Your Search Results

      • Agencia Literaria Latinoamericana

        The Latin American Literary Agency (ALL) was founded in 1986 with headquarters in Havana. It exercises, in matters of copyright, the legal representation of Cuban writers and other Latin American countries for all the languages and regions of the world. Represents and promotes authors in the fields of fiction and nonfiction, children and youth, scientific-technical and social sciences. The ALL has a wide catalog that includes writers of universal stature, several National Literature Awards and recognized contemporary authors and new generations.

        View Rights Portal
      • EULAC Asociación de Editoriales Universitarias de América Latina y el Caribe

        EULAC is the Association of Latin American and the Caribbean University Presses, it works in coordination with eleven national networks. Gathers more than 400 members from 20 countries. We are interested in promoting the various knowledges that are produced in the universities of our region, which not only represent our particular interests but also those that we share with many other publishers and people in other countries. We are open to contact different university presses around the world to find and develop common projects. More information about us: www.eulac.org More information about our catalogs: www.catalat.org Contact: María Daniela Verón mariadanielaveron@gmail.com

        View Rights Portal
      • Fiction

        1982

        by Sergio Olguín

        “How many chances are there in life to meet the one? They had been lucky enough to meet each other. The circumstances were a minor detail, a line in the story of their love”. The year is 1982, Pedro is nineteen, and unlike all the men in his family, he did not choose a military career. Instead, he chose Philosophy and reading. His life is shaken by the landing of Argentine troops in the Malvinas, because his father, Lieutenant Colonel Augusto Vidal, is on the front lines. Although Buenos Aires is far away, the war makes everything change. The period of waiting for the war to be over and for his father to come back draws him closer to Fátima, his stepmother. An unknown and uncontrollable desire will arise between them, a love with the devastating force of freedom. A passion charged with eroticism that will have devastating consequences.

      • Fiction
        October 2018

        Kintsugi

        by María José Navia

        How can a family be told? What are the pieces that make up your memory? What do we know about someone, beyond what they decide to show us? In Kintsugi, a family breaks down and those who make it up look for ways -sometimes subtle, sometimes extreme- to repair it. Characters who take refuge in their jobs or in caring for others, who need technology as a way to organize their affections, to perform small gestures of vigilance or even to survive in a precarious world. In the manner of the Japanese art that gives this book its title, María José Navia recomposes in this novel-in-stories the broken lives of its characters, beautifully highlighting the scars of those who leave and those who remain.

      • Fiction
        December 2019

        Sara

        by Maivo Suárez

        It is a cold winter in Santiago de Chile and Sara, a sixty-three-year-old retired secretary, will live alone for the first time in her life. Far from being sad, she feels that she will finally be able to carry her own life. But Julia arrives at the apartment building, and the throbbing youth of this new neighbor will also bring new lenses with which to look at reality. While cutting expenses to survive on a paltry pension, Sara looks back at her life and the past. To the memories add up the aging body, loneliness and faint projects. And yet life gives her a chance. Will it be too late to take it? In Sara, an impressive psychological portrait awarded the 2017 Gabriela Mistral Literary Games award for an unpublished novel, the author Maivo Suárez brings before our eyes a character that has rarely been written about: a separated and poor old woman, the perfect second-best, whose details she manages to draw thanks to an accurate and devastating analysis that underlines the shortcomings of today's society. A literary debut with the soul of a classic.

      • August 2020

        La soberana idiotez

        by Carolina Musa

        Poetry is nomade, has no home. So is this book. That's why anything that seems idiotic hides a question about its weight. Urban poems, they talk about inaction, the intersection of all obligations and they also talk to the void we percibe in all things.

      • April 2016

        Elefantes en el cuarto

        by Infante, Sindy

        The innocent task of organizing the room unleashes in Sindy a chain of memories of her youth and childhood, of her love for sports, for drawing, of her first boyfriends and girlfriends. She always felt out of place until she discovered which team she wanted to play for. This autobiographical comic book explores Sindy Infante's childhood and youth, her family relationships, her love for sports and, above all, the fact that she grew up in Bogotá as a lesbian. The book reconstructs with an innocent drawing style the story of the protagonist/drawer, who evokes memories from objects in her room. The result is an honest story, which does not fall into the predictable and with which it is very easy to identify.

      • August 2020

        Baldías

        by Laura Rossi

        After being burned, women's dead bodies are thrown in a wasteland located in a suburb heart. The killers are 'common men', trying to get away with it. Their voices and many others build this novel to show how the indiference of a society makes violence and mistreat a natural thing and becomes a fertile field for impunity.

      • True stories (Children's/YA)

        Mientras Te Olvido

        Aprendiendo a vivir sin ti

        by Nacarid Portal

        I was in the process of forgetting someone, when suddenly doors started opening inside of me. This book resulted from the flood of feelings pouring right out of me, and made me face, day after day, that other somber part of me which I cannot seem to get rid of. My independence was being trampled by my own insecurities, which led me to create a false image of myself. I want you to read each line carefully, so that, if you attempt to find me, your call will not be answered. Excuse me. I forgot to thank you, because after all, thanks to you and our failed love story, we will help all those who do not know how to say goodbye, and cling to the wrong person thinking that their feelings is that of love.

      • Romance & relationships stories (Children's/YA)
        June 2018

        While I Forget You

        Learning to live without you

        by Nacarid Portal

        In my process of forgetting some doors opened inside meand this book came to life, dayafter day, Lface the other part ofme that has your shadow stuck onyour heelsI was trampling myindependence for insecurities thattied me to your false image. Iwant you to read each line sowhen you try to find me,remember that 1 won't answerExcuse me, I forgot to thanhyou because after all... Thanksto vou and our unsuccessfulstory, we will help those whodon't know how to leave andcling to the wrong people bycalling them: love.

      • Fiction

        Una música futura

        by María José Navia

        In "Una música futura" ("A future music"), awarded Best Literary Works 2019 in the category of unpublished short stories, María José Navia delves into intimate relationships mediated and sometimes infected by technology. Screens and screen-families, women who take refuge in the excess of information or try to completely disconnect from the world, foreigners who face fierce self-demanding or frankly violent scenarios. Seven stories that reflect on the possibilities of a threatening future where the uncertainty of our time seems to sing a secret and disturbing melody from which perhaps books can save us.

      • May 2022

        The Book of our Absences

        by Eduardo RUIZ SOSA

        A journey through the scenes of the disappeared people in contemporary Mexico. Eduardo Ruiz Sosa : “A natural talent for the lyrical sentence.” Nadal Suau, El Cultural, El Mundo.A totally personal narrative form, similar to a Homeric poem, a long ancient song. Brilliant. Orsina is a theatre actress who becomes seriously ill. Her disappearance messes up the lives of those around her, especially that of Teoría Ponce and Róldenas, brothers who are heirs to a bankrupt printing press and who devote themselves to searching for her, confronting the atrocious world of the disappeared people. Between attempts to preserve the printing press, theatrical performances and a cast of characters as absurd as they are real, the novel takes us from the violent present to the maddening past of a historical figure marked by delirium and death: José de Gálvez, Visitor General of New Spain, incarnated in an old theatre actor who plays him in the last role of his life. The book Of Our Absences is a story about the disappearances in the north of Mexico, the violence of drug trafficking, the clandestine graves in the desert and the sierra. A journey of multiple voices and stories, of times that overlap and interweave. It is the intimate story of some absences, of mothers searching for their children, of spaces that have to be transformed in order to continue to exist.

      Subscribe to our

      newsletter