The Arts
May 2017
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Gender studies: menNovember 2007Representing Renaissance art, c.1500–c.1600
by Catherine E. King
Representing Renaissance art, c.1500-c.1600 is a study of change and continuity in the iconographies of art and the visual representation of artists during the sixteenth century, especially in Italy and the Netherlands. The issue of how, and how far, artists obtained higher status for their profession during the Renaissance is a key question for the study of the early modern period. This book considers the maintenance of well-established traditions for the visual representation of artists, and also examines the new iconographies that emerged in the sixteenth century. By highlighting art and architecture that artists designed for their personal use, including the decoration of their houses, this study provides insight into the tastes and 'ways of looking' specific to artists. By examining the visual evidence we see the opinions both of artists who expressed their views in literary texts, and additionally those of artists who did not publish their ideas in written form.
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The ArtsMay 2017Modernism and the making of the Soviet New Man
by Tijana Vujosevic
The creation of Soviet culture in the 1920s and the 1930s was the most radical of modernist projects, both in aesthetic and in political terms. Modernism and the Making of the New Man explores the architecture of this period as the nexus between aesthetics and politics. The design of the material environment, according to the author, was the social effort that most clearly articulated the dynamic of the socialist project as a negotiation between utopia and reality, the will for progress and the will for tyranny. It was a comprehensive effort that brought together professional architects and statisticians, theatre directors, managers, housewives, pilots, construction workers. What they had in common was the enthusiasm for defining the "new man", the ideal citizen of the radiant future, and the settings in which he or she lives.
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Humanities & Social SciencesFebruary 2017Men in reserve
British civilian masculinities in the Second World War
by Juliette Pattinson, Arthur McIvor, Linsey Robb, Penny Summerfield
Men in reserve focuses on working class civilian men who, as a result of working in reserved occupations, were exempt from enlistment in the armed forces. It uses fifty six newly conducted oral history interviews as well as autobiographies, visual sources and existing archived interviews to explore how this group articulated their wartime experiences and how they positioned themselves in relation to the hegemonic discourse of military masculinity. It considers the range of masculine identities circulating amongst civilian male workers during the war and investigates the extent to which reserved workers draw upon these identities when recalling their wartime selves. It argues that the Second World War was capable of challenging civilian masculinities, positioning the civilian man below that of the 'soldier hero' while, simultaneously, reinforcing them by bolstering the capacity to provide and to earn high wages, frequently in risky and dangerous work, all which were key markers of masculinity.
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Humanities & Social SciencesNovember 2018Men on trial
Performing emotion, embodiment and identity in Ireland, 1800–45
by Katie Barclay, Lynn Abrams
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Humanities & Social SciencesNovember 2018Men on trial
Performing emotion, embodiment and identity in Ireland, 1800–45
by Katie Barclay, Lynn Abrams
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The ArtsNovember 2018Modernism and the making of the Soviet New Man
by Tijana Vujosevic
The creation of Soviet culture in the 1920s and the 1930s was the most radical of modernist projects, both in aesthetic and in political terms. Modernism and the Making of the New Man explores the architecture of this period as the nexus between aesthetics and politics. The design of the material environment, according to the author, was the social effort that most clearly articulated the dynamic of the socialist project as a negotiation between utopia and reality, the will for progress and the will for tyranny. It was a comprehensive effort that brought together professional architects and statisticians, theatre directors, managers, housewives, pilots, construction workers. What they had in common was the enthusiasm for defining the "new man", the ideal citizen of the radiant future, and the settings in which he or she lives.
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Humanities & Social SciencesNovember 2018Men on trial
Performing emotion, embodiment and identity in Ireland, 1800–45
by Katie Barclay, Lynn Abrams
Men on trial explores how the Irish perform 'the self' within the early nineteenth-century courtroom and its implications for law, society and nation. Drawing on new methodologies from the history of emotion, as well as theories of performativity and performative space, it emphasises that manliness was not simply a cultural ideal, but something practised, felt and embodied. Men on trial explores how gender could be a creative dynamic in productions of power. Targeted at scholars in Irish history, law and gender studies, this book argues that justice was not simply determined through weighing evidence, but through weighing men, their bodies, behaviours, and emotions. Moreover, in a context where the processes of justice were publicised in the press for the nation and the world, manliness and its role in the creation of justice became implicated in the making of national identity.
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Humanities & Social SciencesJune 2021Colonial masculinity
The 'manly Englishman' and the 'effeminate Bengali' in the late nineteenth century
by Mrinalini Sinha
This book is about the processes and practices through which two differently positioned elites, among the colonisers and the colonised, were constituted respectively as the 'manly Englishman' and the 'effeminate Bengali'. It argues that the emerging dynamics between colonial and nationalist politics in the 1880s and 1890s in India is best captured in the logic of colonial masculinity. The figures of the 'manly Englishman' and the 'effeminate Bengali' were thus constituted in relation to colonial Indian society as well as to some aspects of late nineteenth-century British society. These aspects of late nineteenth-century British society are the emergence of the 'New Woman', the 'remaking of the working class', the legacy of 'internal colonialism', and the anti-feminist backlash of the 1880s and 1890s. A sustained focus on the imperial constitution of colonial masculinity, therefore, serves also to refine the standard historical scholarship on nineteenth-century British masculinity. The book traces the impact of colonial masculinity in four specific controversies: the 'white mutiny' against the Ilbert Bill in 1883, the official government response to the Native Volunteer movement in 1885, the recommendations of the Public Service Commission of 1886, and the Indian opposition to the Age of Consent Bill in 1891. In this book, the author situates the analysis very specifically in the context of an imperial social formation. In doing so, the author examines colonial masculinity not only in the context of social forces within India, but also as framed by and framing political, economic, and ideological shifts in Britain.
