Your Search Results(showing 65)

    • Feminism & feminist theoryx
    • Trusted Partner
      The Arts
      January 2018

      Addressing the other woman

      Textual correspondences in feminist art and writing

      by Kimberly Lamm, Marsha Meskimmon

      This book analyses how three artists - Adrian Piper, Nancy Spero and Mary Kelly - worked with the visual dimensions of language In the 1960s and 1970s. These artists used text and images of writing to challenge female stereotypes, addressing viewers and asking them to participate in the project of imagining women beyond familiar words and images of subordination. The book explores this dimension of their work through the concept of 'the other woman', a utopian wish to reach women and correspond with them across similarities and differences. To make the artwork's aspirations more concrete, it places the artists in correspondence with three writers - Angela Davis, Valerie Solanas, and Laura Mulvey - who also addressed the limited range of images through which women are allowed to become visible. Appealing to scholars and students of feminist art history, visual studies, and literature, the book offers a multi-faceted picture of the feminisms that emerged in the 1960s and 1970s.

    • Trusted Partner
      The Arts
      January 2018

      Addressing the other woman

      Textual correspondences in feminist art and writing

      by Kimberly Lamm, Marsha Meskimmon

      List of figures Acknowledgements Introduction Part I: Writing the "I" otherwise: telegraphing black feminism in the work of Adrian Piper and Angela Davis 1. Adrian Piper's textual address 2. Letters from an imaginary enemy, Angela Davis Part II: Typing the poetry of monsters: Nancy Spero and Valerie Solanas write aggression 3. Writing the drives in Nancy Spero's Codex Artaud 4. Valerie Solanas' S.C.U.M. Manifesto and the texts of aggression Part III: Hieroglyphs of maternal desire: the collaborative texts of Mary Kelly and Laura Mulvey 5. Rewriting maternal femininity in Mary Kelly's Post-Partum Document 6. Feminist desires and collective reading in the work of Laura Mulvey Conclusion Bibliography Index

    • Trusted Partner
      The Arts
      January 2018

      Addressing the other woman

      Textual correspondences in feminist art and writing

      by Kimberly Lamm, Marsha Meskimmon

      List of figures Acknowledgements Introduction Part I: Writing the "I" otherwise: telegraphing black feminism in the work of Adrian Piper and Angela Davis 1. Adrian Piper's textual address 2. Letters from an imaginary enemy, Angela Davis Part II: Typing the poetry of monsters: Nancy Spero and Valerie Solanas write aggression 3. Writing the drives in Nancy Spero's Codex Artaud 4. Valerie Solanas' S.C.U.M. Manifesto and the texts of aggression Part III: Hieroglyphs of maternal desire: the collaborative texts of Mary Kelly and Laura Mulvey 5. Rewriting maternal femininity in Mary Kelly's Post-Partum Document 6. Feminist desires and collective reading in the work of Laura Mulvey Conclusion Bibliography Index

    • Trusted Partner
      Humanities & Social Sciences
      May 2019

      Wir sind viele, wir sind eins

      Wenn wir die Rechte der Frauen stärken, verändern wir die Welt

      by Gates, Melinda / Übersetzt von Liebl, Elisabeth

    • Trusted Partner
      The Arts
      April 2019

      Stage women, 1900–50

      Female theatre workers and professional practice

      by Maggie B. Gale, Kate Dorney, Maggie B. Gale, Kate Dorney

      This book presents a collection of cutting-edge historical and cultural essays in the field of women, theatre and performance. The chapters explore women's networks of professional practice in the theatre and performance industries between 1900 and 1950, with a focus on women's sense and experience of professional agency in an industry largely controlled by men. The book is divided into two sections: 'Female theatre workers in the social and theatrical realm' looks at the relationship between women's work - on and off stage - and autobiography, activism, technique, touring, education and the law. 'Women and popular performance' focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros and Oscar-winning film star Margaret Rutherford.

