirit of people's struggle towards a well-off society. The theme is clear and prominent, the tone is positive, portraying and praising the most beautiful people and typical models participating in poverty alleviation and development, praising the true feelings of the world and transmitting positive social energy.
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This book attempts to present the development vision of Ungku Abdul Aziz Ungku Abdul Hamid, or better known simply as Ungku Aziz (1922-2020), in a more comprehensive fashion. Ungku Aziz's vision reflects his commitment as a Muslim as well as a citizen of an emerging Muslim-majority yet a multicultural nation, and his great concern for the underprivileged. This book also attempts to situate Ungku Aziz's vision in its proper historical context, thus providing an insight into a post-colonial debate in Malaysia as well as the views and experience of a modern-educated Muslim in such context.
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Mit frischem Universitätsabschluss in der Tasche, beschließt der junge Franzose Mauro, seinem bisherigen Leben den Rücken zu kehren. Er will sich nun voll und ganz seiner wirklichen Leidenschaft verschreiben: dem Kochen. Mit seinem Fahrrad rast Mauro von Brasserien über Bistros zu Sternerestaurants, er kocht in Berlin und in Burma, springt vom Blanchieren zum Sautieren, von Bouillons zu Sorbets, von Marktgängen zu Nachtschichten – und eröffnet schließlich seinen eigenen kleinen Laden. Fünfzehn Lehrjahre, gezeichnet von geschundenen Händen, Schlafmangel und einer schleichend zerrinnenden Freizeit. Aber auch ein sinnliches Abenteuer der absoluten Hingabe und der Kunst des perfekten Menüs. Maylis de Kerangal erzählt vom unvergesslichen Geschmack, der in einer Ochsenherztomate oder einem Strauch Wildkräuter steckt – und davon, wie sehr es einen Koch beglücken kann, die eigene kulinarische Philosophie zu finden.
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Mit frischem Universitätsabschluss in der Tasche, beschließt der junge Franzose Mauro, seinem bisherigen Leben den Rücken zu kehren. Er will sich nun voll und ganz seiner wirklichen Leidenschaft verschreiben: dem Kochen. Mit seinem Fahrrad rast Mauro von Brasserien über Bistros zu Sternerestaurants, er kocht in Berlin und in Burma, springt vom Blanchieren zum Sautieren, von Bouillons zu Sorbets, von Marktgängen zu Nachtschichten – und eröffnet schließlich seinen eigenen kleinen Laden. Fünfzehn Lehrjahre, gezeichnet von geschundenen Händen, Schlafmangel und einer schleichend zerrinnenden Freizeit. Aber auch ein sinnliches Abenteuer der absoluten Hingabe und der Kunst des perfekten Menüs. Maylis de Kerangal erzählt vom unvergesslichen Geschmack, der in einer Ochsenherztomate oder einem Strauch Wildkräuter steckt – und davon, wie sehr es einen Koch beglücken kann, die eigene kulinarische Philosophie zu finden.
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Zhao Tingyang gilt als einer der bedeutendsten chinesischen Philosophen der Gegenwart. Mit diesem Hauptwerk liegen nun seine Überlegungen zu einer neuen politischen Weltordnung erstmals in deutscher Übersetzung vor. Sie basieren auf dem alten chinesischen Prinzip des tianxia – der Inklusion aller unter einem Himmel. In Auseinandersetzung mit okzidentalen Theorien des Staates und des Friedens von Hobbes über Kant bis Habermas sowie unter Rückgriff auf die Geschichtswissenschaft, die Ökonomie und die Spieltheorie eröffnet uns Zhao einen höchst originellen Blick auf die Konzeption der Universalität. Ein wegweisendes Buch, auch um Chinas aktuelles weltpolitisches Denken zu verstehen.
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Kuwaiti children’s book author Lateefa Buti’s well-crafted and beautifully illustrated children’s book, Hatless, encourages children (ages 6-9) to think independently and challenge rigid traditions and fixed rituals with innovation and creativity. The main character is a young girl named Hatless who lives in the City of Hats. Here, all of the people are born with hats that cover their heads and faces. The world inside of their hats is dark, silent, and odorless. Hatless feels trapped underneath her own hat. She wants to take off her hat, but she is afraid, until she realizes that whatever frightening things exist in the world around her are there whether or not she takes off her hat to see them. So Hatless removes her hat. As Hatless takes in the beauty of her surroundings, she cannot help but talk about what she sees, hears, and smells. The other inhabitants of the city ostracize her because she has become different from them. It is not long before they ask her to leave the City of Hats. Rather than giving up or getting angry, Hatless feels sad for her friends and neighbors who are afraid to experience the world outside of their hats. She comes up with an ingenious solution: if given another chance, she will wear a hat as long it is one she makes herself. The people of the City of Hats agree, so Hatless weaves a hat that covers her head and face but does not prevent her from seeing the outside world. She offers to loan the hat to the other inhabitants of the city. One by one, they try it on and are enchanted by the beautiful world around them. Since then, no child has been born wearing a hat. The people celebrate by tossing their old hats in the air. By bravely embracing these values, Hatless improves her own life and the lives of her fellow citizens. Buti’s language is eloquent and clear. She strikes a skilled narrative balance between revealing Hatless’s inner thoughts and letting the story unfold through her interactions with other characters. Careful descriptions are accompanied by beautiful illustrations that reward multiple readings of the book.
