2023 Frankfurt Invitation Programme
Have a look at this compilation of titles from independent publishers from Africa, the Arab world, Asia and Latin America.
View Rights PortalHave a look at this compilation of titles from independent publishers from Africa, the Arab world, Asia and Latin America.
View Rights PortalThe Invitation Programme offers publishers from Africa, the Arab world, Asia, Eastern Europe, Latin America and the Caribbean the chance to participate inthe Frankfurter Buchmesse.
View Rights PortalCarla can't believe it, first her best friend Herta moved to Australia and now in the first lesson after the holidays Jole, the new kid in her class, sits next to her and makes embarrassing jokes. This is clearly too much for shy Carla – she becomes invisible and takes on the colour and texture of her surroundings. Fortunately, nobody notices. Except Jole, who enthusiastically observes this transformation. Carla herself is horrified! She absolutely wants to be normal! Unfortunately, it doesn’t stop at this one transformation and soon a secret society also becomes aware of Carla's rare quality. “The Cavaliers" want to harness the power of Carla's transformation for themselves. When Herta finds out that Carla has severe chameliosis, she sends her a special pill. Unfortunately Carla’s penguin Mr. Ping swallows it, then develops a sling tongue and won’t stop talking in rhymes.... but this is just one of many problems Carla and Jole have to solve. 9+ years Vol.2 will be published in March 2021, vol. 3 will be published in June 2021 English sample translation available!
In this study, Kathryn Walls challenges the standard identification of Una with the post-Reformation English Church, arguing that she is, rather, Augustine's City of God - the invisible Church, whose membership is known only to God. Una's story (its Tudor resonances notwithstanding) therefore embraces that of the Synagogue before the Incarnation as well as that of the Church in the time of Christ and thereafter. It also allegorises the redemptive process that sustains the true Church. Una is fallible in canto I. Subsequently, however, she comes to embody divine perfection. Her transformation depends upon the intervention of the lion as Christ. Convinced of the consistency and coherence of Spenser's allegory, Walls offers fresh interpretations of Abessa (as Synagoga), of the fauns and satyrs (the Gentiles), and of Una's dwarf (adiaphoric forms of worship). She also reinterprets Spenser's marriage metaphor, clarifying the significance of Red Cross as Una's spouse in the final canto.
This collection of essays revisits gender and urban modernity in nineteenth-century Paris in the wake of changes to the fabric of the city and social life. In rethinking the figure of the flâneur, the contributors apply the most current thinking in literature and urban studies to an examination of visual culture of the period, including painting, caricature, illustrated magazines, and posters. Using a variety of approaches, the collection re-examines the long-held belief that life in Paris was divided according to strict gender norms, with men free to roam in public space while women were restricted to the privacy of the domestic sphere. Framed by essays by Janet Wolff and Linda Nochlin - two scholars whose work has been central to the investigation of gender and representation in the nineteenth century - this collection brings together new methods of looking at visual culture with a more nuanced way of picturing city life.
The first artist to enter the realm of fantasy was Hieronymus Bosch. He revels in the delights of pleasure. He relishes eating giant fruits, running on water and flying on top of a fish. He is joyful without even realizing it. Bosch is also aware that serenity and calmness let things be seen as they are. No one before had ever seen our feelings as we get lost in the madness of invisible realities.
The Little Lady makes all hearts sing! When Lilly and her family move into the old house with the golden pretzel, she has no idea that a magic neighbour lives in the mysterious backyard. The Little Lady keeps a chameleon that is 1000 years old; she can make herself invisible and masters all kinds of magic tricks – but most of all she loves to play pranks on others! So a summer filled with wonderful adventures begins for Lilly. Poetic, full of imagination and humour, the Little Lady is delighted by her ever-growing community of fans and enjoys huge success with young and old alike. A fantastically beautiful story to read aloud or alone, exquisitely illustrated by Nina Dulleck.
Lena is having a hard time adjusting to ordinary life. How can she forget Dante, the boy whose eyes are different colours? But she soon has much bigger worries. On a school trip she realises that her pursuers haven’t given up after all. At the last minute, Lena manages to pass the chronometer she uses to travel through time to her friend Bobbie. A fateful mistake. Fleeing, Bobbie stumbles into the past and becomes trapped in the year 1900. While she fights her way as a papergirl, Lena breaks her promise and returns to the invisible city to look for help – and Dante. Soon all three of them are on a mission to prevent their enemies from constructing chronometers to travel through time themselves. But they’re always a step ahead and the whole invisible world is in danger… 12+ years The first volume of an enthralling new fantasy trilogy with two headstrong time-travellers English sample translation available!
Everything is lost. Lena’s enemies have taken over the invisible city and launched a witch hunt for time travellers. Together with Bobbie, Lena takes refuge in the future and tries desperately to find other rebels. The near future is already very different compared to her present life: in 2031 climate change is undeniable and people pay by using implanted memory chips, which is frightening enough. Then her chronometer picks up a faint signal – from Dante. Lena can hardly wait to see him again. But can she be sure the signal is genuine? Things take a dark turn when she is visited by a group of time tourists; in a distant future, time travel is big business. But no one seems to care about the chaos and damage this kind of tourism can cause – or even that it could destroy humanity itself. For Lena, everything is on the line: the existence of the invisible city, the fate of humanity’s forgotten stories – and even her love for Dante. 12+ years The finale of this enthralling fantasy trilogy. English sample translation available!
