Your Search Results(showing 6)

    • Crime & mysteryx
    • PaGe Literary Agencyx
    • Fiction

      Requiem for the Roses

      by Alejandra Ángeles

      Five young women - Alicia, Paula, Alondra, Constanza, and Marcela, are all cello students at the National Music Conservatory. They will run into a profesor who is obssessed with roses and young women, as much as he is obsessed with Vivaldi’s Four Seasons, which becomes the central leitmotif of Requien for the Roses, and the only common denominator between the women. Their five voices, and the voice of the professor, tell the story in a rhythm that closely follows Vivaldi’s score: Spring, Summer, Fall, and Winter are each one divided into three movements. The story follows the music. The novel is centered on the disappearance of three of the women – Alicia, Paula, and Alondra. Each one of them is a season: Alicia is Spring, Paula is Summer, and Alondra is Fall. Constanza, who is Winter, may or may not suffer the same destiny as their three predecessors. It may be up to her, or it may be up to the reader. While the destinies of Alicia, Paula, and Alondra has already been determined by their captor, and that of Constanza is up for grabs, Marcela, the fifth woman, search for answers as Alicia was her best friend. She immediately sets her eyes on the cello professor and his strange hobbies and habits.

    • Fiction

      Hotel California

      by Ramón Valdés Elizondo

      Damián flees from two assassins who are chasing him on a lonely desert road. He manages to elude them but his car is running out of gas. In the distance he discovers a hotel that looks abandoned from the outside. He knocks on the door and is greeted by Mercedes, a beautiful blonde who invites him in. Inside the hotel is spectacular: every detail is taken care of to perfection, but there is something shady lurking within its walls and corridors. Damián thinks he hears voices calling his name, although he attributes them to stress and fatigue. Our anguished protagonist lives a terrifying experience when he tries to leave the next day and inexplicable things happen that prevent him from doing so. Suddenly, Damian will be trapped in this place that changes, that whispers, that makes us doubt if he is living a nightmare or if everything is a product of his hallucinations. A novel written to the rhythm of rock, with nods to horror classics and a twist that will take you to a place you may never be able, or want, to leave.

    • Fiction

      Casta Diva

      by Alejandra Ángeles

      Alejandra Ángeles' first novel, "Casta Diva," also published by Fondo Blanco in 2023, is set in Mexico City and tells the story of two young women, Ágata and Catalina, who share the same dream: to become opera singers. This raises the question: what does it take to be an opera Diva? Ágata doesn't quite know, but she yearns to find out. Her questioning also touches Catalina, who senses the answer and plans the journey. Ágata has the voice, but not the character. Catalina, on the other hand, has the voice, the character, and the cunning to navigate the challenging operatic environment. Ágata comes from a small family background, while Catalina... Catalina brings the music, which will become an accomplice and intertwine their lives. Choruses, cantatas, zarzuelas, and operas will stage the situations they must face behind the scenes to secure a place at the Opera of Bellas Artes, and with it, the opportunity for something much greater.

