Círculo de Poesía is a publishing group specialized in poetry with three publishing houses. In addition we publish the most widespread digital poetry magazine in the entire Spanish language world to share poems and information about books and authors with more than 12,000,000 readers (https://circulodepoesia.com/) We have built an extensive distribution and advertising networks specialized in poetry books.
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The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
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This study examines Exeter riddles, Anglo-Saxon biblical poems (Exodus, Andreas, Judith) and Beowulf in order to uncover the poetics of spolia, an imaginative use of recycled fictional artefacts to create sites of metatextual reflection. Old English poetry famously lacks an explicit ars poetica. This book argues that attention to particularly charged moments within texts - especially those concerned with translation, transformation and the layering of various pasts - yields a previously unrecognised means for theorising Anglo-Saxon poetic creativity. Borrowed objects and the art of poetry works at the intersections of materiality and poetics, balancing insights from thing theory and related approaches with close readings of passages from Old English texts.
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A poetic picture book that makes it easy to forget arguments and anger: the little elephant is in a bad mood and kicks a stone. The stone inadvertently hits the flamingo – and the complaining and annoyance just keeps spreading. By the river, in the bush, on the savannah: just like that! Until a little meerkat has had enough and just hugs the snarling leopard. The leopard’s heart becomes light and gradually all the animals notice how good it is when we’re nice to one another. Just like that!
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This beautiful book full of images, textures and voices builds «the house / of always maybe never / of time». Chiara Carrer parts from the poetic definition of home, but a book full of narrative and memories is established right from the beginning. «I forgot / the place, when / and where / I forgot», a woman with pink hair and yellow hands decribes as part of the adventure that this unique book proposes.
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Kidi Bebey offers toddlers a poetic explanation of the storm to ward off their fear.
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These poetic tales for children address things around us such as the wall, the stone, the ear, the river, and others, humanize them, and present them as free verse poetry. It also includes an audio CD containing song versions of the tales, all of which are loaded with pedagogical, aesthetic, and humanitarian messages. The importance of “A Laughing Sun” stems from its adoption of the poetic tale in most poems. It carries implications for reverence of science, arts, freedom, and human diversity, and highlights the beauty of nature and the protection of the environment. The poems are replete with a sense of cheerfulness and humor, and the collection focuses on the imagination and stimulates both scientific and creative thinking.
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The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
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A dialogue between Hani and Nour. Hani describes what he sees with his eyes and Nour what she feels with her other four senses. The text is poetic and will explore the five senses.
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This innovative study of vision, gender and poetry traces Milton's mark on Shelley, Tennyson, Browning and Swinburne to show how the lyric male poet achieves vision at the cost of symbolic blindness and feminisation. Drawing together a wide range of concerns including the use of myth, the gender of the sublime, the lyric fragment, and the relation of pain to creativity, this book is a major re-evaluation of the male poet and the making of the English poetic tradition. The female sublime from Milton to Swinburne examines the feminisation of the post-Miltonic male poet, not through cultural history, but through a series of mythic or classical figures which include Philomela, Orpheus and Sappho. It recovers a disfiguring sublime imagined as an aggressive female force which feminises the male poet in an act that simultaneously deprives and energises him. This book will be required reading for anyone with a serious interest in the English poetic tradition and Victorian poetry. ;
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The child grows up and discovers the world. His grandmother marvels at the discoveries to be made together. A poetic text to express the beauty of the world, in simple and tasty words. A bilingual text to also let hear the music of Mauritian Creole.
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This is a story of a ghost, who returned to “the birth land”, and died again. It is written by Chen Yingsong, who applies magic realism in his work. The reality of village and absurd existence has been narrated by his poetic and musical language.
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This autobiographical work centers on literary creativity. Poet Ali Jaafar Alallaq recollects his academic and professional experiences, as well as their diverse ventures into poetic, literary, critical, and academic writing earlier in his life. The book covers the poet’s upbringing in a humble, impoverished village, his family’s subsequent move to Baghdad in the early 1950s, and his journey up until the present day. ///The biography details a plethora of human, cultural, and poetic events that impacted Alallaq’s perspective on events he witnessed, interacted with, or was involved in. These events range in intensity and scope, spanning from his childhood years in the countryside to navigating significant societal changes in Baghdad, and from his early explorations in writing and literary journalism to pursuing doctoral studies in the United Kingdom. He reflects on enduring two destructive wars that displaced Iraq’s people, leading to a life of exile and reliance on divine providence under the night sky. ///Beginning in 1991, Alallaq began a long period abroad that included six years of teaching at Sanaa University, followed by ten years of work at the United Arab Emirates University from 1997 to 2015. He produced a remarkable body of poetry and critical works during his tenure as a university instructor and his active involvement in cultural and poetic affairs in Sanaa and later in the UAE, which continues to this day. ///In this book, Alallaq takes on several roles, including narrator, contemplator, restorer, and descriptor, and expresses himself using elevated literary language. As a result, the work serves as an aesthetic testament to the purity of language as well as a cohesive account of the ups and downs of daily life. Despite living and working in a prosperous and stable environment for many years, he remains emotionally and imaginatively connected to the events and struggles affecting his country and the Arab world. He continues to document his aesthetic and patriotic testimony of current happenings, as clearly evidenced in his present autobiography.
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The Little Lady makes all hearts sing! When Lilly and her family move into the old house with the golden pretzel, she has no idea that a magic neighbour lives in the mysterious backyard. The Little Lady keeps a chameleon that is 1000 years old; she can make herself invisible and masters all kinds of magic tricks – but most of all she loves to play pranks on others! So a summer filled with wonderful adventures begins for Lilly. Poetic, full of imagination and humour, the Little Lady is delighted by her ever-growing community of fans and enjoys huge success with young and old alike. A fantastically beautiful story to read aloud or alone, exquisitely illustrated by Nina Dulleck.
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Lofu is widely acknowledged as a great poet in contemporary Chinese poetic circles. He has made great contributions through his long poems, which have served to promote the development of contemporary Chinese poetry. His collection of long poems includes “Death in a Stone Cell” and“Floating Wood”. Lofu was a nominee for the Nobel Prize for Literature in 2001 for his long poem “Floating Wood”.
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The first coloring book for adults only! 34 drawings of orgies in fun and naughty variations: marine, idyllic, somber, poetic and much more. Drawn by 35 different artists especially for this publication. The kit contains 2 sets with 17 different orgies each + crayons + sticker of the orgy drawn by the great cartoonist Laerte, wrapped in a special (and discreet) package.
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Nulle veine n'est fumante quand la joie est borgne is a book that one must go to meet as one goes to discover the song of the world. For this impulse of life and dream that emanates from poetic expression. For the need for tenderness that is born on the page. Finally, for the breath of life that words breathe in the face of the daily chaos that erodes hope.
