Epistola publishing house is a family-owned company founded in 2009. We seek to provide quality reading with variety of themes to enrich the lives of young readers. Our books have distinctively educational purpose, inspiring discussion with parents, teachers or other children. In order to provide the best possible reading and achieve quality, we collaborate with renowned domestic and foreign authors.
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Singapore's largest independent publisher of fiction and non-fiction for all ages. Check out our latest catalogue here: July – December 2018 (PDF.)
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The book studys the translation of Panwang Dage, a great Yao epic, from Chinese to English. It initially illustrates the text from linguistic level and cultural level, providing the basis for the use of translation strategies and methods focusing on oral literature of the southern ethnic minorities in China. Further, the author conducts theoretical interpretation and derivations, and puts forward some new ideas, like "dynamic equivalence of domestication and foreignization", "progressive translation based on cultural memes", etc., which can work in the translation of Chinese folk classics, especially the epics of southern China.
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Earth’s Epic: How Far is 4.6 Billion Years is a new book from Professor Miao Desui, an internationally renowned paleontologist and science writer. He has written many popular science works with good sales and reputation, and has won dozens of honors. In Earth’s Epic, he explains earth science to teenagers for the first time. In Earth’s Epic: How Far is 4.6 Billion Years, the author tells about the history of earth’s evolution, secrets in rocks, crustal movement, life evolution history recorded by fossils, earth minerals using popular and poetic language, showing readers the epic scene of earth’s evolution. As a popular science book, the Earth’s Epic is characterized by the concept of general education. In the book, Professor Miao Desui uses straightforward language, builds a scientific and rigorous knowledge system with multiple humane philosophies interwoven within the text, eliminates the barriers between science and liberal arts, and integrates geography, biology, history, physics, chemistry, literature, and other multiple disciplines. The book transmits the spirit of science, inspires interdisciplinary thinking, and enables readers of all ages to read and obtain knowledge from it. Since published, Earth’s Epic has repeatedly appeared on the authoritative lists of the industry and won the Best China Books of 2021. It has been recommended by multiple media, such as China Book Review, China Publishing Today, China Reading Weekly, China Science Daily, China Press Publication Radio Film and Television Journal, and We Love Science. Besides, Shen Shuzhong, academician of the Chinese Academy of Sciences; Chen Qifan, vice chairman of the China Science Writers Association; and Zhou Shangyi, professor of the Faculty of Geographical Science of Beijing Normal University, and many other experts have also given it high praise.
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An Invitation Letter from Nature series is Xue Tao's first set of nature-themed picture books. Since childhood, Xue Tao has enjoyed getting along with the plants and animals in nature and felt the rise and fall of all beings with a sensitive heart. This set of picture books for nature and ecology education just pays tribute to nature, as well as to a vibrant childhood. An Invitation Letter from Nature series focuses on the theme of nature in the form of transitions through the four seasons. It currently has five books: Epic of Mountain Forests, Day and Night of the Little Wooden House, One Year of Me and Tree, Missing Bugs and Grass, Birds and Little Beasts as Companions. Each book has its own theme, just like five different landscape paintings, presenting different life experiences. In Epic of Mountain and Forests, a little boy runs, observes, and thinks in the forest together with a small beast. The whole process becomes a journey to free the body and mind and to find the meaning of life.
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An audio book of poetry, including 101 poems written by Dickinson, Yeats, Pablo Neruda, Wislawa Szymborska, Jorge Luis Borges and other preeminent poets. Readers could not only read these beautiful poems but also listen to them by scanning the bar codes in the book.
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The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
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The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
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Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.
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It was in time immemorial, now forgotten. Then heroes and monsters walked on earth, and the former could not always be distinguished from the latter. And the word in those days was sharper than the sword, although the swords then knew how to pronounce their sharp word... The new story by the well-known Ukrainian writer Volodymyr Arenyev, laureate of the BBC Book of the Year 2019 award, tells about the adventures of the sword and those who owned it, journeys and persecutions, magic and spells, as well as about Odin Stoymenny, Ms. Bramnytsya and two desperate men who dared to challenge them. The Sworn Sword is an independent story in the world of The Sworn Treasure.
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Popular culture is invariably a vehicle for the dominant ideas of its age. Never was this truer than in the late-nineteenth and early twentieth centuries, when it reflected the nationalist and imperialist ideologies current throughout Europe. It both reflects popular attitudes, ideas and preconceptions and it generates support for selected views and opinions. This book examines the various media through which nationalist ideas were conveyed in late-Victorian and Edwardian times: in the theatre, "ethnic" shows, juvenile literature, education and the iconography of popular art. It seeks to examine in detail the articulation and diffusion of imperialism in the field of juvenile literature by stressing its pervasiveness across boundaries of class, nation and gender. It analyses the production, distribution and marketing of imperially-charged juvenile fiction, stressing the significance of the Victorians' discovery of adolescence, technological advance and educational reforms as the context of the great expansion of such literature. An overview of the phenomenon of Robinson Crusoe follows, tracing the process of its transformation into a classic text of imperialism and imperial masculinity for boys. The imperial commitment took to the air in the form of the heroic airmen of inter-war fiction. The book highlights that athleticism, imperialism and militarism become enmeshed at the public schools. It also explores the promotion of imperialism and imperialist role models in fiction for girls, particularly Girl Guide stories.
