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      • Children's & YA

        The Two Fridas

        by Frida Kahlo and Gianluca Folì

        Frida Kahlo kept a journal during the last ten years of her life (1944-1954). In it she records dreams, thoughts, memories and ideas that she later expressed in her paintings, in addition to numerous drawings and sketches.This surprising and intimate document, which was kept under lock and key for approximately forty years, contains multiple signs of this renowned Mexican artist’s complex personality.The Two Fridas is an illustrated album where, for the first time, Frida’s voice is heard. She describes one of her first childhood memories concisely and poignantly:her friendship, at six years old, with an imaginary friend.

      • Children's & YA

        Migrants

        by Issa Watanabe

        Booktrailer   A wordless picture-book that narrates, with extraordinarily forceful images, the journey of a group of animals that leaves behind a leafless, nocturnal forest. It is the story of a great and unique migration, a journey where sacrifices are made, loved ones are left behind; borders must be crossed...How many borders must be crossed to get home? Theo Angelopoulos

      • Children's & YA

        Peter Pan

        by Svetlin Vassilev / J. M. Barrie

        The dramatic text, written by the Scotsman, James M. Barrie, and premiered in London in 1904, inspired the adventures of Peter Pan, a work that broke with the stereotype of a "children's book".This deluxe edition, illustrated by Svetlin Vassilev, highlights the more timeless sideof this extraordinary story.

      • Children's & YA

        The Clay Figurine

        by Emma Reyes and Carme Vendré Soler

        Booktrailer This story comes from The Book of Emma Reyes: A Memoir in Correspondence, by Colombian painter Emma Reyes. The story, told through the eyes of Emma Reyes, goes back to the day when she, with the help of her friend "el Piojo" and other streetchildren, created General Rebollo with their own hands. The writer thus reveals one of her most distant memories, when she was an orphaned child amid the misery of Bogotá in the 1920s, but she does so with words that convey the sparkle and naivety of a childhood game. It is a moving album, in which Carme Solé Vendrell's spontaneous strokes andtechnical richness enhance the expressiveness of such a collective personage: childhood at its most vulnerable.

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