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Enchanting book that combines verse, illustration and pop-up technique to place ourselves with originality before that eternal mystery and source of Introduce budding scientists to a fun STEM topic — eggs! This interactive board book features riddles about the different eggs of the animal kingdom, and images that transform as you turn the page to reveal the answer. Seven eggs break as you turn the pages, revealing the species (python, seahorse, octopus, emu, hedgehog, penguin, and Darwin’s Frog) that hatch after reading the verses / riddles. Includes fact-packed educational notes about eggs and what we can learn from them. New York Big Books Award (USA), 2021; Cuatrogatos Fundación (USA-Cuba), 2020; Best of Banco del Libro (Venezuela), 2022; Colibrí Ibby (Chile), 2019
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In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group. Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited. So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write. Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind. At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large. The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut. Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.
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Festivals of Chinese Ethnic Groups was co-authored by China's well-beloved authors of children's literature including Fang Suzhen, Tang Sulan, Wang Yimei, and was illustrated by celebrated Chinese illustrators such as Cai Gao, Chen Yadan and Zhu Xunde. This series covers intriguing, outstanding and poetic folk tales on festivals and customs from China's ten most representative ethnic groups. Showcasing their courage, gentleness and indomitable will, these delightful stories allow readers to learn more about the distinct and charming characteristics of these ethnic groups. Recommended as parent-child reading by CCTV during the Dragon Boat Festival, this series has won the Most Beautiful Picture Book 2020 prize given by China Library Journal. It was also nominated for the top picture books prize in China for the Chinese Government Award.
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Adopting the story-within-a-story structure of Arabian Nights, author Osama Alaysa weaves together a collection of stories portraying centuries of oppression endured by the Palestinian people. This remarkable novel eloquently brings together fictional characters alongside real-life historical figures in a complex portrayal of Bethlehem and the Dheisheh Refugee Camp in the West Bank. The common thread connecting each tale is madness, in all its manifestations. Psychological madness, in the sense of clinical mental illnesses such as schizophrenia, finds expression alongside acts of social and political madness. Together, these accounts of individuals and communities provide a gateway into the histories of the city of Bethlehem and Palestine. They paint a picture of the centuries of political oppression that the Palestinian people have endured, from the days of the Ottoman Empire to the years following the Oslo Accords, and all the way to 2012 (when the novel was written). The novel is divided into three sections, each containing multiple narratives. The first section, “The Book of a Genesis,” describes the physical spaces and origins of Bethlehem and Dheisheh Refugee Camp. These stories span the 19th and 20th centuries, transitioning smoothly from one tale to another to offer an intricate interpretation of the identity of these places. The second section, “The Book of the People Without a Book”, follows parallel narratives of the lives of the patients in a psychiatric hospital in Bethlehem, the mad men and women roaming the streets of the city, and those imprisoned by the Israeli authorities. All suffer abuse, but they also reaffirm their humanity through the relationships, romantic and otherwise, that they form. The third and final section, “An Ephemeral Book,” follows individuals—Palestinian and non-Palestinian—who are afflicted by madness following the Oslo Accords in 1993. These stories give voice to the perspectives of the long-marginalized Palestinian population, narrating the loss of land and the accompanying loss of sanity in the decades of despair and violence that followed the Nakba, the 1948 eviction of some 700,000 Palestinians from their homes. The novel’s mad characters—politicians, presidents, doctors, intellectuals, ordinary people and, yes, Dheisheh and Bethlehem themselves—burst out of their narrative threads, flowing from one story into the next. Alaysa’s crisp, lucid prose and deft storytelling chart a clear path through the chaos with dark humor and wit. The result is an important contribution to fiction on the Palestinian crisis that approaches the Palestinians, madness, and Palestinian spaces with compassion and depth.