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Humanities & Social SciencesJanuary 2021Brothers in the Great War
Siblings, masculinity and emotions
by Linda Maynard, Penny Summerfield
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Siblings are our longest lasting relationships. Narratives of the Great War abound with the war stories of brothers and sisters. Their emotional experiences span the novelty of departing for war or taking up war work, the turmoil of facing combat, the effort to provide ongoing support for family members, the ever-present anxiety for soldier-brothers, the depth of sibling grief and the multifarious ways surviving siblings sought to preserve the memory of their fallen brothers. This social and cultural history places siblinghood at the heart of our understanding of the war generation and how they balanced conflicting obligations to the nation, the military and their families. Drawing on a range of material, Brothers in the Great War, reveals how sibling bonds sustained fighting men and presents a novel insight into twentieth-century familial life.
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Humanities & Social SciencesJanuary 2021Brothers in the Great War
Siblings, masculinity and emotions
by Linda Maynard, Penny Summerfield
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Siblings are our longest lasting relationships. Narratives of the Great War abound with the war stories of brothers and sisters. Their emotional experiences span the novelty of departing for war or taking up war work, the turmoil of facing combat, the effort to provide ongoing support for family members, the ever-present anxiety for soldier-brothers, the depth of sibling grief and the multifarious ways surviving siblings sought to preserve the memory of their fallen brothers. This social and cultural history places siblinghood at the heart of our understanding of the war generation and how they balanced conflicting obligations to the nation, the military and their families. Drawing on a range of material, Brothers in the Great War, reveals how sibling bonds sustained fighting men and presents a novel insight into twentieth-century familial life.
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Trusted Partner
Humanities & Social SciencesFebruary 2017Men in reserve
British civilian masculinities in the Second World War
by Juliette Pattinson, Arthur McIvor, Linsey Robb, Penny Summerfield
Men in reserve focuses on working class civilian men who, as a result of working in reserved occupations, were exempt from enlistment in the armed forces. It uses fifty six newly conducted oral history interviews as well as autobiographies, visual sources and existing archived interviews to explore how this group articulated their wartime experiences and how they positioned themselves in relation to the hegemonic discourse of military masculinity. It considers the range of masculine identities circulating amongst civilian male workers during the war and investigates the extent to which reserved workers draw upon these identities when recalling their wartime selves. It argues that the Second World War was capable of challenging civilian masculinities, positioning the civilian man below that of the 'soldier hero' while, simultaneously, reinforcing them by bolstering the capacity to provide and to earn high wages, frequently in risky and dangerous work, all which were key markers of masculinity.
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Humanities & Social SciencesJanuary 2021Bachelors of a different sort
Queer aesthetics, material culture and the modern interior in Britain
by Christopher Breward, John Potvin, Bill Sherman
The bachelor has long held an ambivalent, uncomfortable and even at times unfriendly position in society. This book carefully considers the complicated relationships between the modern queer bachelor and interior design, material culture and aesthetics in Britain between 1885 and 1957. The seven deadly sins of the modern bachelor (queerness, idolatry, askesis, decadence, the decorative, glamour and artifice) comprise a contested site and reveal in their respective ways the distinctly queer twinning of shame and resistance. It pays close attention to the interiors of Lord Ronald Gower, Alfred Taylor, Oscar Wilde, Charles Shannon and Charles Ricketts, Edward Perry Warren and John Marshall, Sir Cedric Morris and Arthur Lett-Haines, Noël Coward and Cecil Beaton. Richly illustrated and written in a lively and accessible manner, Bachelors of a different sort is at once theoretically ambitious and rich in its use of archival and various historical sources.
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Humanities & Social SciencesMarch 2017From Jack Tar to Union Jack
Representing naval manhood in the British Empire, 1870–1918
by Mary A. Conley
Jack Tar to Union Jack examines the intersection between empire, navy, and manhood in British society from 1870 to 1918. Through analysis of sources that include courts-martial cases, sailors' own writings, and the HMS Pinafore, Conley charts new depictions of naval manhood during the Age of Empire, a period which witnessed the radical transformation of the navy, the intensification of imperial competition, the democratisation of British society, and the advent of mass culture. Jack Tar to Union Jack argues that popular representations of naval men increasingly reflected and informed imperial masculine ideals in Victorian and Edwardian Britain. Conley shows how the British Bluejacket as both patriotic defender and dutiful husband and father stood in sharp contrast to the stereotypic image of the brave but bawdy tar of the Georgian navy. This book will be essential reading for students of British imperial history, naval and military history, and gender studies.
