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      • world-wide-wealth (c/o autónomy)

        ... wealth is not materialism - not in universe (only 5% is about matter) and not on earth (it´s all about education: i.a. as a buddhists, you are happy, if YOU are happy - and not comparing - and NOT buying things you don´t need, with money you don´t have, to impress people you don´t like ... ). I invented the formulas of TIME (as such), SPACE (as such) and DYNAMIC  RELATIVITY ( as such ... relativizing Albert Einstein - and explaining the 95% of astronomy not known up to now:  23% "dark matter" and 72" "dark energy"). Wealth is not materialistic. At least not in universe, expanding since 13.8 billion years, with faaar less problems, than those of the so called "homo-sapiens"...  . "Space" in the 4th ("energetic-") dimension (not in the "low-level" 3-D-version of combating for territories or market-shares), space, is the top of the top targets of universe - and all this is transferable to mankind ... in order to achieve  world-wide-wealth !!!

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      • Boslen LLC Publishing House

        BOSLEN is independent publishing house. It has existed since 2002. Our publishing house is distinguished by a special attitude to the level of printing of the book, the search for new forms and design solutions, the desire for technological innovation, enthusiasm and a wide sphere of creative interests. We believe that simply compiled information, that is, a book without a publishing idea, which the designer, editor and the whole team embody, is comparable to performing an orchestra without a conductor: it has all the necessary instruments, but there is no agreement between them, nothing binds them. We are engaged in an experimental book, that is, editions that we design from idea to circulation, together with the authors and the entire project team. The slogan of our publishing house is "The Union of Letters and Creativity"

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      • Trusted Partner
        Boston Belles - Hunter
        July 2021

        Boston Belles - Hunter

        by L. J. Shen

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      • Trusted Partner
        Boston Belles - Villain
        November 2021

        Boston Belles - Villain

        by L. J. Shen

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      • Trusted Partner
        Boston Belles - Monster
        February 2022

        Boston Belles - Monster

        by L. J. Shen

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      • Trusted Partner
        Boston Belles - Rake
        May 2022

        Boston Belles - Rake

        by L. J. Shen

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      • Trusted Partner
        Unser Körper - Unser Leben
        1988

        Unser Körper - Unser Leben

        The New Our Bodies, Ourselves. Ein Handbuch von Frauen für Frauen

        by The Boston Women's Health Book Collective

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      • Trusted Partner
        Unsere Kinder - unser Leben
        1981

        Unsere Kinder - unser Leben

        Ein Handbuch von Eltern für Eltern

        by The Boston Women's Health Book Collective

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      • Trusted Partner
        Boston: Sterben für Rembrandt
        January 1998

        Boston: Sterben für Rembrandt

        by Banks, Oliver

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      • Trusted Partner
        Meines Vaters Liebling
        November 2008

        Meines Vaters Liebling

        Roman

        by Carole L. Glickfeld, Mirjam Pressler

        Der wichtigste Mann im Leben eines Mädchens ist – häufig genug – ihr Vater. Schwierig, wenn es sich dabei um einen launischen Patriarchen handelt, der auch vor Prügeln nicht zurückschreckt. Noch schwieriger, wenn man erst neun Jahre alt ist und sein erklärter Liebling. Wie weit würde man gehen, um die Familie – die älteren Geschwister, die strenge, aber fürsorgliche Mutter – vor dem eigenen Vater in Schutz zu nehmen? Ruthie Zimmer meistert ihre Kindheit in einem der weniger glamourösen Viertel Manhattans mit Intelligenz und wacher Neugierde. Zwanzig Jahre später, als erwachsene Frau, kehrt sie dorthin zurück und wagt sich an die Auseinandersetzung mit den alten Erinnerungen und mit ihrem schwierigen, geliebten Vater. Temperamentvoll und mit warmherzigem Humor erzählt Carole L. Glickfeld, die Autorin des Erfolgsromans Herzweh, von einer Familie im New York der fünfziger Jahre, vor allem aber von einer Beziehung zwischen Tochter und Vater, die trotz aller dramatischen Spannungen unauflöslich scheint.

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        Carol Reed
        The Arts
        June 2005

        Carol Reed

        by Peter William Evans, Brian McFarlane, Neil Sinyard

        Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed's art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed's relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!. ;

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      • Trusted Partner
        The poetry of Carol Ann Duffy
        Literature & Literary Studies
        December 2003

        The poetry of Carol Ann Duffy

        Choosing tough words

        by Angelica Michelis, Anthony Rowland

        The first full-length collection of essays on the poetry of Carol Ann Duffy. Duffy's poetry is both respected by academics, and widely read and enjoyed by both children and adults. Approaches Duffy's work from a variety of literary theoretical perspectives, including feminism, masculinity, national identity and post-structuralism. Situates Duffy's work in relation to current debates about the state, value and social relevance of contemporary British poetry. Will become the benchmark anthology on Duffy. ;

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      • Trusted Partner
        Race talk
        Humanities & Social Sciences
        July 2020

        Race talk

        Languages of racism and resistance in Neapolitan street markets

        by Antonia Lucia Dawes

        This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Race talk is about language use as an anti-racist practice in multicultural city spaces. The book contends that attention to talk reveals the relations of domination and subordination in heterogeneous, ethnically diverse and multilingual contexts, while also helping us to understand how transcultural solidarity might be expressed. Drawing on original ethnographic research conducted on licensed and unlicensed market stalls in in heterogeneous, ethnically diverse and multilingual contexts, this book examines the centrality of multilingual talk to everyday struggles about difference, positionality and entitlement. In these street markets, Neapolitan street vendors work alongside documented and undocumented migrants from Bangladesh, China, Guinea Conakry, Mali, Nigeria and Senegal as part of an ambivalent, cooperative and unequal quest to survive and prosper. As austerity, anti-immigration politics and urban regeneration projects encroached upon the possibilities of street vending, talk across linguistic, cultural, national and religious boundaries underpinned the collective action of street vendors struggling to keep their markets open. The edginess of their multilingual organisation offered useful insights into the kinds of imaginaries that will be needed to overcome the politics of borders, nationalism and radical incommunicability.