    • Fiction

      Andreaa Constantin

      by Esteban Torres Lana

      A dangerous challenge at sea through a rock arch battered by strong waves. She ends up seriously injured in a leg when her friend Aurelio arrives at the cove. Overcoming her pain, she hides her injuries from Aurelio and tells him the extraordinary story of her mother, which propelled her to undertake such a madness. The story begins 6 years ago in Tenerife, with Nayra's expulsion from Philosophy class for the third time in a week, causing Pablo, her father, to pick her up from school and embark on a long day of disputes, confessions, and finally, complicities between them. Walking around Santa Cruz, canceling classes and professional commitments, Pablo and Nayra spend the day discovering a personal and sentimental reality that surprises them. The problems Nayra mentions with a group of immigrant classmates, along with the aggression Nayra shows towards her mother, Lola, prompt Pablo to tell her the unfinished story with Andreea, a high-class Romanian prostitute. Pablo cannot control the level of intimacy of the tale despite his own amazement, hearing himself say things he thought were unspeakable. Nayra responds, between disputes and affection, interspersing her own confidences, some of them having a strong impact, like the adventure with an immigrant who arrived on the beaches of Fuerteventura during a summer excursion. Neither tells the most intimate details of their stories truthfully, but they are accessible to the reader. Despite frequent arguments due to the teenager's incisive and groundbreaking language, their complicity grows and they end up spending the day together, walking through different places in the city. The story with Andreea takes on dramatic tones that completely captivate the young woman. Two suicides, the chase by Romanian mafia, returning to her hometown, searching for Pablo, Andreea’s struggle to regain her dignity and her artistic capacity through painting, and the apparent disappearance of her father's life, capture Nayra’s attention. Despite the narrative tricks used by Pablo, when night falls and they reach home, Nayra connects the dots and is surprised to discover that her perfectionist and successful mother, a recognized painter from Santa Cruz, with whom she has had a very conflictive season, is Andreea Constantin, the Romanian immigrant her father met as a high-class prostitute. After an initial reaction of rejection due to the ignorance in which she was kept, she understands her mother's situation. All the questions she always had about many details of her life arise with the discovery. A few years after discovering her identity, Andreea disappears from home. A call from Romania alerts them to the discovery of two charred bodies near her birthplace and the presence of her old exploiter nearby, who cursed her for life through a Transylvania ritual when she abandoned prostitution. Knowing she was discovered in Tenerife, Andreea tried to keep her family away from danger and returned to her country, where she was easy prey for the mafia. Pablo and his daughter Nayra fly to Bucharest to identify Andreea’s body, which may have been brutally murdered and burned. When it seems the identification will be negative, a small detail of the clothing makes them doubt. Desolate, they receive medical and psychological support from the Romanian team, but it turns out to be a false lead. Andreea is rescued from a hideout and has survived due to a misunderstanding by her captors. Protected by the Romanian police, she later becomes a key witness whose testimony ends the dangerous band of her pimp. But that bravery comes at a price; 2 years later, she does not return from an art exhibition in Paris. The police believe that her exploiter’s curse was fulfilled by a nephew who visited him in prison shortly before his death and was seen in Paris during the days Andreea had the exhibition. After a year of anguish, Nayra can no longer bear the situation and decides to mourn her mother at the cove where she painted her last picture. It had as its background the rock arch symbolizing the risk of living and facing life’s challenges. Nayra considers her mother lost and throws Andreea’s ashes into the sea, symbolized by those of a magnolia branch she planted many years ago. With this, she internalizes the loss and the fighting values Andreea taught her. The exit from the volcanic cove is a song to the life that continues and to the young woman who represents it. The novel is dedicated to the memory of Andreea Constantin and the thousands of women sexually exploited around the world.

    • Fiction

      All That We Don´t Know

      by María de Alva

      Four children have to deal with the killing of their father in violent, 1970's Northern Mexico. Grief does not stop because nobody in the family wants to talk about the murder for fear of disrupting family unity. The story is written from the perspective of four narrators. The first is a woman who tries to find the truth using her own recollection, photographs and a USB. A second narrator is a police detective who was the lead investigator of the killing and keeps a detailed file and realizes something doesn´t quite add up. A third narrator is a middle-aged woman, facing a cancer diagnosis and who, in the middle of treatment, starts remembering things about her father. The novel takes us deep into the dark wolrd of the 23 September Communist guerrilla in Mexico, weaving elements of historical fact and fiction, and trying desperately to answer questions about the need to for the truth.

    • Fiction

      The Roots of All Evil

      by Paola G. Gasca

      A black and white photograph; a little girl; a small town. Dolores and Jacinta are sisters-in-law who cope with parallel grief. Dolores cannot seem to find a place inside her husband’s heart, not a simple life as she is surrounded by children. Jacinta carries the burden and sadness of being unable to get pregnant. It will be Inés, one of Dolores’ daughters, who strikes the balance and determines the destiny, love, and loss path not only of those women, but of the entire town. The Roots of All Evil happens in a town where hate is so deeply grounded, and where stories get tangled up with superstition, and where the roots of both touch each other, to the point where reality is suspended between veils of evil and sheer coincidence.

    Subscribe to our

    newsletter