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Literature & Literary StudiesJune 2017Victorian demons
Medicine, masculinity, and the Gothic at the fin-de-siècle
by Andrew Smith
Victorian demons provides the first extensive exploration of largely middle-class masculinities in crisis at the fin de siècle. It analyses how ostensibly controlling models of masculinity became demonised in a variety of literary and medical contexts, revealing the period to be much more ideologically complex than has hitherto been understood, and makes a significant contribution to Gothic scholarship. Andrew Smith demonstrates how a Gothic language of monstrosity, drawn from narratives such as 'The Strange Case of Dr Jekyll and Mr Hyde' and 'Dracula', increasingly influenced a range of medical and cultural contexts, destabilising these apparently dominant masculine scripts. He provides a coherent analysis of a range of examples relating to masculinity drawn from literary, medical, legal and sociological contexts, including Joseph Merrick ('The Elephant Man'), the Whitechapel murders of 1888, Sherlock Holmes's London, the writings and trials of Oscar Wilde, theories of degeneration and medical textbooks on syphilis.
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Humanities & Social SciencesSeptember 2020Manliness in Britain, 1760–1900
Bodies, emotion, and material culture
by Joanne Begiato
This book offers an innovative account of manliness in Britain between 1760 and 1900. Using diverse textual, visual and material culture sources, it shows that masculinities were produced and disseminated through men's bodies -often working-class ones - and the emotions and material culture associated with them. The book analyses idealised men who stimulated desire and admiration, including virile boxers, soldiers, sailors and blacksmiths, brave firemen and noble industrial workers. It also investigates unmanly men, such as drunkards, wife-beaters and masturbators, who elicited disgust and aversion. Unusually, Manliness in Britain runs from the eras of feeling, revolution and reform to those of militarism, imperialism, representative democracy and mass media, periods often dealt with separately by historians of masculinities.
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Humanities & Social SciencesMarch 2017Martial races
The military, race and masculinity in British imperial culture, 1857–1914
by Heather Streets
This book explores how and why Scottish Highlanders, Punjabi Sikhs, and Nepalese Gurkhas became identified as the British Empire's fiercest, most manly soldiers in nineteenth century discourse. As 'martial races' these men were believed to possess a biological or cultural disposition to the racial and masculine qualities necessary for the arts of war. Because of this, they were used as icons to promote recruitment in British and Indian armies - a phenomenon with important social and political effects in India, in Britain, and in the armies of the Empire. Martial Races bridges regional studies of South Asia and Britain while straddling the fields of racial theory, masculinity, imperialism, identity politics, and military studies. Of particular importance is the way it exposes the historical instability of racial categories based on colour and its insistence that historically specific ideologies of masculinity helped form the logic of imperial defence, thus wedding gender theory with military studies in unique ways. Moreover, Martial Races challenges the marginalisation of the British Army in histories of Victorian popular culture, and demonstrates the army's enduring impact on the regional cultures of the Highlands, the Punjab and Nepal. This unique study will make fascinating reading for higher level students and experts in imperial history, military history and gender history.
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Humanities & Social SciencesMarch 2017Colonial masculinity
The 'manly Englishman' and the 'effeminate Bengali' in the late nineteenth century
by Mrinalini Sinha
This book is about the processes and practices through which two differently positioned elites, among the colonisers and the colonised, were constituted respectively as the 'manly Englishman' and the 'effeminate Bengali'. It argues that the emerging dynamics between colonial and nationalist politics in the 1880s and 1890s in India is best captured in the logic of colonial masculinity. The figures of the 'manly Englishman' and the 'effeminate Bengali' were thus constituted in relation to colonial Indian society as well as to some aspects of late nineteenth-century British society. These aspects of late nineteenth-century British society are the emergence of the 'New Woman', the 'remaking of the working class', the legacy of 'internal colonialism', and the anti-feminist backlash of the 1880s and 1890s. A sustained focus on the imperial constitution of colonial masculinity, therefore, serves also to refine the standard historical scholarship on nineteenth-century British masculinity. The book traces the impact of colonial masculinity in four specific controversies: the 'white mutiny' against the Ilbert Bill in 1883, the official government response to the Native Volunteer movement in 1885, the recommendations of the Public Service Commission of 1886, and the Indian opposition to the Age of Consent Bill in 1891. In this book, the author situates the analysis very specifically in the context of an imperial social formation. In doing so, the author examines colonial masculinity not only in the context of social forces within India, but also as framed by and framing political, economic, and ideological shifts in Britain.
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The ArtsMay 2021Deco Dandy
Designing masculinity in 1920s Paris
by John Potvin, Christopher Breward, James Ryan
Deco dandy contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences of decorative modernism, nationalism, gender and sexuality in the years surrounding World War I converge in the protean figure of the 'deco dandy'. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important and productive moments in the history of the cultural life of Paris presented in the book provide insights into the changing role performed by consumerism, masculinity, design history and national identity.
