Bestari Buana Murni is a publisher that has established partnerships with several countries, proven by always holding IIBF (International Indonesia Book Fair) and has 12 branches spread in Sumatra, Java and Makassar. We publish books from toddlers - adults, and from the Islamic to the general.
View Rights Portal
In 2020, amidst the whirlwind of the COVID-19 pandemic, the ideas from books about the science of becoming a millionaire returned to Luis Miguel Estrada whom, since he left a financial job, has dedicated himself fully to literature. In this book, he thinks some of the key questions raised by bestsellers from Napoleon Hill to Kiyosaki. Do we stop seeking money just because we pursue art? More importantly: regardless of what we do, how do we seek money? Why have narratives like positive thinking and the law of attraction become a universal language that gains strength during each economic crisis? Is there a link between bestsellers about the science of getting rich and great universal literature? This book attempts to answer these questions, beginning with the origins of books on becoming a millionaire, which delve into the agile 19th-century United States, transition through the fast-paced turn of the century, and explode in the years after the Great Depression. The journey continues with examples of wild successes (real-life fraudsters like Elizabeth Holmes or fictional criminals like Walter White from Breaking Bad) that prompt us to question the influence of success-at-any-cost ideas on popular culture, as well as their ethical limits. How can one reconcile readings, cultural products, and experiences that seem so distant? The broader reading audience responds more to "Think and Grow Rich" by Napoleon Hill than to "The Grapes of Wrath" by John Steinbeck. Is there a way to read them alongside each other and emerge renewed from the experience? This book invites you on that adventure.
In Hola, te sigo esperando (Hello, I'm still waiting for you), we witness the ups and downs of destiny: a man waits at home for a woman who is late in arriving, but chance plays a dirty trick of not coinciding, of perhaps never meeting.
Description Considered one of the most outstanding writers in the Spanish language, Elena Garro (1916-1998) was a prolific author who left in her archive several unpublished plays, short stories, novels, film plots, as well as essays, articles and annotations for future projects. Now, Ediciones del Lirio, in co-publication with the Benemérita Universidad Autónoma de Puebla (BUAP), has brought together various never-before-published materials by the Mexican author, to gather them in the Cuadernos de Elena collection. In this first volume, Relatos recogidos, readers will be able to read three stories that were found in Garro's archive and that today see the light for the first time: "Nunca mates a nadie, siempre hay dos ojos que te ven", "Martín" and "Katrin y María", which are set in an urban environment, where intra-family relationships show their complexities that go from happiness to violence and from there to frenzy, without losing the tension with the geopolitical context of the moment. In these texts we can recognize characters and situations similar to those narrated by Elena Garro in other texts.Elena Garro narrated in other of her books, but also stories that will reveal a new face of the author of Los recuerdos del porvenir. Sinopsis Considerada una de las escritoras más sobresalientes en habla hispana, Elena Garro (1916-1998) fue una autora prolífica quien dejó en su archivo diversas obras inéditas de teatro, relatos, novelas, argumentos cinematográficos, así como ensayos, artículos y anotaciones para futuros proyectos. Ahora, Ediciones del Lirio, en coedición con la Benemérita Universidad Autónoma de Puebla (BUAP), han recabado diversos materiales nunca antes publicados de la autora mexicana, para reunirlos en la colección Cuadernos de Elena. En este primer tomo, Relatos recogidos, los lectores podrán leer tres historias que se encontraron en el archivo de Garro y que hoy ven la luz por primera vez: se trata de “Nunca mates a nadie, siempre hay dos ojos que te ven”, “Martín” y“Katrin y María”, las cuales se sitúan en un ambiente urbano, en donde las relaciones intrafamiliares muestran sus complejidades que van de la felicidad a la violencia y de ahí al frenesí, sin perder la tensión con el contexto geopolítico del momento. En estos textos se podrán reconocer personajes y situaciones parecidas a las queElena Garro narró en otros de sus libros, pero también historias que revelarán un nuevo rostro de la autora de Los recuerdos del porvenir.
The work is the result of a call addressed to the community of the School of Plastic and Audiovisual Arts of the Benemérita Universidad Autónoma de Puebla, in the year 2021, in which students and teachers were invited to share their experience since the beginning of the confinement within the framework of the sanitary contingency; this through a plastic work, a text, or both, so that different expressions about how life has been modified since the existence of the coronavirus were combined.
Description Cuadernos de Elena Garro Collection. Author of dozens of books, Elena Garro was a prolific writer who left in her archive several unpublished works in the genres of theater, short stories, novels, film plots, as well as essays and annotations.Ediciones del Lirio has maintained a close collaboration with the Mexican author's heirs, so we have been able to collect various unpublished materials (short stories, plays and novels), which we have decided to gather and publish under the collection called Cuadernos de Elena Garro, dedicated to compile the unpublished texts of the author of Los recuerdos del porvenir. Sinopsis Colección Cuadernos de Elena Garro. Autora de decenas de libros, Elena Garro fue una escritura prolífica quien dejó en su archivo diversas obras inéditas en los géneros de teatro, cuento, novela, argumentos cinematográficos, así como ensayos y anotaciones.Ediciones del Lirio ha mantenido una estrecha colaboración con los herederos patrimoniales de la autora mexicana, por lo que hemos podido recabar diversos materiales inéditos (cuento, teatro y novela), los cuales, hemos decidido reunir y publicar bajo la colección llamada Cuadernos de Elena Garro, dedicada a recopilar los textos inéditos de la autora de Los recuerdos del porvenir.