    • Trusted Partner
      The Arts
      April 2019

      Stage women, 1900–50

      Female theatre workers and professional practice

      by Maggie B. Gale, Kate Dorney, Maggie B. Gale, Kate Dorney

      This book presents a collection of cutting-edge historical and cultural essays in the field of women, theatre and performance. The chapters explore women's networks of professional practice in the theatre and performance industries between 1900 and 1950, with a focus on women's sense and experience of professional agency in an industry largely controlled by men. The book is divided into two sections: 'Female theatre workers in the social and theatrical realm' looks at the relationship between women's work - on and off stage - and autobiography, activism, technique, touring, education and the law. 'Women and popular performance' focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros and Oscar-winning film star Margaret Rutherford.

    • Trusted Partner
      The Arts
      April 2019

      Stage women, 1900–50

      Female theatre workers and professional practice

      by Maggie B. Gale, Kate Dorney, Maggie B. Gale, Kate Dorney

      This book presents a collection of cutting-edge historical and cultural essays in the field of women, theatre and performance. The chapters explore women's networks of professional practice in the theatre and performance industries between 1900 and 1950, with a focus on women's sense and experience of professional agency in an industry largely controlled by men. The book is divided into two sections: 'Female theatre workers in the social and theatrical realm' looks at the relationship between women's work - on and off stage - and autobiography, activism, technique, touring, education and the law. 'Women and popular performance' focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros and Oscar-winning film star Margaret Rutherford.

    • Trusted Partner
      Humanities & Social Sciences
      April 2020

      Me, not you

      The trouble with mainstream feminism

      by Alison Phipps

    • Trusted Partner
      Humanities & Social Sciences
      April 2020

      Me, not you

      The trouble with mainstream feminism

      by Alison Phipps

      This book performs an intervention into #MeToo and other recent feminist campaigns against sexual violence. In a right-moving world, women's anger about sexual violence has been celebrated as a progressive force. However, this politics cannot tackle the intersections of patriarchy, capitalism and colonialism which produce sexual violence. Phipps argues that the mainstream movement against sexual violence embodies a political whiteness which both reflects its demographics and limits its revolutionary potential. Privileged white women use their experiences as capital within the 'outrage economy' of the media, and rely on state power and institutional governance to purge 'bad men' from elite institutions with little concern for where they might appear next. Furthermore, the more reactionary branches of the feminist movement are complicit with the far-right, in their attacks on sex workers and trans people. This text is essential reading for scholars interested in the contemporary politics of sexual violence, and the feminist movement more generally.

    • Trusted Partner
      Humanities & Social Sciences
      April 2020

      Me, not you

      The trouble with mainstream feminism

      by Alison Phipps

    • Trusted Partner
      The Arts
      July 2019

      Stage women, 1900–50

      Female theatre workers and professional practice

      by Maggie B. Gale, Kate Dorney, Maggie B. Gale, Kate Dorney

      This book presents a collection of cutting-edge historical and cultural essays in the field of women, theatre and performance. The chapters explore women's networks of professional practice in the theatre and performance industries between 1900 and 1950, with a focus on women's sense and experience of professional agency in an industry largely controlled by men. The book is divided into two sections: 'Female theatre workers in the social and theatrical realm' looks at the relationship between women's work - on and off stage - and autobiography, activism, technique, touring, education and the law. 'Women and popular performance' focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros and Oscar-winning film star Margaret Rutherford.

    • Trusted Partner
      The Arts
      February 2022

      Counterpractice

      Psychoanalysis, politics and the art of French feminism

      by Rakhee Balaram, Marsha Meskimmon

      Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women's movement or Mouvement de Libération des Femmes (1970-81). It considers women's art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s - Hélène Cixous, Luce Irigaray and Julia Kristeva - forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May '68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.

    • Trusted Partner
      The Arts
      February 2022

      Counterpractice

      Psychoanalysis, politics and the art of French feminism

      by Rakhee Balaram, Marsha Meskimmon

      Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women's movement or Mouvement de Libération des Femmes (1970-81). It considers women's art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s - Hélène Cixous, Luce Irigaray and Julia Kristeva - forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May '68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.