This volume contains the most important essays by Oksana Zabuzhko written in the last two decades, devoted to figures and events that the author considers culturally significant for today's era of the crisis of humanism. "Feminine", "masculine" and "collective", all these "portraits" are united by the author's deeply personal experience of ongoing history in which she inscribes her characters — and thus reveals in it what, at least, seems to be catastrophic, a previously invisible life-affirming meaning.
"Antenna" is a collection of 80 new poems written by the author over the past two years. They represent 80 attempts to catch air vibrations, to catch the flow of invisible radio waves in space, to feel to the touch of the time in which we live, breathe, and speak. Time, every trace of which leaves a burn—a time when private diary entries could be war chronicles and Bible stories or the morning news. Sensual and deep.
This book tells the story of the naughty little sun and the cute shade playing hide and seek. It describes our familiar world in an allegorical way: dynamic and static, visible and invisible, large and small, able and unable. The integration of these words and their meanings constitutes a sufficiently vast, well-rounded, integrated, and stretched world in which we live. There is both sun and shade on this planet. The story contains a philosophy of life in a relaxed and pleasant style of writing. Besides, the magnificent and majestic paintings have the characteristics of traditional Chinese painting.
Serhiy Osoka’s first prose collection is about real-life stories and images of those who survived a hunger strike in their childhood or youth and experience other misfortunes in old age: illnesses, impotence, obduracy, hopelessness, misunderstanding, alienation. The author masterfully puts them in relationships with children, grandchildren, and great-grandchildren - still inexperienced and sometimes arrogant. These connections sealed by invisible, inconspicuous love deeply touch the reader, returning him to his own experience. Graphic realism and a thin line of mysticism, the unconscious desire for love and the awareness of love temptations transience, the beauty of youth and foulness of old age, the torments of realization and bitterness of disappointments - everything harmonizes in the repetition of words on the strong thread of the idea.
The Borderland has narrated the weird life of several strangers in Xiaoshi Town in the border area. Years ago, Liujin’s parents came to Xiaoshi Town in pursuit of love. They found that Xiaoshi Town was a place where everything was invisible rather than visible, and they had gradually discovered the way how the anomalies impacted people’s life. As an adult, Liujin decides to trace the road that her parents had taken in Xiaoshi Town. By virtue of contacts with various people in the borderland who possess unique sensory ability, she even gains some absurd and fantastic perspectives and imaginations towards things in the borderland such as snow mountains, snow leopards, geckos, birds and rocks.
This book is a collection of essays by Wan Hongyou. Wan Hongyou's literary construction bases on love. It is the rich feelings abundance of people, society, and life that fill our hearts. This "rich feelings" is like a tangible and invisible red silk thread, leading his ideas, nourishing his style, full of his language, and instigating his inspiration. His work is thus sparkling with poetry. In the text, there is a perception of life and work, as well as a concern for social reality. Under the words, there is a hot heart hidden.Walking in the world, everyone has poetry and ideals in their hearts. Let it be, we should learn to be gentle with the world.
Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians' war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience.
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
Wim the Raccoon is a happy guy; he lives in the forest with Hector the Hare, and they have a great time together. But then Wim changes. He becomes sad and gloomy, and Hector doesn’t know what’s wrong with him. The hare goes to look for help and meets Dr Owl, an expert in invisible illnesses. With Dr Owl’s help, Wim the Raccoon starts to enjoy life again. This book explains to children and their parents different mental illnesses, how to recognize them, and how and where to get help. As well as important information, the children’s book also provides practical tasks and exercises. For:• children of primary school age(between 6 and 12) who come intocontact with a mental disorder andtheir parents• relatives and therapists
This book presents a socio-legal enquiry into the civic marginalisation of Roma in Europe. Instead of looking only at Roma's position as migrants, an ethnic minority or a socio-economically disadvantage group, it considers them as European citizens, questioning why they are typically used to describe exceptionalities of citizenship in developed liberal democracies rather than as evidence for how problematic the conceptualisation of citizenship is at its core. Developing novel theoretical concepts, such as the fringes of citizenship and the invisible edges of citizenship, the book investigates a variety of topics around citizenship, including migration and free movement, statelessness and school segregation, as well as how marginalised minorities respond to such predicaments. It argues that while Roma are unique as a minority, the treatment that marginalises them is not. This is demonstrated by comparing their position to that of other marginalised minorities around the globe.
The end of Ulster loyalism? explores the dynamics and divisions within paramilitary groups since the mid-1970s. It, despite contrary public opinion, details and explains the nature of Loyalist conflict transformation. A key model of transition that is relevant to arenas beyond Northern Ireland. The book also discusses the nature and extent of loyalist violence and provides a rarely heard voice regarding State-led collusion. It locates Loyalist ideas and opinions that have been largely invisible and highlights how an extensive element of positive Loyalist renewal has been purposefully suppressed and unmentioned. It is a key text for any student of politics, criminology, human geography and conflict and conflict transformation and is particularly relevant to the scholarship of pro-State groups who are infrequently considered in academic deliberations. A book of both hope and despair that emerges from a destabilising past and a yet-to-be-decided future. ;
This is an educational picture book about sight from the creative studio Agrafka. It is about both things we can see with our own eyes and the mysterious, invisible to the human eye. This book is also about microscopes and telescopes that help us see incredibly small or extremely distant things. It explains that for better eyesight some people need glasses, while those who can’t see at all need a special system and symbols. By reading this book, you will learn how birds and animals see the world, how artists create optical illusions, and about the many millions of hues the human eye can perceive. I See That won the 2018 Bologna Ragazzi Award, the most prestigious award in children’s literature, in the award’s non-fiction category. I See That has been awarded with a Bronze Medal Stiftung Buchkunst in 2019.