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      • Trusted Partner
        Screening the Paris suburbs
        The Arts
        December 2019

        Screening the Paris suburbs

        From the silent era to the 1990s

        by Philippe Met, Annie Fourcaut, Roland-François Lack, Jean-Louis Pautrot, Keith Reader, Margaret Flinn, Eric Bullot, Tristan Jean, Malcolm Turvey, Elisabeth Cardonne-Arlyck, Térésa Faucon, Philippe Met, Camille Canteux, Derek Schilling, Guillaume Soulez, David Vasse, Derek Schilling

        Decades before the emergence of a French self-styled 'hood' film around 1995, French filmmakers looked beyond the gates of the capital for inspiration and content. In the Paris suburbs they found an inexhaustible reservoir of forms, landscapes and social types in which to anchor their fictions, from bourgeois villas and bucolic riverside cafés to post-war housing estates and postmodern new towns. For the first time in English, contributors to this volume address key aspects of this long film history, marked by such towering figures as Jean Renoir, Jacques Tati and Jean-Luc Godard. Idyllic or menacing, expansive or claustrophobic, the suburb served divergent aesthetic and ideological programmes across the better part of a century. Themes central to French cultural modernity - class conflict, leisure, boredom and anti-authoritarianism - cut across the fifteen chapters.

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      • Trusted Partner
        The Winter's Tale
        Literature & Literary Studies
        July 2010

        The Winter's Tale

        by Judith Dunbar, Jim Bulman, Carol Chillington Rutter

        This illuminating study of The Winter's Tale in performance in the twentieth and early twenty-first centuries contributes to understanding the growth during that time of high critical esteem forwhat is now one of Shakespeare's frequently performed plays. Writing about performance as a richly collaborative living art, the author learns from and gives voice to the work of actors, directors, designers and other theatre professionals whose labor and interpretive discoveries have made it possible for audiences to experience the play's multiple potentialities in the theatre. She does this in part by citing from her interviews with directors like Trevor Nunn and Peter Hall and with actors engaged in some of the most significant twentieth-century productions of The Winter's Tale. Dunbar connects her scholarly research, including fresh use of materials in theatrical archives, to her direct experience of those productions she has able to see in performance and, at times, to see develop in rehearsal. Her in-depth analysis of selected significant twentieth-century productions, including cross-cultural productions of The Winter's Tale by the Royal Dramatic Theatre of Sweden (directed by Ingmar Bergman), and the Maly Drama Theatre of Europe, in St. Petersburg (directed by Declan Donnellan), explores how theatre artists have approached the play's most crucial theatrical and interpretive challenges. The book's last chapter, by distinguishedtheatre scholar and performance critic Carol Chillington Rutter, contributes a richly layered and highly engaging comparative analysis of eight of the most important recent British productions of the play. Dunbar makes a significant contribution to understanding The Winter's Tale which will be of great interest to scholars, teachers, and students of Shakespeare, to theatre lovers, and to all involved in productions of the play. ;

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      • Trusted Partner
        Unser Körper - Unser Leben: Über das Älterwerden
        September 1991

        Unser Körper - Unser Leben: Über das Älterwerden

        Ein Handbuch für Frauen

        by Brown Doress, Paula; Laskin Siegal, Diana; The Midlife and Older Women Book Projekt; The Boston Women's Health Book Collective / Illustriert von Perkis, Roselaine; Deutsch Preuschoft, Claudia

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      • Trusted Partner
        False profits of ethical capital
        Business, Economics & Law
        July 2024

        False profits of ethical capital

        Finance, labour and the politics of risk

        by Claire Parfitt

        False profits of ethical capital is a thought-provoking approach to understanding stakeholder capitalism. Rather than focusing on the inadequacies of corporate responsibility, sustainable investment and consumer politics, this book grapples with the technical and rhetorical functions of ethical capital for profit and accumulation. It provides a unique and eclectic analysis of the political dynamics between finance, capital and labour, offering a refreshing perspective on struggles interlocking social, ecological and economic crises, and suggesting new ways of thinking about sustainability politics.

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      • Trusted Partner
        Algerian national cinema
        The Arts
        June 2021

        Algerian national cinema

        by Guy Austin

        This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation. Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the 'black decade' of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.

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      • Trusted Partner
        Algerian national cinema
        The Arts
        January 2019

        Algerian national cinema

        by Guy Austin

        This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation. Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the 'black decade' of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.

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      • Trusted Partner
        Dawn Song
        December 2009

        Dawn Song

        by Michael Marano, Eva Bauche-Eppers

        Berückend schön, unvorstellbar grausam. Boston in der Vorweihnachtszeit 1990: Lawrence, ein melancholischer, verletzlicher Buchverkäufer, der vergeblich versucht, über die Trennung von seinem Liebhaber hinweg zu kommen, ahnt nicht, daß die sehr attraktive junge Frau, die in sein Haus zieht, ein mächtiger Sukkubus ist – eine Kreatur des Bösen, die ihre Erscheinung wechselt und menschliche Seelen aufsaugt. Und so werden die Straßen von Boston zum Austragungsort eines uralten Kampfes zwischen zwei verfeindeten Kräften des Bösen.

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