    • Trusted Partner
      Business, Economics & Law
      March 2022

      The boundaries of international law

      A feminist analysis, with a new introduction

      by Hilary Charlesworth, Christine Chinkin, Jean d'Aspremont

      Representing the first book-length treatment of the application of feminist theories of international law, The boundaries of international law argues that the absence of women in the development of international law has produced a narrow and inadequate jurisprudence that has legitimated the unequal position of women worldwide rather than confronting it. The boundaries of international law provides a feminist perspective on the structure, processes and substance of international law, shedding new light on treaty law, the concept of statehood and the right of self-determination, the role of international institutions and the law of human rights. Concluding with a consideration of whether the inclusion of women in the jurisdiction of international war crimes tribunals represents a significant shift in the boundaries of international law, the book encourages a dramatic rethinking of the discipline of international law. With a new introduction that reflects on the profound changes in international law since the book's first publication in 2000, this provocative volume is essential reading for scholars, practitioners and students alike.

    • Trusted Partner
      Business, Economics & Law
      March 2022

      The boundaries of international law

      A feminist analysis, with a new introduction

      by Hilary Charlesworth, Christine Chinkin, Jean d'Aspremont

      Representing the first book-length treatment of the application of feminist theories of international law, The boundaries of international law argues that the absence of women in the development of international law has produced a narrow and inadequate jurisprudence that has legitimated the unequal position of women worldwide rather than confronting it. The boundaries of international law provides a feminist perspective on the structure, processes and substance of international law, shedding new light on treaty law, the concept of statehood and the right of self-determination, the role of international institutions and the law of human rights. Concluding with a consideration of whether the inclusion of women in the jurisdiction of international war crimes tribunals represents a significant shift in the boundaries of international law, the book encourages a dramatic rethinking of the discipline of international law. With a new introduction that reflects on the profound changes in international law since the book's first publication in 2000, this provocative volume is essential reading for scholars, practitioners and students alike.

    • Trusted Partner
      Business, Economics & Law
      March 2022

      The boundaries of international law

      A feminist analysis, with a new introduction

      by Hilary Charlesworth, Christine Chinkin, Jean d'Aspremont

      Representing the first book-length treatment of the application of feminist theories of international law, The boundaries of international law argues that the absence of women in the development of international law has produced a narrow and inadequate jurisprudence that has legitimated the unequal position of women worldwide rather than confronting it. The boundaries of international law provides a feminist perspective on the structure, processes and substance of international law, shedding new light on treaty law, the concept of statehood and the right of self-determination, the role of international institutions and the law of human rights. Concluding with a consideration of whether the inclusion of women in the jurisdiction of international war crimes tribunals represents a significant shift in the boundaries of international law, the book encourages a dramatic rethinking of the discipline of international law. With a new introduction that reflects on the profound changes in international law since the book's first publication in 2000, this provocative volume is essential reading for scholars, practitioners and students alike.

    • Trusted Partner
      Business, Economics & Law
      March 2022

      The boundaries of international law

      A feminist analysis, with a new introduction

      by Hilary Charlesworth, Christine Chinkin, Jean d'Aspremont

      Representing the first book-length treatment of the application of feminist theories of international law, The boundaries of international law argues that the absence of women in the development of international law has produced a narrow and inadequate jurisprudence that has legitimated the unequal position of women worldwide rather than confronting it. The boundaries of international law provides a feminist perspective on the structure, processes and substance of international law, shedding new light on treaty law, the concept of statehood and the right of self-determination, the role of international institutions and the law of human rights. Concluding with a consideration of whether the inclusion of women in the jurisdiction of international war crimes tribunals represents a significant shift in the boundaries of international law, the book encourages a dramatic rethinking of the discipline of international law. With a new introduction that reflects on the profound changes in international law since the book's first publication in 2000, this provocative volume is essential reading for scholars, practitioners and students alike.

    • Trusted Partner
      Humanities & Social Sciences
      February 2022

      Me, not you

      The trouble with mainstream feminism

      by Alison Phipps

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