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The debate about the Empire dealt in idealism and morality, and both sides employed the language of feeling, and frequently argued their case in dramatic terms. This book opposes two sides of the Empire, first, as it was presented to the public in Britain, and second, as it was experienced or imagined by its subjects abroad. British imperialism was nurtured by such upper middle-class institutions as the public schools, the wardrooms and officers' messes, and the conservative press. The attitudes of 1916 can best be recovered through a reconstruction of a poetics of popular imperialism. The case-study of Rhodesia demonstrates the almost instant application of myth and sign to a contemporary imperial crisis. Rudyard Kipling was acknowledged throughout the English-speaking world not only as a wonderful teller of stories but as the 'singer of Greater Britain', or, as 'the Laureate of Empire'. In the last two decades of the nineteenth century, the Empire gained a beachhead in the classroom, particularly in the coupling of geography and history. The Island Story underlined that stories of heroic soldiers and 'fights for the flag' were easier for teachers to present to children than lessons in morality, or abstractions about liberty and responsible government. The Education Act of 1870 had created a need for standard readers in schools; readers designed to teach boys and girls to be useful citizens. The Indian Mutiny was the supreme test of the imperial conscience, a measure of the morality of the 'master-nation'.
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What is life? Different people have different views. In the book Celebration of Life: Secrets of Evolution, Professor Miao Desui presents to readers epic and magnificent scenes of life evolution using rigorous, lucid, and poetic language. The book contains topics and contents including the origin of life, biological inheritance and variation, evidence of biological evolution, adaptability to the environment of living things, and other hot spots like genes, bacteria, and viruses. It not only reveals the true connotation of life, but also could make people marvel at the magnificence of the world.
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Book 1. The Bald Man. When a twelve-year-old boy has to take on his young shoulders a burden of responsibility for others, when the whole forest is against him, when he is the only one to decide what is good and what is bad, every step of a dangerous journey might be the last… will the hero be able to reach the goal of his journey? Will he manage to save people and not to turn into a werewolf? Will it help him that he is a teenager or it will be an obstacle? Book 1. The Bald Man. When a twelve-year-old boy has to take on his young shoulders a burden of responsibility for others, when the whole forest is against him, when he is the only one to decide what is good and what is bad, every step of a dangerous journey might be the last… will the hero be able to reach the goal of his journey? Will he manage to save people and not to turn into a werewolf? Will it help him that he is a teenager or it will be an obstacle?Book 1. The Bald Man. When a twelve-year-old boy has to take on his young shoulders a burden of responsibility for others, when the whole forest is against him, when he is the only one to decide what is good and what is bad, every step of a dangerous journey might be the last… will the hero be able to reach the goal of his journey? Will he manage to save people and not to turn into a werewolf? Will it help him that he is a teenager or it will be an obstacle?Book 1. The Bald Man. When a twelve-year-old boy has to take on his young shoulders a burden of responsibility for others, when the whole forest is against him, when he is the only one to decide what is good and what is bad, every step of a dangerous journey might be the last… will the hero be able to reach the goal of his journey? Will he manage to save people and not to turn into a werewolf? Will it help him that he is a teenager or it will be an obstacle? Book II. LelyaCould be there anything more frightening than when The Bald Man and The Barefoot come to the village? Who steals magic stuff from kids? How to transform yourself into a flying old witch whose name is Baba Yaga? Where does the last way of the werewolves end? You will find the exciting answers to all these questionsin this new novel about the adventures of Lelya, The Bald Man and their friends in horrible world where almost nothing good and bright left…But there is no other world! Book III. AN ENGINEER. Looks like we have already found out what is that evil Force that wants to destroy all people and all living creatures on the Earth but nobody knows how to overcome it. The Bald Man proposed a plan, which looked so hopeless, terrifying, and adventurous that nobody liked it - nor Marichka, neither Lelya or The Beard Man, but yet all our heroes and even the rooster named Falkon agree to participate and to help. It is scary even to imagine how the story might end. And yet – where did this dark underground Force came from? Why is it so hostile to everything alive? The answers to these questions probably are hidden in the fate of another character, who called himself an Engineer. The last book of a trilogy “Through the forest. Across the sky. On the water” is as full of fantastic adventures and adventure fiction as the two previous ones: “The Bald Man” and “Lelya”.
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As the longest canal in the world, the Grand Canal connects five rivers in the land of China. This human-made river not only witnessed history of several dynasties, but also made great contribution to the economic, cultural, and political unification of the southern and northern China. This title explores large amount of historical materials concerning the Grand Canal, picturing a complete record of the canal during 2000 years.
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"Aeneid" is a Ukrainian burlesque-travesty poem written by the writer Ivan Kotlyarevsky, based on the plot of the classic poem of the same name by the Roman poet Virgil. It consists of six parts, in contrast to the twelve parts of Virgil. Written in four-foot iambic. The poem was written during the formation of romanticism and nationalism in Europe, against the background of nostalgia of the Ukrainian elite for the Cossack state, which was liquidated by Russia in 1775-1786. The Aeneid is the first large-scale monument of Ukrainian writing in the spoken Ukrainian language. The poem initiated the formation of modern Ukrainian literature.
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This is the world of the distant future – comfortable, bright and full of hopes and expectations. This is Kyiv, in which kids fly to school on jetpacks and study at the School of Space Travelling. And this is Mykhailo Neborak, an ordinary schoolboy who on one April day meets Oleksandr Nenarok, a new boy in his school. And this newbie knows a lot of strange and dangerous things about this beautiful and comfortable world of the future… ‘Sapiences’ is a sci-fi novel for teenagers set in Kyiv of 2178. One of the protagonists, Oleksandr Nenarok, has two moms, a necromant grandpa and an iron heart. Dangerous adventures, interplanetary voyages and fighting against galactic thugs – the readers will find all these in the book.
