EDITORIAL VERBO DIVINO
Editorial Verbo Divino's main objective is to spread the Bible. In addition, it is distinguished by the publication of works of study and interpretation of the Bible aimed at very diverse audiences.
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EDITORIAL VERBUM, S.L.
Editorial Verbum was born in Madrid, in 1990, as a tribute and continuation of Verbum, the magazine created in Havana, in 1937, by José Lezama Lima and some of the members of the later known as Grupo Orígenes.
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Promoted Content
Literature & Literary StudiesJanuary 2019The art of The Faerie Queene
by J. B. Lethbridge, Richard Brown
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
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Promoted Content
Literature & Literary StudiesSeptember 2020The art of The Faerie Queene
by Richard Danson Brown, Joshua Samuel Reid
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
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PoetryJuly 1904Paradise Lost
by John Milton
Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton. The first version, published in 1667, consisted of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's Aeneid) with minor revisions throughout and a note on the versification. The poem concerns the biblical story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Milton's purpose, stated in Book I, is to "justify the ways of God to men".
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Literary studies: fiction, novelists & prose writersThe Passion of Meter
A Study of Wordsworth’s Metrical Art
by Brennan O'Donnell (author)
The Passion of Meter is the first extended critical study of Wordsworth's metrical theory and his practice in the art of versification. Until now, relatively little attention has been paid to the relationship between Wordsworth's attempt to incorporate into his poetry the language of "common life" and the highly complex and decidedly conventional metrical forms in which he presents this language. O'Donnell provides a detailed treatment of what Wordsworth calls the “innumerable minutiae" that the art of the poet depends upon and of the broader vision to which those minutiae contribute. Beginning with a reassessment of Wordsworth's frequently misrepresented prose comments about meter, O'Donnell argues that these comments-considered in light of Wordsworth's practice and within their 18th-century context are more unorthodox and challenging than previously thought. In emphasizing the physical body of the poem as the site of a dynamic tension between conflicting passions - "the passion of sense" and "the passion of meter." Wordsworth places issues of metrical form and versification in the foreground of his theory of poetry. The core of this book is dedicated to a close examination of the elements of Wordsworth's craft. It sets forth in detail the rules and conventions that govern the poet's habits of metrical composition, identifying the idiosyncrasies that distinguish his practice from those of his predecessors and contemporaries. It also offers a close reading of a substantial body of Wordsworth's poetry, with careful attention paid to complex relationships between the minutiae of its sensuous forms (metrical form, rhythm, rhyme, assonance, alliteration) and larger thematic, aesthetic, and sophic concerns. As a departure from much contemporary criticism that tends to treat poetry solely as text, The Passion of Meter demonstrates the benefits of studying the details of versecraft. O'Donnell sizes the importance of hearing Wordsworth's poems as sonic performances in time as well as seeing them on the page.
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Biography & True StoriesMarch 2020A Stormy Petrel
The Life and Times of John Pope Hennessy
by P. Kevin MACKEOWN
Many words have been used to describe John Pope Hennessy, the former governor of Hong Kong. “Controversial” is perhaps the briefest way to outline his character. Yet we may be guilty of ascribing modern ideas to our understanding of characters of the past. An Irish Catholic raised during the age of empire and rising nationalism, a devout Tory and Disraeli follower, a believer in both the benefits of empire and a patron of local talent in his postings, it is easy to view Pope Hennessy as a man of contradictions. This volume traces Pope Hennessy’s history from his early beginnings in famine Ireland to his attempts to rise through the ranks in London. It goes on to cover his early postings to Labuan, West Africa, and, of course, Hong Kong, as well as his final days with his family. His actions and his personality are laid bare for readers to form their own opinions of one of Hong Kong’s most enigmatic governors. “As to Sir J. P. Hennessy, the less said the better. His acts speak powerfully enough. The centre of his world was he himself. But with all the crowd of dark and bright powers that were wrestling within him, he could not help doing some good…” - Dr Ernst Johann Eitel, Missionary, sinologist, and John Pope Hennessy’s private secretary
